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Rafael Domenech,

193 Gallery

Photo credit: Gaïa Lamarre.

Air de Paris

22,48 m²

Jean-Baptiste Caron 1983, France

"FORCES EN PRÉSENCE"

  • Jean-Baptiste Caron, Carton 2, Courtesy of the artist

Jean-Baptiste Caron, Carton 2, Courtesy of the artist

Carte blanche granted to Henri Guette

On the occasion of Paris Gallery Week-end 2025, galerie 22,48 m² inaugurates “Forces en Présence”, Jean-Baptiste Caron’s sixth solo show in the gallery space.

For this new exhibition, Jean-Baptiste Caron continues his exploration of the invisible phenomena that shape the world, revealing, through the prism of sculpture and installation, a silent cosmogony where matter and the intangible enter into tension.

Curated by Henri Guette, the exhibition unfolds as a subtle dialogue between gravity and lightness, stability and precariousness, the visible and the imperceptible.

The artist excels in the art of materializing the invisible. His works not only depict natural and cosmic forces, they capture their essence, making them almost tangible. By exposing the traces of telluric forces or revealing the fragility of breath. His work is part of a poetics of the threshold, where equilibrium is always in abeyance. Each sculpture acts as a physical and sensory experience, confronting the viewer with that which both transcends and traverses us.

Far from a scientific demonstration or a purely formal exercise, the exhibition orchestrates a ballet of instabilities where matter confronts its own limits. Jean-Baptiste Caron stages moments of tilt and uncertainty, where beginning and end merge, where inertia and movement interpenetrate. In this way, his works don’t give themselves away immediately: they reveal themselves over time, in the viewer’s attention, in the acceptance of a necessary wait.

“Forces en Présence” doesn’t just document the invisible; it invites us to experience it, to feel its discreet, elusive power, while confronting us with the forces that run through us and shape us. In a way, it’s a testing of the senses, which allows us to question our own relationship with the world.

Solo show of Jean-Baptiste Caron

From May 23rd to July 19th, 2025

Rendez-Vous

Sunday 25 May 2025 from 11:00 am to 7:00 pm

Brunch & opening of the show – 22,48 m²

View all events
29 Rue de la Commune de Paris
Romainville, France
09 81 91 72 17 www.2248m2.com

The gallery

22.48 m² is a contemporary art gallery dedicated to promoting emerging artists. Founded in 2010 by Rosario Caltabiano, it actively contributes to the French and international contemporary art scene.
Its name refers to the size of its first exhibition space in Belleville, Paris, a modest venue that encouraged artists to rethink their practices and encourage experimentation.
In 2023, the gallery moved to Romainville, becoming part of the collective project KOMUNUMA, alongside other galleries and artistic structures. Located in a cultural district that also houses the FRAC Île-de-France Reserves, the Fiminco Foundation and workshops, the gallery is part of an ecosystem dedicated to contemporary art and the performing arts.
While the gallery has a larger space, it retains its original name, in homage to its original spirit: to showcase emerging talent and explore a diversity of artistic mediums, from painting to digital art. It also organises events, such as performances, meetings and workshops, to strengthen the links between art and the public.
The gallery takes part in numerous contemporary art fairs in France and abroad: ART BRUSSELS, ART PARIS, ART COLOGNE, ART ROTTERDAM, LOOP BARCELONA, ARTISSIMA, DRAWING NOW, ART-O-RAMA, ART VILNIUS, etc.
For almost 15 years, 22.48 m² has been working with a wide range of partners, taking part in prestigious fairs and rethinking the traditional art gallery model with enthusiasm, establishing itself as a committed and innovative cultural player.

