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29 • 30 • 31 May 2026

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Slumber Party, Amber Boardman, 2026, huile sur toile  (oil on canvas), 97.8 x 121.9 cm (38 1/2 x 48 in)

Brigitte Mulholland

Nancy-Graves-1977-Aphel-Pastel-on-paper-97x127cm©A.Mole-Courtesy-C&B

Ceysson & Bénétière

CASSANDRA BIRD

Janet Laurence 1947, Australia

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"Once Were Forests"

  • Janet Laurence

Janet Laurence "Climate Puzzle" (Once Were Forests series), 2026 Chromagenic images on shinkolite 100 x 200 cm 39 3/8 x 78 3/4 in copyright the artist

CASSANDRA BIRD PARIS, supported by ZIMMERMANN, is pleased to present “Once Were Forests”, an immersive solo exhibition by internationally renowned Australian artist Janet Laurence. Featuring a major installation alongside a new body of artworks, the exhibition brings together sculpture, painting, and photography in a sensory environment shaped by transparency and reflection.

Laurence’s artwork engages with ice, forest, and water as carriers of time, memory, and life, tracing threads between ancient ecologies, the present state of nature, and possible future ecologies. Within the exhibition, forest and ice are inseparable: one preserves, the other transforms; one remembers, the other lives. Together, they form a network of relationships, a living archive of entangled life systems spanning leaves, insects, branches, animals, pollen, people, seeds, soils, and fungi, each a record within a larger cosmos, held in the past and rediscovered in the present.

At its core, a large-scale installation anchors the exhibition, surrounded by works that unfold as a constellation of fragile, interrelated moments. Soundscapes drawn from Australian forests and birdsong deepen a sense of stillness, inviting visitors into a space where time appears suspended. Through the interplay of organic and ephemeral materials, Laurence reflects on cycles of transformation and care. Ice preserves traces of forest memory, while water reshapes and renews them, suggesting an unwritten history of what has been, what remains, and what may yet unfold. Once Were Forests draws on Antarctica’s deep past as part of Gondwana, when the continent sustained lush forest ecosystems. Today’s icy landscape stands as a powerful marker of change. Bridging past and present, the exhibition invites reflection on what has been lost, what endures, and what futures are still possible.

Solo show of Janet Laurence

From April 15 to July 12, 2026

7 Rue Barbette
Paris, France
+32 471 29 37 18 www.cassandrabird.com

The gallery

CASSANDRA BIRD PARIS, supported by ZIMMERMANN, is pleased to present Once Were Forests, an immersive solo exhibition by internationally renowned Australian artist Janet Laurence. Featuring a major installation alongside a new body of artworks, the exhibition brings together sculpture, painting, and photography in a sensory environment shaped by transparency and reflection.

Laurence’s artwork engages with ice, forest, and water as carriers of time, memory, and life, tracing threads between ancient ecologies, the present state of nature, and possible future ecologies. Within the exhibition, forest and ice are inseparable: one preserves, the other transforms; one remembers, the other lives. Together, they form a network of relationships, a living archive of entangled life systems spanning leaves, insects, branches, animals, pollen, people, seeds, soils, and fungi, each a record within a larger cosmos, held in the
past and rediscovered in the present.

At its core, a large-scale installation anchors the exhibition, surrounded by works that unfold as a constellation of fragile, interrelated moments. Soundscapes drawn from Australian forests and birdsong deepen a sense of stillness, inviting visitors into a space where time appears suspended. Through the interplay of organic and ephemeral materials, Laurence reflects on cycles of transformation and care. Ice preserves traces of forest memory, while water reshapes and renews them, suggesting an unwritten history of what has been, what remains, and what may yet unfold. Once Were Forests draws on Antarctica’s deep past as part of Gondwana, when the continent sustained lush forest ecosystems. Today’s icy landscape stands as a powerful marker of change. Bridging past and present, the exhibition invites reflection on what has been lost, what endures, and what futures are still possible.

