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PABLO PICASSO (1881-1973), Femme agenouillée se coiffant,  1906, Numéroté : 1/10,
Porte le cachet du fondeur : C. Valsuani Cire Perdue, Bronze à patine nuancée, Hauteur : 40 cm. Succession Picasso 2025. Crédit Photo : Cécil Mathieu

HELENE BAILLY

Michel Potage, Dans la vase, Technique Mixte, 130 x 195 cm

L'Avant Galerie Vossen

In Situ – fabienne leclerc

Amir Nave 1974, Israel

"River Folds"

  • Amir Nave, From the body of the mortal, a split splits toward the other side, 2023, Encre sur papier, 27 x 20 cm
© Amir Nave, courtesy de l'artiste & galerie In Situ - fabienne leclerc, Grand Paris

Amir Nave, From the body of the mortal, a split splits toward the other side, 2023, Encre sur papier, 27 x 20 cm © Amir Nave, courtesy de l'artiste & galerie In Situ - fabienne leclerc, Grand Paris

The main question driving Amir Nave’s artistic research is fundamentally motivated by many approaches to elaborate one distinct thing – Is it possible to deliver something valuable from the present to eternity? Questions about time, space, boundaries, seclusion, power relationships between people and within a person, trying to break down everything that is unequivocal, are building the framework for the main subject studied by the artist, the pain of consciousness.

In his process, Amir Nave first destroys everything that represents a value, place, morality or limit for him, until all ‘life’ is gone and only chaos remains. In his works, destruction tells more than construction and the struggle within his painting is connected to the relationship between emptiness and remove ‘the’ fullness. Emptiness being outside the realm of language can provoke creativity because it is our way of describing something that we cannot fully conceive of. The emptiness on his works also participates in focusing attention on the body and particularly on the head, the central point of his painting. From here, the artist attempts to rebuild the world once again. There are faded landscapes, in which figures are walking, whose body is a bag of needs – allegories of the decline of the decadent human society in our time. His figures aim to represent the desire to experience the world, for better or worse. The body is an hourglass and the attempt to confront these springs from the desire not to accept it as absolute but to define it as derived from consciousness.

Solo show of Amir Nave

From May 25th to July 19th, 2025

Rendez-Vous

Sunday 25 May 2025 from 2:00 pm to 6:00 pm

Opening of the show – In Situ – fabienne leclerc

View all events
43 Rue de la Commune de Paris
93230 Romainville, France
01 53 79 06 12 www.insituparis.fr

The gallery

Founded by Fabienne Leclerc in 2001, In Situ began in the 13th district of Paris alongside a group of galleries in the rue Louise Weiss. After seven years in the 6th, the gallery moved to the Marais in 2013 before opening a new space at 14 boulevard de la Chapelle in January 2017. As a founding gallery of the Komunuma project in the Grand Paris suburbs, In Situ - fabienne leclerc joigned colleagues with diverse public and private interests in contemporary art with 500 square meters of newly renovated historic industrial spaces which opened in October 2019.
The ambition of In Situ - fabienne leclerc is to promote young and emerging artists on the French and international art scene, and to support established artists in the long term. In Situ - fabienne leclerc strives to defend the work of its artists in the gallery, in fairs and biennials throughout the world as well as in museums and institutions.

Gallery artists

Renaud Auguste-Dormeuil, Andrea Blum, Lynne Cohen - Estate, Patrick Corillon, Martin Dammann, Marina De Caro, Mark Dion, Lars Fredrikson - Estate, Meschac Gaba, Daniele Genadry, Joana Hadjithomas & Khalil Joreige, Ramin Haerizadeh, Rokni Haerizadeh, Hesam Rahmanian, Gary Hill, Noritoshi Hirakawa, Amir Nave, Haifeng Ni, Otobong Nkanga, Constance Nouvel, Florence Paradeis, Gerald Petit, Hesam Rahmanian, Vivien Roubaud, The Blue Noses, Laurent Tixador, Patrick Tosani, Patrick van Caeckenbergh, Marcel van Eeden, We Are The Painters, Dominique Zinkpè

In the thematic « Contemporary Art »

Joachim Bandau, vue de l'exposition personnelle ''La Face cachée'', 2016, Galerie Maubert, Paris

Galerie Maubert

Joachim Bandau 1936, Germany

"Solo Show''

Tirdad Hashemi, The collapse of years of hiding,(Transbodies), 2025, Acrylique sur toile, Acrylic on canvas, 189 x 255 cm, 74 3/8 x 100 3/8 inches,(THa008)

Galerie Christophe Gaillard

Tirdad Hashemi 1991, Iran

"Butchered Bodies"

