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Cédric Quissola, Avalanche, 2018

Ségolène Brossette Galerie

Jeanne Vicerial, Présence Amnios, 2025, Cordes, fils, cuivre et laiton doré à l'or fin, Photographie : Laurent Edeline, Courtesy TEMPLON, Paris-Bruxelles-New York

TEMPLON, Paris-Bruxelles-New York

Semiose

Anne Neukamp 1976, Germany

"Mirror"

  • Anne Neukamp, Diplopia, 2025. Photo Eric Tschernow. Courtesy Semiose, Paris

Anne Neukamp, Diplopia, 2025. Photo Eric Tschernow. Courtesy Semiose, Paris

Anne Neukamp’s art critically examines the media environment of the time, blurring the lines. By degrading and hybridizing signs from the communications industry, her paintings empty of meaning symbols that are supposed to clarify and convey information. More mischievous than deceptive, they require the viewer to completely recondition his or her image-reading habits. Thus defamiliarized, the motifs capitulate to the almost monochromatic patches of color that surround them. Mixing very different registers and techniques – oil, tempera and acrylic – Anne Neukamp combines several traditions on a single canvas. The implicit meanings and figurative associations sown in her paintings encourage us to trust the intelligence of a conceptual approach, without giving up contemplation, in the very primary sense of the term.

Born in 1976, Anne Neukamp lives and works in Berlin. A resident of the ISCP in New York and a graduate of the Dresden School of Fine Arts, where she now teaches, her work has been exhibited at the Leopold Hoesch Museum in Düren and the Ludwig Museum in Budapest (2023), the Beaux-Arts de Paris (exhibition We Paint! in 2022), at the University of the Arts | Rosenwald Wolf Gallery in Philadelphia (2018), at the KW in Berlin and the Kunstverein in Oldenburg (2013), at the Palais de Tokyo for the fifth Prix Jean-François Prat (2016). His works can be found in numerous private and public collections, including those of the Musée des Beaux-Arts de Rennes, the Musée de Rochechouart, Société Générale, the Fonds de dotation Bredin-Prat and the Fonds de dotation Famille Moulin – Lafayette Anticipations.

Solo show of Anne Neukamp

From May 17th to June 21st, 2025

44 Rue Quincampoix
75004 Paris, France
09 79 26 16 38 semiose.com

The gallery

Founded in 2007 in the 20th arrondissement of Paris before moving to Le Marais in 2011, Semiose immediately established itself in the art scene as a gallery with a programming rooted in the margins. Nourished by underground cultures, it champions forms and ideas born in political, social, or geographical fringes.

The practice of citation serves as a common thread among the artists represented by the gallery and raises complex questions related to the creation and dissemination of images, the role and meaning of archives, and visual culture at large. Semiose promotes an aesthetic based on questions of taste and, consequently, cultural hierarchies. Techniques of collage, appropriation, and détournement are shared by most artists, leading to a converging interest in representation, referencing the real and the everyday.

Young artists mingle with historical figures or those of international stature. Over time and through a patient professional network, institutions and public collections have forged unbreakable bonds with the artists promoted by the gallery. Semiose also goes beyond mere representation of artists: it fully plays its role in the art ecosystem with a scientific and curatorial approach. It ensures the production of artworks and oversees rigorous documentary and archival work around the represented artists.

Semiose further expands its activities through a publishing house, Semiose éditions. Available internationally, over a hundred titles have been published to date, including monographs, artist books, writings and essays, a magazine, and a collection of artists' coloring books.

Gallery artists

Salvatore Arancio, Amélie Bertrand, Olaf Breuning, William S. Burroughs, Hugo Capron, Anthony Cudahy, Oli Epp, Steve Gianakos, Sébastien Gouju, Otis Jones, Aneta Kajzer, Laurent Le Deunff, Anne Neukamp, Justin Liam O’Brien, Françoise Pétrovitch, Abraham Poincheval, Présence Panchounette, Laurent Proux, Stefan Rinck, Ernest T., Moffat Takadiwa, Julien Tiberi, Gert & Uwe Tobias, Philemona Williamson, Xie Lei

