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Paula Siebra, Mesa de cabeceira com revólver, luvas e flor | Table de chevet avec revolver, gants et fleur, 2025, huile sur toile, 30 x 40 cm, MW.PSI.267, Photo credit: EstudioEmObra, Courtesy of the artist and Mendes Wood DM, São Paulo, Brussels, Paris, New York, Copyright The Artist

Mendes Wood DM

Liliana Porter, Red Sand, 2021 - Courtesy of the artist and mor charpentier Paris.

mor charpentier

Michel Rein

Sophie Whettnall 1973, Belgium

"Invisible"

  • Sophie Whettnall, Invisible landscape, 2025, soie perforée, cadre cuivre, 51,5 x 40 x 3,5 cm, Photo © Isabelle Arthuis, Courtesy of the artist and Michel Rein, Paris/Brussels

Sophie Whettnall, Invisible landscape, 2025, soie perforée, cadre cuivre, 51,5 x 40 x 3,5 cm, Photo © Isabelle Arthuis, Courtesy of the artist and Michel Rein, Paris/Brussels

Michel Rein is pleased to present InVisible, the sixth solo exhibition of Sophie Whettnall at the gallery.
Sophie Whettnall’s practice, which combines video, drawing, performance, and installation, revolves around an ongoing exploration of light, its appearances, absences, and movements. Her works, both sensitive and powerful, take form through physical, repetitive, and meditative gestures, where time becomes matter.

With InVisible, the artist continues this reflection on what eludes the gaze, what is no longer seen or rarely noticed.

The exhibition creates a tension between presence and erasure, questioning the mechanisms of hyper-visibility in contemporary societies. It is an attempt to resist noise with silence, spectacle with restraint.

D’une rive, l’autre opens the exhibition with a sculpture created in Conflans-Sainte-Honorine, along the Seine. Inspired by the landscape visible from the opposite bank—close yet inaccessible—the work  results from a dialogue between public and private space. It creates a space within a space, allowing for  contemplation or a revisit of the landscape. In this piece, Sophie Whettnall balances the monumental  and the everyday, the intimate and the transparent: a fertile opposition where magic happens.  

This tension between direct perception and withdrawal continues in a series of works on satin—Invisible & Shifting Landscape. Since 2022, Sophie Whettnall has been using this fluid, reflective, and elusive fabric, which is also associated with the feminine. She prints discreet, almost ghostly forms onto it. By playing with shadows and reflections, the artist questions the invisibilization of women, their gestures, and their memories. These works reveal as much as they conceal, inviting a sensitive attention, echoing the themes of disappearance and appearance that run throughout the exhibition.

This intimate relationship with landscape takes sculptural form in Layer Cake. Each sculpture combines a stool, a pedestal, a copper plate, and a Fontainebleau rock painted with India ink. These compositions, like a forest of stones, evoke nature contained within the exhibition space. The sculptures converse with a Japanese landscape aesthetic based on careful observation, slowness, and the layering of forms and materials. The confrontation between nature’s time and exhibition time is tangible here, in these stratified objects where each layer carries a memory, a gesture, a tension. This logic of layers and lines directly resonates with the Plaster Landscape series displayed upstairs in the gallery.

There, Sophie Whettnall creates abstract topographies from torn paper, forming mental landscapes traversed by memory, erosion, and perception. These works demonstrate the same attention to material, to fragments, and to the slow development of forms, where the invisible emerges in the interstices of the paper.

This exploration unfolds on a much larger scale in Ratrack Project, a diptych video installation. Created during a residency at the 3D Foundation in Verbier, the work stages a monumental and ephemeral drawing traced in the snow using a snowcat, whose original purpose was subverted to create this performance. This landscape-scale drawing engages not only the mountainside as a support but also involves mountain workers who participated in the act. A bond was formed through this collaboration. The result, partially uncontrollable, exists on the boundary of the visible, between mastery and chance. The landscape becomes a living archive—fragile, ephemeral.

