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29 • 30 • 31 May 2026

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Slumber Party, Amber Boardman, 2026, huile sur toile  (oil on canvas), 97.8 x 121.9 cm (38 1/2 x 48 in)

Brigitte Mulholland

Nancy-Graves-1977-Aphel-Pastel-on-paper-97x127cm©A.Mole-Courtesy-C&B

Ceysson & Bénétière

CASSANDRA BIRD

Janet Laurence 1947, Australia

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"Once Were Forests"

  • Janet Laurence

Janet Laurence "Climate Puzzle" (Once Were Forests series), 2026 Chromagenic images on shinkolite 100 x 200 cm 39 3/8 x 78 3/4 in copyright the artist

CASSANDRA BIRD PARIS, supported by ZIMMERMANN, is pleased to present “Once Were Forests”, an immersive solo exhibition by internationally renowned Australian artist Janet Laurence. Featuring a major installation alongside a new body of artworks, the exhibition brings together sculpture, painting, and photography in a sensory environment shaped by transparency and reflection.

Laurence’s artwork engages with ice, forest, and water as carriers of time, memory, and life, tracing threads between ancient ecologies, the present state of nature, and possible future ecologies. Within the exhibition, forest and ice are inseparable: one preserves, the other transforms; one remembers, the other lives. Together, they form a network of relationships, a living archive of entangled life systems spanning leaves, insects, branches, animals, pollen, people, seeds, soils, and fungi, each a record within a larger cosmos, held in the past and rediscovered in the present.

At its core, a large-scale installation anchors the exhibition, surrounded by works that unfold as a constellation of fragile, interrelated moments. Soundscapes drawn from Australian forests and birdsong deepen a sense of stillness, inviting visitors into a space where time appears suspended. Through the interplay of organic and ephemeral materials, Laurence reflects on cycles of transformation and care. Ice preserves traces of forest memory, while water reshapes and renews them, suggesting an unwritten history of what has been, what remains, and what may yet unfold. Once Were Forests draws on Antarctica’s deep past as part of Gondwana, when the continent sustained lush forest ecosystems. Today’s icy landscape stands as a powerful marker of change. Bridging past and present, the exhibition invites reflection on what has been lost, what endures, and what futures are still possible.

Solo show of Janet Laurence

From April 15 to July 12, 2026

7 Rue Barbette
Paris, France
+32 471 29 37 18 www.cassandrabird.com

The gallery

CASSANDRA BIRD PARIS, supported by ZIMMERMANN, is pleased to present Once Were Forests, an immersive solo exhibition by internationally renowned Australian artist Janet Laurence. Featuring a major installation alongside a new body of artworks, the exhibition brings together sculpture, painting, and photography in a sensory environment shaped by transparency and reflection.

Laurence’s artwork engages with ice, forest, and water as carriers of time, memory, and life, tracing threads between ancient ecologies, the present state of nature, and possible future ecologies. Within the exhibition, forest and ice are inseparable: one preserves, the other transforms; one remembers, the other lives. Together, they form a network of relationships, a living archive of entangled life systems spanning leaves, insects, branches, animals, pollen, people, seeds, soils, and fungi, each a record within a larger cosmos, held in the
past and rediscovered in the present.

At its core, a large-scale installation anchors the exhibition, surrounded by works that unfold as a constellation of fragile, interrelated moments. Soundscapes drawn from Australian forests and birdsong deepen a sense of stillness, inviting visitors into a space where time appears suspended. Through the interplay of organic and ephemeral materials, Laurence reflects on cycles of transformation and care. Ice preserves traces of forest memory, while water reshapes and renews them, suggesting an unwritten history of what has been, what remains, and what may yet unfold. Once Were Forests draws on Antarctica’s deep past as part of Gondwana, when the continent sustained lush forest ecosystems. Today’s icy landscape stands as a powerful marker of change. Bridging past and present, the exhibition invites reflection on what has been lost, what endures, and what futures are still possible.

