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23 • 24 • 25 May 2025

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Cédric Quissola, Avalanche, 2018

Ségolène Brossette Galerie

Jeanne Vicerial, Présence Amnios, 2025, Cordes, fils, cuivre et laiton doré à l'or fin, Photographie : Laurent Edeline, Courtesy TEMPLON, Paris-Bruxelles-New York

TEMPLON, Paris-Bruxelles-New York

Semiose

Anne Neukamp 1976, Germany

"Mirror"

  • Anne Neukamp, Diplopia, 2025. Photo Eric Tschernow. Courtesy Semiose, Paris

Anne Neukamp, Diplopia, 2025. Photo Eric Tschernow. Courtesy Semiose, Paris

Anne Neukamp’s art critically examines the media environment of the time, blurring the lines. By degrading and hybridizing signs from the communications industry, her paintings empty of meaning symbols that are supposed to clarify and convey information. More mischievous than deceptive, they require the viewer to completely recondition his or her image-reading habits. Thus defamiliarized, the motifs capitulate to the almost monochromatic patches of color that surround them. Mixing very different registers and techniques – oil, tempera and acrylic – Anne Neukamp combines several traditions on a single canvas. The implicit meanings and figurative associations sown in her paintings encourage us to trust the intelligence of a conceptual approach, without giving up contemplation, in the very primary sense of the term.

Born in 1976, Anne Neukamp lives and works in Berlin. A resident of the ISCP in New York and a graduate of the Dresden School of Fine Arts, where she now teaches, her work has been exhibited at the Leopold Hoesch Museum in Düren and the Ludwig Museum in Budapest (2023), the Beaux-Arts de Paris (exhibition We Paint! in 2022), at the University of the Arts | Rosenwald Wolf Gallery in Philadelphia (2018), at the KW in Berlin and the Kunstverein in Oldenburg (2013), at the Palais de Tokyo for the fifth Prix Jean-François Prat (2016). His works can be found in numerous private and public collections, including those of the Musée des Beaux-Arts de Rennes, the Musée de Rochechouart, Société Générale, the Fonds de dotation Bredin-Prat and the Fonds de dotation Famille Moulin – Lafayette Anticipations.

Solo show of Anne Neukamp

From May 17th to June 21st, 2025

44 Rue Quincampoix
75004 Paris, France
09 79 26 16 38 semiose.com

The gallery

Founded in 2007 in the 20th arrondissement of Paris before moving to Le Marais in 2011, Semiose immediately established itself in the art scene as a gallery with a programming rooted in the margins. Nourished by underground cultures, it champions forms and ideas born in political, social, or geographical fringes.

The practice of citation serves as a common thread among the artists represented by the gallery and raises complex questions related to the creation and dissemination of images, the role and meaning of archives, and visual culture at large. Semiose promotes an aesthetic based on questions of taste and, consequently, cultural hierarchies. Techniques of collage, appropriation, and détournement are shared by most artists, leading to a converging interest in representation, referencing the real and the everyday.

Young artists mingle with historical figures or those of international stature. Over time and through a patient professional network, institutions and public collections have forged unbreakable bonds with the artists promoted by the gallery. Semiose also goes beyond mere representation of artists: it fully plays its role in the art ecosystem with a scientific and curatorial approach. It ensures the production of artworks and oversees rigorous documentary and archival work around the represented artists.

Semiose further expands its activities through a publishing house, Semiose éditions. Available internationally, over a hundred titles have been published to date, including monographs, artist books, writings and essays, a magazine, and a collection of artists' coloring books.