Born in 1973, Sophie Whettnall lives and works in Brussels. Winner of the Belgian Art Prize in 1999, her work has been exhibited notably at the 52nd Venice Biennale, at MAC’S Grand Hornu, BOZAR and La Centrale (Brussels), Utah Museum of Fine Arts (Salt Lake City), Galleria degli Uffizi (Florence), CGAC (Santiago de Compostela), Museu de Arte Moderna Aloísio Magalhães (Brazil), COAC (Barcelona), STUK (Leuven), Chiostri di San Pietro, and La Fondazione Palazzo Magnani (Reggio Emilia), as well as at TANK (Shanghai, Wiels Selection). Her works are part of numerous public and private collections, both in Belgium and internationally.

Solo show of Sophie Whettnall

From May 22nd to July 26th, 2025

Rendez-Vous

Saturday 24 May 2025 from 2:00 pm to 7:00 pm

Opening – Michel Rein

View all events
42 Rue de Turenne
75003 Paris, France
01 42 72 68 13 michelrein.com

The gallery

Michel Rein was founded in 1992 in Tours, then moved to Paris in 2000. Since 2013, we have a second space in Brussels.
The Gallery has long-term partnerships with emerging and established artists, French and international.
We are focused on artists who question the contemporary world in a poetic way. Ecological, minorities or historical issues are at the heart of our commitment.
Most of our artists participated to major international events. Our gallery is a partner to International museums and private/public collections worldwide.
We are participating for thirty years to international art fairs (Art Basel, Art Basel Paris, Art Brussels, Art Genève, Miart, ARCO, The Armory show,…)

Gallery artists

Maria Thereza Alves, Jean-Pierre Bertrand, Sébastien Bonin, Mariana Bunimov, A.K. Burns, Michele Ciacciofera, Jordi Colomer, Abigail DeVille, Jimmie Durham, Didier Fiúza Faustino, Dora García, Apóstolos Georgíou, Piero Gilardi, Mathew Hale, Christian Hidaka, Jean-Charles Hue, Armand Jalut, Ariane Loze, Didier Marcel, Stefan Nikolaev, Dan Perjovschi, Frank Perrin, Elisa Pône, Mark Raidpere, Enrique Ramírez, Michael Riedel, Hugo Ruyant, Edgar Sarin, Anne-Marie Schneider, Franck Scurti, Allan Sekula, Marinella Senatore, Agnès Thurnauer, Luca Vitone, Sophie Whettnall

Galerie sélectionnée par Audrey Guttman

In the thematic « Art contemporain »

Simon Hantaï, Blancs, 1974, acrylique sur toile 192 x 180 cm

Galerie Larock-Granoff

Pierre Alechinsky, Claude Bellegarde, Gaston Chaissac, Jean Couty, Jean Degottex, René Duvillier, André Fougeron, Françoise Gilot, Simon Hantaï, Daniel Hourdé, Hans Hartung, Philippe Hiquily, Kolos-Vary, Charles Lapicque, Lili Le Gouvello, Jean Messagier, Isabel Michel, Joan Miró, Amédée Ozenfant, Paul Rebeyrolle, Antonio Saura et Pierre Tal Coat

--

"Hommage à Pierre Larock, une génération d'artistes"

Thomas Paquet, Arc en ciel, 2023, signé, daté et numéroté au verso, Impression à l'agrandisseur sur papier sur papier argentique brillant, 61 x 50 cm.

Bigaignon

Thomas Paquet 1979, France

"Oh lumière !"

Diego Bianchi, Jacobsen, 2019, chrome pipes, wood, plastic, 181 x 150 x 80 cm

Galerie Jocelyn Wolff

Diego Bianchi 1969, Argentina

"ThéâtrEErreuR"

In the thematic « Artistes femmes »

Femme Jibóia, Kássia Borges Mytara, photo Sami Korhonen @ricardofernandesgallery

Ricardo Fernandes

Kássia Borges Mytara 1962, Brazil

"'Femme Jibóia"

Afaf Zurayk, untitled, watercolour and crayon on canvas, 40x40cm. Courtesy of the artist.

