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Axel Pahlavi, Poussière de Lumière, 2025, oil on wood, 64 x 96 cm, Courtesy H Gallery, Paris

H Gallery

Amir Nave, From the body of the mortal, a split splits toward the other side, 2023, Encre sur papier, 27 x 20 cm
© Amir Nave, courtesy de l'artiste & galerie In Situ - fabienne leclerc, Grand Paris

In Situ - fabienne leclerc

HELENE BAILLY

Pablo Picasso 1881 — 1973, Spain

  • PABLO PICASSO (1881-1973), Femme agenouillée se coiffant,  1906, Numéroté : 1/10,
Porte le cachet du fondeur : C. Valsuani Cire Perdue, Bronze à patine nuancée, Hauteur : 40 cm. Succession Picasso 2025. Crédit Photo : Cécil Mathieu

PABLO PICASSO (1881-1973), Femme agenouillée se coiffant, 1906, Numéroté : 1/10, Porte le cachet du fondeur : C. Valsuani Cire Perdue, Bronze à patine nuancée, Hauteur : 40 cm. Succession Picasso 2025. Crédit Photo : Cécil Mathieu

Galerie HELENE BAILLY is proud to present during Paris Gallery Weekend:

A monograph of Pablo Picasso (1881 – 1973), considered the greatest genius of the twentieth century, Picasso always drew major inspiration from his female companions, who marked both his life and his work.

One of the works on show is a typical example. In Femme Se Coiffant (1906), the young woman’s face is a supposed portrait of Fernande Olivier, Picasso’s companion and muse from 1904 to 1912. She played a key role in his representations and the evolution of his style, particularly in his treatment of the portrait and the female body: from the end of the Blue Period to the invention of Cubism.

Influenced by Degas, Rodin and Medardo Rosso, Picasso discovered the work of Gauguin and non-Western art through Gertrude Stein. This decisive encounter led him to experiment with a bold stylization of form and volume. In this work, the influence of Gauguin’s sculptures is evident; playing with distortion, he gives her a robust body reminiscent of primitive sculpture, while maintaining a classical pose. The schematized face, however, already heralds Cubism.

Copy 1/10 is part of our collection. Another copy, 9/10, is now in the Musée Picasso, testifying to the importance of these experiments. Our model was given by Picasso in 1968 to the collector Raoul Pellequer, brother of Max Pellequer, who was the artist’s financial advisor for over thirty years, but above all his friend and one of his most important collectors.

We look forward to welcoming you to the gallery to discover this landmark monograph during Paris Gallery Weekend.

Solo show of Pablo Picasso

From May 13rd to June 10th, 2025

71 Rue du Faubourg Saint-Honoré
75008 Paris, France
01 44 51 51 51 www.helenebailly.com

The gallery

Founded by Hélène Bailly Marcilhac in 2007, the gallery has been located at 71, rue du Faubourg Saint-Honoré in Paris since 2015.

The gallery is dedicated to defending avant-garde artists from the 19th and 20th centuries.

By tracing the evolution of a theme over the years, it seeks to recontextualize each piece by drawing connections between different generations of artists, artistic movements, and techniques.

Four times a year, the gallery curates monographic or thematic exhibitions aimed at allowing both art enthusiasts and collectors to deepen their understanding of 20th-century artistic creation.

Each of these exhibitions is accompanied by a dedicated catalog, compiling the results of in-depth research conducted within the gallery on each artwork presented, along with explanatory notes written by specialized art historians.

We also collaborate in enriching international collections through sales and loans to institutions such as the Musée d’Orsay, the Musée du Quai Branly, the Fondation de l’Hermitage, the Musée d’Art Moderne, the National Gallery of Victoria, the Singer Laren, and the Palazzo Reale.

As a certified expert accredited by the European Chamber of Art Experts and Advisors, Hélène Bailly Marcilhac is committed to preserving the legacy of artists and upholding an art market where authenticity prevails.

To this end, the Hélène Bailly Gallery publishes Catalogues Raisonnés on artists such as Léon Pourtau and Henri Delavallée and also contributes to the development of other catalogs, including that of Francis Picabia.

In addition to being a member of the Comité Professionnel des Galeries d’Art and the Syndicat National des Antiquaires, Hélène Bailly Marcilhac is the president and co-founder of Matignon Saint-Honoré, an association created in 2024 to promote the art market in the 8th arrondissement of Paris.