Gallery artists

Cécile Beau, Pauline Bastard, Émilie Brout & Maxime Marion, Nicolas Boulard, Jérôme Boccia, Jean-Baptiste Caron, Paola Ciarska, Caroline Delieutraz, Marco Emmanuele, Ellande Jaureguiberry, Claudia Larcher, Jonathan Monaghan, Liddy Scheffknecht, Mayura Torii

Galerie sélectionnée par Alexia Guggémos et Hugo Spini

In the thematic « Art contemporain »

Gregory Hodge, Afterlight, 2025. Acrylique sur lin, 130 x 97 cm © Courtesy Galerie Anne-Laure Buffard

Galerie Anne-Laure Buffard

Gregory Hodge 1982, Australia

"Afterlight, Solo Show Gregory Hodge"

Ahmed Legs, framed photography by ©️Hassan Hajjaj, 2022_1443. Courtesy of Ahmed, Hassan Hajjaj Studio & 193 Gallery

193 Gallery

Hassan Hajjaj 1961, Morocco

"Legs"

Summer Wheat, Catching Butterflies on Grass, 2025, acrylic paint and gouache on aluminum mesh 172.7 x 119.4 cm (68 x 47 in). Courtesy Zidoun-Bossuyt Gallery

Zidoun-Bossuyt Gallery

Summer Wheat 1977, United States

"Sun Up, Sun Down"

In the thematic « Carte blanche »

Rafael Domenech,

193 Gallery

Rafael Domenech 1989, Cuba/United States

"Flowers blooming on acid"

Femme Jibóia, Kássia Borges Mytara, photo Sami Korhonen @ricardofernandesgallery

Ricardo Fernandes

Kássia Borges Mytara 1962, Brazil

"'Femme Jibóia"

Lalitha Lajmi. Performer and Child, 2015. Watercolor on paper, 21 x 14 inches. Courtesy of the Estate of Lalitha Lajmi and Gallery Art & Soul, Mumbai.

Galerie Anne Barrault

Lalitha Lajmi 1932 — 2023, India

In the thematic « Contemporary Art »

Valentin Rilliet, Untitled, 2025, oil and sand on linen, 130 x 90 cm (51 ⅛ x 35 ⅜ in.). Courtesy de l’artiste et de la Galerie Peter Kilchmann Zurich/Paris

Galerie Peter Kilchmann

Valentin Rilliet 1996, Switzerland / China

"The Dream Synopsis"

Margaret Lansink, Sentient, 2019 ©Margaret Lansink

Galerie XII

Margaret Lansink 1961, Netherlands

"AWAKE"

Mircea Cantor, Chaplet, 2007-2025, Wall drawing in typographic ink wall (in situ), variable dimensions, Pas de credit photo, Courtesy of the Artist and Dvir Gallery

Dvir Gallery

Miroslaw Balka, Marianne Berenhaut, Mircea Cantor, Florian Pumhösl

--

"bluebird"

In the thematic « Installation »

Rafael Domenech,

193 Gallery

Rafael Domenech 1989, Cuba/United States

"Flowers blooming on acid"

En premier plan : Cristina Almodóvar, AFFLEUREMENT ROCHEUX, 2024, Carton collé sur bois et vernis, 140 x 220 x 80 cm

En arrière plan : Cristina Almodóvar, MARCOS, Evasion, 2025, Encre sur papier encadré, carton encollé et vernis, 177 x 295 cm

Galerie Dutko

Cristina Almodóvar 1970, Spain

"Au-delà de la matière"

Barry McGee, © Barry McGee, courtesy of the artist and Perrotin/

Perrotin

Barry McGee 1966, United States

"I’m Listening"

In the tour « Nord-Est (Saint-Ouen - Belleville - Pantin - Romainville) »

Femme Jibóia, Kássia Borges Mytara, photo Sami Korhonen @ricardofernandesgallery

Ricardo Fernandes

Kássia Borges Mytara 1962, Brazil

"'Femme Jibóia"

Diego Bianchi, Jacobsen, 2019, chrome pipes, wood, plastic, 181 x 150 x 80 cm

Galerie Jocelyn Wolff

Diego Bianchi 1969, Argentina

"ThéâtrEErreuR"

Georg Baselitz, Indigene liegen im Farnkraut, 2025, Oil on canvas, 300 x 430 cm (118,11 x 169,29 in), signed, dated and titled verso. Courtesy Galerie Thaddaeus Ropac, London · Paris · Salzburg · Milan · Seoul © Georg Baselitz

Thaddaeus Ropac

Georg Baselitz 1938, Germany

"Ein Bein von Manet aus Paris"

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