15 Beautreillis

Amy Todman, Afaf Zurayk

--

"Light Enters"

Photo by Matt Emonson

Galerie Lelong

Alison Saar 1956, United States

"Sweet Life"

In the thematic « Contemporary Art »

Osvaldo González - Descendencia, exhibition view - GALLERIA CONTINUA, Paris (C) Hafid Lhachmi - ADAGP Paris, 2025

GALLERIA CONTINUA

Osvaldo González 1982, Cuba

"Descendencia"

Galerie SIT DOWN

Jean-Michel André 1976, France

"Chambre 207"

Jean-Baptiste Caron, Carton 2, Courtesy of the artist

22,48 m²

Jean-Baptiste Caron 1983, France

"FORCES EN PRÉSENCE"

In the thematic « Installation »

En premier plan : Cristina Almodóvar, AFFLEUREMENT ROCHEUX, 2024, Carton collé sur bois et vernis, 140 x 220 x 80 cm

En arrière plan : Cristina Almodóvar, MARCOS, Evasion, 2025, Encre sur papier encadré, carton encollé et vernis, 177 x 295 cm

Galerie Dutko

Cristina Almodóvar 1970, Spain

"Au-delà de la matière"

Tai Shani, Our Astrolatrous Commune, 2023 © Fabio Mantegna

Galerie Suzanne Tarasieve

Carte blanche à Camille Bréchignac

--

Tai Shani 1976, England

Axel Pahlavi, Poussière de Lumière, 2025, oil on wood, 64 x 96 cm, Courtesy H Gallery, Paris

H Gallery

Axel Pahlavi 1975, Iran

"Hyperclassique" // "Abîme moderne" // " Intégrale du réel"

In the thematic « Painting »

Simon Hantaï, Blancs, 1974, acrylique sur toile 192 x 180 cm

Galerie Larock-Granoff

Pierre Alechinsky, Claude Bellegarde, Gaston Chaissac, Jean Couty, Jean Degottex, René Duvillier, André Fougeron, Françoise Gilot, Simon Hantaï, Daniel Hourdé, Hans Hartung, Philippe Hiquily, Kolos-Vary, Charles Lapicque, Lili Le Gouvello, Jean Messagier, Isabel Michel, Joan Miró, Amédée Ozenfant, Paul Rebeyrolle, Antonio Saura et Pierre Tal Coat

--

"Hommage à Pierre Larock, une génération d'artistes"

Axel Pahlavi, Poussière de Lumière, 2025, oil on wood, 64 x 96 cm, Courtesy H Gallery, Paris

H Gallery

Axel Pahlavi 1975, Iran

"Hyperclassique" // "Abîme moderne" // " Intégrale du réel"

YOO Hye-Sook, M250405, 2025, acrylique et encre sur toile / acrylic and ink on canvas, 49,5 x 49,5 cm, © photo Nicolas Pfeiffer, Courtoisie Yoo Hye-Sook & Galerie Maria Lund

Galerie Maria Lund

Yoo Hye-Sook 1964, Republic of Korea

"Acte II"

In the thematic « Peinture »

Georg Baselitz, Indigene liegen im Farnkraut, 2025, Oil on canvas, 300 x 430 cm (118,11 x 169,29 in), signed, dated and titled verso. Courtesy Galerie Thaddaeus Ropac, London · Paris · Salzburg · Milan · Seoul © Georg Baselitz

Thaddaeus Ropac

Georg Baselitz 1938, Germany

"Ein Bein von Manet aus Paris"

Galerie Taménaga

Jean-Pierre Cassigneul 1935, France

"Jean-Pierre Cassigneul : Carnets intimes"