Gallery artists

Cuno Amiet, Bathus, Pierre Bonnard, Eugène Boudin,Victor Brauner, Bernard Buffet, Rembrandt Bugatti, Alexander Calder, Charles Camoin, Manuel Cargaleiro, Mary Cassatt, Auguste Chabaud, Marc Chagall, Giogio De Chriciro, Henri-Edmond Cross, Edward Cucuel, Salvador Dali, Nicolas de Staël, Edgar Degas, Robert Delaunay, Sonia Delaunay, Maurice Denis, Óscar Dominguez, Hisao Domoto, Albert Dubois-Pillet, Jean Dubuffet, Marcel Duchamp, Raoul Dufy, Max Ernst, Maurice Estève, Léonard-Tsuguharu Foujita, Sam Francis, Paul Gauguin, Alberto Giacometti, Diego Giacometti, Françoise Gilot, Jean Hélion, Hans Hartung, Jean Hélion, Auguste Herbin, Blanche Hoschedé-Monet, Ernst Ludwig Kirchner, Moïse Kisling, Frantisek Kupka, Yayoi Kusawa, Claude Lalane, François-Xavier Lalane,Achille Laugé, Marie Laurencin, Henri Laurens, Le Corbusier, Henri Le Sidanier, Fernand Léger, Gustave Loiseau, Maximilien Luce, Charles Macaire, Aristide Maillol, Henri Manguin, Louis Marcousis, Albert Marquet, Henri Martin, Georges Mathieu, Henri Matisse, Jean Metzinger,Joan Miró, Claude Monet, Henry Moore, Emile Othon-Friesz, Jean Peské, Hippolythe Petitjean, Francis Picabia, Pablo Picasso, Camille Pissarro, Serge Poliakoff, Odilon Redon, Pierre-Auguste Renoir, Jean-Paul Riopelle, Auguste Rodin, Alberto Savino, Arthur Segal, Paul Sérusier, Georges Seurat, Paul Signac, Alfred Sisley, Pierre Soulages, Chaïm Soutine, Sam Szafran, Chu Teh-Chun, Henri Toulouse-Lautrec, Marie Cerminova dite Toyen, Félix Vallotton, Louis Valtat, Kees Van Dongen, Maria Elena Vieira Da Silva, Maurice de Vlaminck, Alexej von Jawlensky, Edouard Vuillard, Zao Wou-Ki, Ossip Zadkine

In the thematic « Drawing »

Siri Derkert, Sara i fönstret, 1924, Unsigned, Oil on canvas mounted on canvas, 95.3 x 63.3 cm. Courtesy of the Artist and Andréhn-Schiptjenko. © Paulina Simon

Andréhn-Schiptjenko

Siri Derkert 1888 — 1973, Sweden

Anne Manoli, Sauvage est le vent, 2017, Peinture à l’huile, cire et emulsion sur toile, 158 x 198 cm

Berthet-Aittouarès

Anne Manoli, Yann Bagot, Paul Iratzoquy

--

"La nature en question"

Countrejour in the French Style, 1974, Gravure, 75 exemplaires, 99,5 × 91,5 cm © David Hockney / Courtesy Galerie Lelong

Galerie Lelong

David Hockney 1937, United Kingdom

"Impressions"

In the thematic « Modern Art »

Yves Klein, L’Esclave mourant d’après Michel-Ange, 1962

Galerie Jean-François Cazeau

Eduardo Arroyo, César, Gaston Chaissac, Paul Delvaux, Leonor Fini, Gen Paul, Henri Hayden, Auguste Herbin, Marcel Janco, Paul Klee, Yves Klein, Jean Lacombe, Fernand Léger, Eugène Leroy, Aristide Maillol, André Masson, Amedeo Modigliani, Pablo Picasso, Paul Elie Ranson, Auguste Renoir, Ker-Xavier Roussel, Niki de Saint-Phalle, Kees Van Dongen

--

"La Figuration dans tous ses états"

Alberto Magnelli, Nature morte à la fleur, 1914, Huile sur toile, 70 x 55 cm, Signée et datée « Magnelli 914 ». CourtesyGaleriePatriceTrigano

Galerie Patrice Trigano

Alberto Magnelli

"Peintures"

Bernard Requichot,

Galerie Alain Margaron

Bernard Réquichot 1929 — 1961, France

"Bernard Réquichot, penser par la peinture"