Gallery artists

Gene A'Hern, Robby Bennett, Tennant Creek Brio, Remy Faint, Janet Laurence, Juanita McLauchlan, Danie Mellor, Mel O'Callaghan, Jessica Rankin

In the thematic « Activism Art »

Jérôme Lagarrigue, Genesis, Huile sur toile, 250 x 200 cm, 2015

Galerie Olivier Waltman

Jérôme Lagarrigue 1973, France

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"Au fil du temps"

Affiche de l’exposition « Seahaven ». Courtesy Maxime Heta

In Situ - fabienne leclerc

SEAHAVEN — Group show

Konstantina, Murrira I, Acrylique sur toile, 151 x 101 cm, 2025

©Konstantina ©Arts d’Australie • Stéphane Jacob

ARTS D’AUSTRALIE • STEPHANE JACOB

"Shaping the Invisible" — Group show

In the thematic « Contemporary art »

Alina Szapocznikow
Autoportrait, vers 1967
Résine de polyester et photographie
13,5 × 12,5 × 3 cm
Courtesy The Estate of Alina Szapocznikow | Galerie Loevenbruck, Paris | Hauser & Wirth

Loevenbruck

Alina Szapocznikow 1926 — 1973, Poland

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"Autobiography in Fragments. A Centenary Retrospective"

Lucy Fradkin, He was a Plumber, an Electrician, a Carpenter, a Cabinetmaker, a Tiler, a Blacksmith and a Mechanic, 2008, Huile sur papier avec crayon, 170 x 132 cm

Galerie RX&SLAG

Lucy Fradkin

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"I've Got Sunshine On A Cloudy Day"

Francisco Tropa, Cheminée, 2025, painted plywood, patinated bronze, screen print on plywood,
158 x 90 x 30 cm unique, courtesy of the artist and Galerie Jocelyn Wolff, photo : Pedro Tropa

Galerie Jocelyn Wolff

Francisco Tropa 1968, Portugal

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"MISS AMERICA"

In the thematic « Environment »

Légende : Christophe TISSOT - Fleuve Mémoire 10 - L’Ile d’or - Huile sur papier - Dim: 2,10 m x 2,80 m

Galerie Cipango

Christophe Tissot 1960, France

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"Fleuve mémoire"

Arcangelo Sassolino, Aux abords du seisme, artwork Galleria CONTINUA Paris C Hafid Lhachmi ADAGP Paris

GALLERIA CONTINUA

Arcangelo Sassolino 1967, Italy

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"Aux abords du séisme"

Affiche de l’exposition « Seahaven ». Courtesy Maxime Heta

In Situ - fabienne leclerc

SEAHAVEN — Group show

In the thematic « Photography »

Adrianna Wallis, Bijou Bougie, 2012. Courtesy of Anne-Laure Buffard and the artist.

Galerie Anne-Laure Buffard

Adrianna Wallis / Diane Esmond

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"Il restera la gravité"

Galerie Arnaud Lefebvre

40 years — Group show

Who Loves the Sun, 2023  © Laura Letinsky / Galerie Miranda

GALERIE MIRANDA

Laura Letinsky 1962, Canada

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"Le plaisir d’objets solides et de bribes d’informations inutiles"

In the thematic « Sculpture »

Léonore Chastagner, Sans titre, 2025, Céramique, 21 x 17 x 5,5 cm, ©Ici Au Loin, Courtesy de l'artiste et Galerie Anne-Sarah Bénichou

Galerie Anne-Sarah Bénichou

Léonore Chastagner 1992, France

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"Ce qu'il faut aimer est absent"

5 bis, Courtesy of the Artist and mor charpentier. Exhibition view from Sharjah Biennial, 2025

mor charpentier

Rossella Biscotti 1978, Italy

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Arthur Simms, Portrait of a Politician Vomiting, 1992, Techniques mixtes, 135,9 x 139,7 x 55,9 cm

Galerie RX&SLAG

Arthur Simms

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"Portrait of a Politician Vomiting"

In the thematic « Women artists »

The Two Silences 80 x 60 cm Oil on canvas 2026. Courtesy Galerie Marie Vitoux

Galerie Marie Vitoux

Marie Rauzy 1961, France

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"Du désordre Grand Siècle"

Tiziana La Melia - Galerie Anne Barrault - 2026

galerie anne barrault

Tiziana la Melia 1982, Italy

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"Kitten Healer Litter"

Susana Solano,

BERNARD BOUCHE

Susana Solano 1946, Spain

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"derniers mots"

In the tour « Marais »

Galerie Christophe Gaillard

Richard Nonas 1936 — 2021, United States

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5 bis, Courtesy of the Artist and mor charpentier. Exhibition view from Sharjah Biennial, 2025

mor charpentier

Rossella Biscotti 1978, Italy

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Pierre Soulages,

PERROTIN

Hans Hartung & Pierre Soulages

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