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Atelier de l'artiste Sophie, Whettnall, Bruxelles, 2025, © Photo Sophie Whettnall

Michel Rein

O P E R A G A L L E R Y

mor charpentier

Liliana Porter 1941, Argentina

"Almost There"

  • Liliana Porter, Red Sand, 2021 - Courtesy of the artist and mor charpentier Paris.

Liliana Porter, Red Sand, 2021 - Courtesy of the artist and mor charpentier Paris.

One of Argentina’s most celebrated artists in contemporary culture, Liliana Porter has long questioned the boundary between reality and its representation. She has mastered the art of distilling life and art to simple depths through humorous juxtapositions of incongruous objects. Over the years, Liliana Porter has amassed a prodigious and eccentric collection of figurines, trinkets, toys and souvenirs from travels around the world. These kitsch objects appear regularly in her work, proposing a political, philosophical and existential interpretation from their often unexpected mise-en-scene. Each represents a different era and a different cultural and historical narrative. Liliana Porter delights in manipulating time, history and reality, combining them as if they were dialoguing in an undefined white space. In 1964, she moved to New York, where she has lived and worked ever since. That same year, she founded the New York Graphic Workshop with two artists: Luis Camnitzer and José Guillermo Castillo, with the aim of redefining the practice of printmaking.

Solo show of Liliana Porter

From May 17th to June 19th, 2025

18 Rue des Quatre-Fils
75003 Paris, France
01 44 54 01 58 www.mor-charpentier.com

The gallery

Established in Paris since 2010, mor charpentier represents both emerging and well-established artists whose conceptual practices are anchored in the social realities, history and politics of contrasting geographic regions, with special attention to the Global South. By promoting engaged practices internationally, the gallery aims at broadening the knowledge about the crucial debates of the present.

A significant inaugural show with Colombian master Oscar Muñoz fulfilled a void in the French artistic scene, and set a tone for a program focused in content and willing to broaden the spectrum of origins, subjects and identities in the art market. Ever since, a growing number of major international artists have join the gallery. Coming from global backgrounds and different generations, they all share a commitment with either political, feminist, post-colonial, queer or human rights causes.

In 2021 mor charpentier opened a second exhibition space in Bogotá. This expansion was driven by the will to widen the reach of the gallery program to new publics as well as to fulfill the desire of the artists to explore new territories. It also consolidates a long-term bond with the Latin American scene, a strong commitment to support the Colombian artistic ecosystem, and confirms the international projection of the gallery.

Gallery artists

Lawrence Abu Hamdan, Anas Albraehe, Saâdane Afif, Lara Almarcegui, Alexander Apóstol, Julieta Aranda, Marwa Arsanios, Kader Attia, Rossella Biscotti, Bianca Bondi, Milena Bonilla, Fredi Casco, Malo Chapuy, Chen Ching-Yuan, Daniel Correa Mejía, Cevdet Erek, Paz Errázuriz, Voluspa Jarpa, Bouchra Khalili, Teresa Margolles, Guadalupe Maravilla, Théo Mercier, Carlos Motta, Oscar Muñoz, Daniel Otero Torres, Yoshua Okón, Uriel Orlow, Nicolás Paris, Nohemí Pérez, Liliana Porter, Rosângela Rennó, Charwei Tsai, Sylvie Selig, Hajra Waheed, Rayan Yasmineh

Galerie sélectionnée par Anaël Pigeat et Audrey Guttman

In the thematic « Contemporary Art »

Semiose

Pieter Jennes 1990, Belgium

"Le Bouquet manquant"

Jeanne Vicerial, Présence Amnios, 2025, Cordes, fils, cuivre et laiton doré à l'or fin, Photographie : Laurent Edeline, Courtesy TEMPLON, Paris-Bruxelles-New York

TEMPLON, Paris-Bruxelles-New York

Jeanne Vicerial 1991, France

"Nymphose"

Paula Siebra, Mesa de cabeceira com revólver, luvas e flor | Table de chevet avec revolver, gants et fleur, 2025, huile sur toile, 30 x 40 cm, MW.PSI.267, Photo credit: EstudioEmObra, Courtesy of the artist and Mendes Wood DM, São Paulo, Brussels, Paris, New York, Copyright The Artist

Mendes Wood DM

Paula Siebra 1998, Spain

"O estranho familiar"