In the thematic « Painting »

Famakan Magassa, L’AMOUR ET LA JUSTICE, Acrylique et pastel à l'huile sur toile, 150 X 130 CM, 2025, copyright galerie Sabine Bayasli

Galerie Sabine Bayasli

Famakan Magassa 1997, Mali

"La vie est un compte"

Evelyn Pultara, Atnwelarr and Kame, Acrylique sur toile, 210 x 120 cm, 2007 ©Evelyn Pultara ©Arts d’Australie • Stéphane Jacob

©Evelyn Pultara ©Arts d’Australie • Stéphane Jacob

GALERIE ARTS D’AUSTRALIE • STEPHANE JACOB

Abie Loy Kemarre, Ada Pula Beasley, Anna Pitjara, Belinda Golder Kngwarreye, Clara Wubuqwubuk, Elizabeth Kunoth Kngwarreye, Evelyn Omeenyo, Evelyn Pultara, G. W. Bot, Konstantina, Lilly Sandover Kngwarreye, Marilyn Golder Kngwarreye, Naomi Price, Niah Juella Mcleod, Ollie Kemmare, Philip Gudthaykudthay et Tjimpuna Williams

--

"Yallaroo"

Georg Baselitz, Indigene liegen im Farnkraut, 2025, Oil on canvas, 300 x 430 cm (118,11 x 169,29 in), signed, dated and titled verso. Courtesy Galerie Thaddaeus Ropac, London · Paris · Salzburg · Milan · Seoul © Georg Baselitz

Thaddaeus Ropac

Georg Baselitz 1938, Germany

"Ein Bein von Manet aus Paris"

In the thematic « Sculpture »

Martin Boyce, Drawn from Depths, 2025 (détail), acier peint, acier galvanisé, verre soufflé à la main, composants électriques, installation : 300 x 200 x 200 cm. Production du verre : Cirva, Marseille. Courtesy de l’artiste et Esther Schipper Berlin/Paris/Séoul. Photo © Eoin Carey

Esther Schipper

Martin Boyce 1967, Scotland

"Unhome"

Christian Fogarolli, MauvaisCorps

Galerie Alberta Pane

Christian Fogarolli 1983, France

"Mauvais Corps"

Margaret Lansink, Sentient, 2019 ©Margaret Lansink

Galerie XII

Margaret Lansink 1961, Netherlands

"AWAKE"

In the thematic « Works on paper »

Galerie Zlotowski

Pierrette Bloch, Ella Bergmann-Michel, Louise Bourgeois, Anne-Lise Coste (Uruk), Sonia Delaunay, Jochen Lempert, Sol Lewitt, Vera Molnar, Anthony Plasse, Helen Mirra, Kurt Schwitters, Georges Valmier, Arnaud Vasseux, Josselin Vidalenc, Zohreh Zavareh

--

"chevaliers errantes"



Anne Wenzel, Requiem of Heroism (monument II), 2010, Ceramic and wood, 45 x 63 x 58 cm, Courtesy of the artist and and Galerie Suzanne Tarasieve, Paris

Galerie Suzanne Tarasieve

Anne Wenzel, Otto Dix

--

"Anne Wenzel x Otto Dix"

CLEMENT BAGOT, Sans titre, encre, aquarelle et transferts sur papier, 21x297 cm, 2024, courtesy Galerie 8+4

Galerie 8+4

Clément Bagot 1972, France

"Songe de Particules"

In the tour « Matignon »

Countrejour in the French Style, 1974, Gravure, 75 exemplaires, 99,5 × 91,5 cm © David Hockney / Courtesy Galerie Lelong

Galerie Lelong

David Hockney 1937, United Kingdom

"Impressions"

Robert Irwin, #3 x 6' D Four Fold, 2016
© ARS, NY and DACS, London 2025.
Photo: Philipp Scholz Ritterman. Courtesy of the Estate of Robert Irwin

WHITE CUBE

Robert Irwin 1928 — 2023, United States

"Robert Irwin"

MOÏSE KISLING (1891-1953), Didi, 1936, Signé en bas à gauche : Kisling, Titré au revers : Didi, Huile sur toile, 33 x 24 cm, 58 x 49,5 cm (avec cadre)

HELENE BAILLY

Moïse Kisling 1891 — 1953, France

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