Gallery artists

Salvatore Arancio, Amélie Bertrand, Olaf Breuning, William S. Burroughs, Hugo Capron, Anthony Cudahy, Oli Epp, Steve Gianakos, Sébastien Gouju, Otis Jones, Aneta Kajzer, Laurent Le Deunff, Anne Neukamp, Justin Liam O’Brien, Françoise Pétrovitch, Abraham Poincheval, Présence Panchounette, Laurent Proux, Stefan Rinck, Ernest T., Moffat Takadiwa, Julien Tiberi, Gert & Uwe Tobias, Philemona Williamson, Xie Lei

Galerie sélectionnée par Alexia Guggémos et Anaël Pigeat

In the thematic « Contemporary Art »

Julio Villani, Lettres Brisées, 2024, Acrylique, fusain, kaolin sur toile
Courtesy RX&SLAG
ADAGP

Galerie RX&SLAG

Julio Villani 1956, Brasil

"L'eau rougie de la veine mémoire"

Hessie

Galerie Arnaud Lefebvre

Hessie, Olga Theuriet, Jessye Wdowin-McGregor

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"Temps perdu, partie 2"

Stéphané Edith Conradie, Klinkende Simbaal II, 2025, Assemblage d’éléments divers, Courtesy Ceysson & Bénétière

Ceysson & Bénétière

Stephané Edith Conradie 1990, Namibia

In the thematic « Painting »

 Arnulf Rainer
Sans titre, 1987/1988
Crayon gras et huile sur toile, 200,5 × 124 cm
© Arnulf Rainer. Courtesy Galerie Lelong

Galerie Lelong

Arnulf Rainer 1929, Austria

"Reminiszenz"

1955-2025

Renaud Auguste-Dormeuil, Le Tourbillon de la Vie #01, 2013, Impression Lambda contrecollée sur aluminium, 120 x 150 cm, Edition de 5 ex + 1 AP, © Renaud Auguste-Dormeuil, Courtesy de l'artiste & galerie In Situ - fabienne leclerc, Grand Paris

galerie Sator

Renaud Auguste-Dormeuil, Djabril Boukhenaïssi, Raphaël Denis, Alessandro Di Lorenzo, Gabriel Leger, Éric Manigaud, Bruno Pélassy, Kelly Sinnapah Mary, Thiên Ngoc Ngo Rioufol

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"De l'effacement de la figure humaine"

Laura Garcia Karras, Oraison, 2024, Huile sur toile, 180 x 150 cm, Courtesy de l’artiste et Galerie Anne-Sarah Bénichou

Galerie Anne-Sarah Bénichou

Laura Garcia Karras 1988, France

"Calisté"

In the thematic « Women Artists »

Zhanna Kadyrova - Strategic locations, exhibition view - GALLERIA CONTINUA, Paris (C) Hafid Lhachmi - ADAGP Paris, 2025

GALLERIA CONTINUA

Zhanna Kadyrova 1981, Ukraine

"Strategic Locations"

Soufia Erfanian,
I Truly Love Both of You, 2024, Acrylique sur toile, 230 x 180 cm.

Galerie Christophe Gaillard

Soufia Erfanian 1990, Iran

"Lies That Bled Blue"

Raphaëlle Peria, Le brouillard des sentiments, grattage sur photographie, 80x60cm, 2025.

Galerie Papillon

Raphaëlle Peria 1989, France

"Si j’étais un arbre, je serais toi"

In the tour « Marais »

Joris Van de Moortel
music enjoys direct access to the soul, has an immediate echo of response since we have music within ourselves, 2025, Huile sur lin et cadre en acier de l’artiste avec deux sculptures de tête faites en résine acrylique et patine effet bronze (une avec le nez droit et une avec le nez cassé)

Galerie Nathalie Obadia

Joris Van de Moortel 1983, Belgium

"Le poids du ciel illumine la terre"

Hans Josephsohn, Untitled, 1971, Brass, 66 x 218 x 59 cm (25,98 x 85,83 x 23,23 in), Ed. 2 of 6 + 2 AP, Courtesy Galerie Thaddaeus Ropac, London · Paris · Salzburg · Milan · Seoul
© Josephsohn Estate

Thaddaeus Ropac

Hans Josephsohn 1920 — 2012, Switzerland

"Sculptures 1952 - 2002"

Charles Le Hyaric, Les jours bleus, 2024, Peinture à l’huile, peinture en spray sur papier, 75 x 110 cm

Galerie Papillon

Cathryn Boch, Erik Dietman, Joël Kermarrec, Jürgen Klauke, Charles Le Hyaric, Frédérique Loutz, Javier Pérez, Raphaëlle Peria, JC Ruggirello,Didier Trenet

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"Des dessins"

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