In the thematic « Latin America's Art Scene »

MAX ERNST & JOAQUÍN FERRER - Les surprises du hasard exhibition view, Galleria Continua / Paris Matignon. Photo: © Paul Hennebelle. Paris ADAGP 2025

GALLERIA CONTINUA

Max Ernst & Joaquín Ferrer

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"Les surprises du hasard"

Rafael Domenech,

193 Gallery

Rafael Domenech 1989, Cuba/United States

"Flowers blooming on acid"

Iván Navarro, The Eye, 2025, Néon, bois, courant électrique/ Neons, wood and electric energy, 120 × 140 cm — 47 1/4 × 55 in.
Photographie : Thelma Garcia. Courtesy TEMPLON, Paris-Bruxelles-New York

TEMPLON, Paris-Bruxelles-New York

Iván Navarro 1972, Chile

"Cyclops"

In the thematic « Painting »

Georg Baselitz, Indigene liegen im Farnkraut, 2025, Oil on canvas, 300 x 430 cm (118,11 x 169,29 in), signed, dated and titled verso. Courtesy Galerie Thaddaeus Ropac, London · Paris · Salzburg · Milan · Seoul © Georg Baselitz

Thaddaeus Ropac

Georg Baselitz 1938, Germany

"Ein Bein von Manet aus Paris"

PABLO PICASSO (1881-1973), Femme agenouillée se coiffant,  1906, Numéroté : 1/10,
Porte le cachet du fondeur : C. Valsuani Cire Perdue, Bronze à patine nuancée, Hauteur : 40 cm. Succession Picasso 2025. Crédit Photo : Cécil Mathieu

HELENE BAILLY

Pablo Picasso 1881 — 1973, Spain

Barry McGee, © Barry McGee, courtesy of the artist and Perrotin/

Perrotin

Barry McGee 1966, United States

"I’m Listening"

In the thematic « Women Artists »

Anne Neukamp, Diplopia, 2025. Photo Eric Tschernow. Courtesy Semiose, Paris

Semiose

Anne Neukamp 1976, Germany

"Mirror"

Summer Wheat, Catching Butterflies on Grass, 2025, acrylic paint and gouache on aluminum mesh 172.7 x 119.4 cm (68 x 47 in). Courtesy Zidoun-Bossuyt Gallery

Zidoun-Bossuyt Gallery

Summer Wheat 1977, United States

"Sun Up, Sun Down"

Evelyn Pultara, Atnwelarr and Kame, Acrylique sur toile, 210 x 120 cm, 2007 ©Evelyn Pultara ©Arts d’Australie • Stéphane Jacob

©Evelyn Pultara ©Arts d’Australie • Stéphane Jacob

GALERIE ARTS D’AUSTRALIE • STEPHANE JACOB

Abie Loy Kemarre, Ada Pula Beasley, Anna Pitjara, Belinda Golder Kngwarreye, Clara Wubuqwubuk, Elizabeth Kunoth Kngwarreye, Evelyn Omeenyo, Evelyn Pultara, G. W. Bot, Konstantina, Lilly Sandover Kngwarreye, Marilyn Golder Kngwarreye, Naomi Price, Niah Juella Mcleod, Ollie Kemmare, Philip Gudthaykudthay et Tjimpuna Williams

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"Yallaroo"

In the tour « Marais »

Thomas Paquet, Arc en ciel, 2023, signé, daté et numéroté au verso, Impression à l'agrandisseur sur papier sur papier argentique brillant, 61 x 50 cm.

Bigaignon

Thomas Paquet 1979, France

"Oh lumière !"

Tirdad Hashemi, The collapse of years of hiding,(Transbodies), 2025, Acrylique sur toile, Acrylic on canvas, 189 x 255 cm, 74 3/8 x 100 3/8 inches,(THa008)

Galerie Christophe Gaillard

Tirdad Hashemi 1991, Iran

"Butchered Bodies"

Mircea Cantor, Chaplet, 2007-2025, Wall drawing in typographic ink wall (in situ), variable dimensions, Pas de credit photo, Courtesy of the Artist and Dvir Gallery

Dvir Gallery

Miroslaw Balka, Marianne Berenhaut, Mircea Cantor, Florian Pumhösl

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"bluebird"

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