Galerie sélectionnée par Alexia Guggémos et Anaël Pigeat

In the thematic « Contemporary Art »

GaHee Park, Incarnation, 2025, Oil on linen, 172.7 x 182.9 cm, Photo: Paul Litherland, Courtesy of the artist and Perrotin

Perrotin

GaHee Park 1985, South Korea

"Not Quite Tomorrow"

Countrejour in the French Style, 1974, Gravure, 75 exemplaires, 99,5 × 91,5 cm © David Hockney / Courtesy Galerie Lelong

Galerie Lelong

David Hockney 1937, United Kingdom

"Impressions"

Mathieu Dufois, Lambeaux, Dessin à la pierre noire, 42 x 76 cm, Pièce unique, 2024

Galerie C

Mathieu Dufois 1984, France

"Là où repose la lumière flottent les cendres"

In the thematic « Painting »

Galerie Nathalie Obadia

Fabrice Hyber 1961, France

"Apocalyipstick"

Yves Klein, L’Esclave mourant d’après Michel-Ange, 1962

Galerie Jean-François Cazeau

Eduardo Arroyo, César, Gaston Chaissac, Paul Delvaux, Leonor Fini, Gen Paul, Henri Hayden, Auguste Herbin, Marcel Janco, Paul Klee, Yves Klein, Jean Lacombe, Fernand Léger, Eugène Leroy, Aristide Maillol, André Masson, Amedeo Modigliani, Pablo Picasso, Paul Elie Ranson, Auguste Renoir, Ker-Xavier Roussel, Niki de Saint-Phalle, Kees Van Dongen

--

"La Figuration dans tous ses états"

© Sarah Crowner, courtesy the artist and Galerie Max Hetzler Berlin | Paris | London | Marfa. Photo: Thomas Lannes

Galerie Max Hetzler

Sarah Crowner 1974, United States

"Tableaux en Laine, Pierres en Bronze"

In the thematic « Women Artists »

© Sarah Crowner, courtesy the artist and Galerie Max Hetzler Berlin | Paris | London | Marfa. Photo: Thomas Lannes

Galerie Max Hetzler

Sarah Crowner 1974, United States

"Tableaux en Laine, Pierres en Bronze"

Laura Huertas Millán, El laberinto, 2018, 21 mins, 16 mm into HD, images founded, Courtesy de l'artiste.

Marcelle Alix

Ella C Bernard, Cécile Bouffard, Omar Castillo Alfaro, Caroline Rose Curdy, Pierre Dumaire, Laura Huertas Millán, Liz Magor, Rafael Moreno, Nicole, Hatice Pinarbaşi et Jean-Charles de Quillacq

--

"El fantasma de Tennessee"

Stéphané Edith Conradie, Klinkende Simbaal II, 2025, Assemblage d’éléments divers, Courtesy Ceysson & Bénétière

Ceysson & Bénétière

Stephané Edith Conradie 1990, Namibia

In the tour « Marais »

Yves Klein, L’Esclave mourant d’après Michel-Ange, 1962

Galerie Jean-François Cazeau

Eduardo Arroyo, César, Gaston Chaissac, Paul Delvaux, Leonor Fini, Gen Paul, Henri Hayden, Auguste Herbin, Marcel Janco, Paul Klee, Yves Klein, Jean Lacombe, Fernand Léger, Eugène Leroy, Aristide Maillol, André Masson, Amedeo Modigliani, Pablo Picasso, Paul Elie Ranson, Auguste Renoir, Ker-Xavier Roussel, Niki de Saint-Phalle, Kees Van Dongen

--

"La Figuration dans tous ses états"

Thomas Paquet, Arc en ciel, 2023, signé, daté et numéroté au verso, Impression à l'agrandisseur sur papier sur papier argentique brillant, 61 x 50 cm.

Bigaignon

Thomas Paquet 1979, France

"Oh lumière !"

Jeanne Vicerial, Présence Amnios, 2025, Cordes, fils, cuivre et laiton doré à l'or fin, Photographie : Laurent Edeline, Courtesy TEMPLON, Paris-Bruxelles-New York

TEMPLON, Paris-Bruxelles-New York

Jeanne Vicerial 1991, France

"Nymphose"

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