 Arnulf Rainer
Sans titre, 1987/1988
Crayon gras et huile sur toile, 200,5 × 124 cm
© Arnulf Rainer. Courtesy Galerie Lelong

Galerie Lelong

Arnulf Rainer 1929, Austria

"Reminiszenz"

1955-2025

In the thematic « Drawing »

Mathieu Dufois, Lambeaux, Dessin à la pierre noire, 42 x 76 cm, Pièce unique, 2024

Galerie C

Mathieu Dufois 1984, France

"Là où repose la lumière flottent les cendres"



Anne Wenzel, Requiem of Heroism (monument II), 2010, Ceramic and wood, 45 x 63 x 58 cm, Courtesy of the artist and and Galerie Suzanne Tarasieve, Paris

Galerie Suzanne Tarasieve

Anne Wenzel, Otto Dix

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"Anne Wenzel x Otto Dix"

Countrejour in the French Style, 1974, Gravure, 75 exemplaires, 99,5 × 91,5 cm © David Hockney / Courtesy Galerie Lelong

Galerie Lelong

David Hockney 1937, United Kingdom

"Impressions"

In the thematic « Middle Eastern Art Scene »

Afaf Zurayk, untitled, watercolour and crayon on canvas, 40x40cm. Courtesy of the artist.

15 Beautreillis

Amy Todman, Afaf Zurayk

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"Light Enters"

In the thematic « Painting »

 Arnulf Rainer
Sans titre, 1987/1988
Crayon gras et huile sur toile, 200,5 × 124 cm
© Arnulf Rainer. Courtesy Galerie Lelong

Galerie Lelong

Arnulf Rainer 1929, Austria

"Reminiszenz"

1955-2025

Galerie Nathalie Obadia

Fabrice Hyber 1961, France

"Apocalyipstick"

Pieter Jennes, Il me tarde, 2025, Huile et collage sur toile / Oil and collage on canvas
190 × 170 cm / 74 13/16 × 66 15/16 inches
192 × 172 × 4 cm / 75 9/16 × 67 11/16 × 1 9/16 inches (encadré / framed)

Semiose

Pieter Jennes 1990, Belgium

"Le Bouquet manquant"

In the thematic « Works on paper »

Anne Manoli, Sauvage est le vent, 2017, Peinture à l’huile, cire et emulsion sur toile, 158 x 198 cm

Berthet-Aittouarès

Anne Manoli, Yann Bagot, Paul Iratzoquy

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"La nature en question"

PABLO PICASSO (1881-1973), Femme agenouillée se coiffant,  1906, Numéroté : 1/10,
Porte le cachet du fondeur : C. Valsuani Cire Perdue, Bronze à patine nuancée, Hauteur : 40 cm. Succession Picasso 2025. Crédit Photo : Cécil Mathieu

HELENE BAILLY

Pablo Picasso 1881 — 1973, Spain

Christophe Tissot, encre et pastel sec sur papier signé et daté 4.V.2025 - Dim: 29,7 x 21 cm

Galerie Cipango

Christophe Tissot 1960, France

France

In the tour « Nord-Est (Saint-Ouen - Belleville - Pantin - Romainville) »

Georg Baselitz, Indigene liegen im Farnkraut, 2025, Oil on canvas, 300 x 430 cm (118,11 x 169,29 in), signed, dated and titled verso. Courtesy Galerie Thaddaeus Ropac, London · Paris · Salzburg · Milan · Seoul © Georg Baselitz

Thaddaeus Ropac

Georg Baselitz 1938, Germany

"Ein Bein von Manet aus Paris"

Laura Huertas Millán, El laberinto, 2018, 21 mins, 16 mm into HD, images founded, Courtesy de l'artiste.

Marcelle Alix

Ella C Bernard, Cécile Bouffard, Omar Castillo Alfaro, Caroline Rose Curdy, Pierre Dumaire, Laura Huertas Millán, Liz Magor, Rafael Moreno, Nicole, Hatice Pinarbaşi et Jean-Charles de Quillacq

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"El fantasma de Tennessee"

Renaud Auguste-Dormeuil, Le Tourbillon de la Vie #01, 2013, Impression Lambda contrecollée sur aluminium, 120 x 150 cm, Edition de 5 ex + 1 AP, © Renaud Auguste-Dormeuil, Courtesy de l'artiste & galerie In Situ - fabienne leclerc, Grand Paris

galerie Sator

Renaud Auguste-Dormeuil, Djabril Boukhenaïssi, Raphaël Denis, Alessandro Di Lorenzo, Gabriel Leger, Éric Manigaud, Bruno Pélassy, Kelly Sinnapah Mary, Thiên Ngoc Ngo Rioufol

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"De l'effacement de la figure humaine"

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