Simon Hantaï, Blancs, 1974, acrylique sur toile 192 x 180 cm

Galerie Larock-Granoff

Pierre Alechinsky, Claude Bellegarde, Gaston Chaissac, Jean Couty, Jean Degottex, René Duvillier, André Fougeron, Françoise Gilot, Simon Hantaï, Daniel Hourdé, Hans Hartung, Philippe Hiquily, Kolos-Vary, Charles Lapicque, Lili Le Gouvello, Jean Messagier, Isabel Michel, Joan Miró, Amédée Ozenfant, Paul Rebeyrolle, Antonio Saura et Pierre Tal Coat

--

"Hommage à Pierre Larock, une génération d'artistes"

In the thematic « Performance Art »

Axel Pahlavi, Poussière de Lumière, 2025, oil on wood, 64 x 96 cm, Courtesy H Gallery, Paris

H Gallery

Axel Pahlavi 1975, Iran

"Hyperclassique" // "Abîme moderne" // " Intégrale du réel"

Joris Van de Moortel
music enjoys direct access to the soul, has an immediate echo of response since we have music within ourselves, 2025, Huile sur lin et cadre en acier de l’artiste avec deux sculptures de tête faites en résine acrylique et patine effet bronze (une avec le nez droit et une avec le nez cassé)

Galerie Nathalie Obadia

Joris Van de Moortel 1983, Belgium

"Le poids du ciel illumine la terre"

Femme Jibóia, Kássia Borges Mytara, photo Sami Korhonen @ricardofernandesgallery

Ricardo Fernandes

Kássia Borges Mytara 1962, Brazil

"'Femme Jibóia"

In the thematic « Sculpture »

Miguel CHEVALIER, Pixels Infini (jaune - orange), 2011, Sérigraphie sur miroir sans tain, néons, 80 x 80 x 15 cm, Oeuvre unique

Galerie Lélia Mordoch

Miguel Chevalier, Keren, Julio Le Parc, Jean-Claude Meynard

--

"Fractales Toujours"

PABLO PICASSO (1881-1973), Femme agenouillée se coiffant,  1906, Numéroté : 1/10,
Porte le cachet du fondeur : C. Valsuani Cire Perdue, Bronze à patine nuancée, Hauteur : 40 cm. Succession Picasso 2025. Crédit Photo : Cécil Mathieu

HELENE BAILLY

Pablo Picasso 1881 — 1973, Spain

Hans Josephsohn, Untitled, 1971, Brass, 66 x 218 x 59 cm (25,98 x 85,83 x 23,23 in), Ed. 2 of 6 + 2 AP, Courtesy Galerie Thaddaeus Ropac, London · Paris · Salzburg · Milan · Seoul
© Josephsohn Estate

Thaddaeus Ropac

Hans Josephsohn 1920 — 2012, Switzerland

"Sculptures 1952 - 2002"

In the thematic « Women Artists »

Titina Maselli, Calciatori e città, 1973, Acrylic on canvas

Galerie Raphaël Durazzo

Titina Maselli 1924 — 2005, Italy

"Panta Rhei – Everything flows"

Jeanne Vicerial, Présence Amnios, 2025, Cordes, fils, cuivre et laiton doré à l'or fin, Photographie : Laurent Edeline, Courtesy TEMPLON, Paris-Bruxelles-New York

TEMPLON, Paris-Bruxelles-New York

Jeanne Vicerial 1991, France

"Nymphose"

Sophie Calle, Troublante croisière (divergence de points de vue), 2023,

Perrotin

Sophie Calle 1953, France

"Séance de rattrapage"

In the tour « Marais »

Bernard Requichot,

Galerie Alain Margaron

Bernard Réquichot 1929 — 1961, France

"Bernard Réquichot, penser par la peinture"

Osvaldo González - Descendencia, exhibition view - GALLERIA CONTINUA, Paris (C) Hafid Lhachmi - ADAGP Paris, 2025

GALLERIA CONTINUA

Osvaldo González 1982, Cuba

"Descendencia"

GaHee Park, Incarnation, 2025, Oil on linen, 172.7 x 182.9 cm, Photo: Paul Litherland, Courtesy of the artist and Perrotin

Perrotin

GaHee Park 1985, South Korea

"Not Quite Tomorrow"

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