Gallery artists

Gene A'Hern, Robby Bennett, Tennant Creek Brio, Remy Faint, Janet Laurence, Juanita McLauchlan, Danie Mellor, Mel O'Callaghan, Jessica Rankin

In the thematic « Activism Art »

Konstantina, Murrira I, Acrylique sur toile, 151 x 101 cm, 2025

©Konstantina ©Arts d’Australie • Stéphane Jacob

ARTS D’AUSTRALIE • STEPHANE JACOB

"Shaping the Invisible" — Group show

Galerie Arnaud Lefebvre

40 years — Group show

Jérôme Lagarrigue, Genesis, Huile sur toile, 250 x 200 cm, 2015

Galerie Olivier Waltman

Jérôme Lagarrigue 1973, France

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"Au fil du temps"

In the thematic « Contemporary art »

Galerie Dominique Fiat

Kevork Mourad 1970

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"Sailing to Nowhere"

Arthur Simms, Portrait of a Politician Vomiting, 1992, Techniques mixtes, 135,9 x 139,7 x 55,9 cm

Galerie RX&SLAG

Arthur Simms

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"Portrait of a Politician Vomiting"

Mohamed Lekleti, Le souffle des origines, 2026
Technique mixte sur papier marouflé sur bois,
120 x 175 cm,
© Mohamed Lekleti / ADAGP, Paris
Courtesy of the artist and Galerie lilia ben salah

lilia ben salah

Mohamed Lekleti 1965, Morocco

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"Poussières d'exil"

In the thematic « Environment »

Arcangelo Sassolino, Aux abords du seisme, artwork Galleria CONTINUA Paris C Hafid Lhachmi ADAGP Paris

GALLERIA CONTINUA

Arcangelo Sassolino 1967, Italy

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"Aux abords du séisme"

Et que le temps est devenu sourd, 2025, poplar, vines (lierre, ivy), wire, industrial materials, charcoal, Installation at Chapelle des Dames Blanches in La Rochelle,  Photo: Misha Gudwin

Traits Libres Gallery

Louis Guillaume 1995, France

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Galerie MiniMasterpiece

Luis Quesada 1923 — 2022, Argentina

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"TERRITOIRES DU SUD"

In the thematic « Photography »

Laia Abril, WRONG CAKE, Mind series, 2023

Les filles du calvaire

30 ANS ET PLUS — Group show

Image : 28,4 x 19,3 cm
Carton : 40,4 x 32,3 cm
Signé au crayon sous l’image, à droite
Tamponné au dos : Jean Moral, Paris
Courtesy Gilles Peyroulet & Cie, Paris

Gilles Peyroulet & Cie

Jean Moral 1906 — 1999

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"Autoportrait(s) 1926-1936"

Courtesy Peter Freeman, Inc., New York / Paris & Take Ninagawa, Tokyo. © Gozo Yoshimasu.

Peter Freeman, Inc.

Gōzō Yoshimasu 1939, Japan

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"Cher Monstre"

In the thematic « Sculpture »

Galerie Arnaud Lefebvre

40 years — Group show

Arcangelo Sassolino, Aux abords du seisme, artwork Galleria CONTINUA Paris C Hafid Lhachmi ADAGP Paris

GALLERIA CONTINUA

Arcangelo Sassolino 1967, Italy

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"Aux abords du séisme"

Kata Unger : Philosophical Zombies - 250 x 235 cm - laine sur laine - 2024

Galerie Maria Lund

There's a Man in a Smiling Bag — Group show

In the thematic « Women artists »

Ségolène Brossette Galerie

"Empreintes vitales" — Group show

Galerie Arnaud Lefebvre

40 years — Group show

Susana Solano,

BERNARD BOUCHE

Susana Solano 1946, Spain

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"derniers mots"

In the tour « Marais »

Susana Solano,

BERNARD BOUCHE

Susana Solano 1946, Spain

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"derniers mots"

Pierre Soulages,

PERROTIN

Hans Hartung & Pierre Soulages

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Affinités électives

Susumu Kamijo,

PERROTIN

Susumu Kamijo 1975, Japan

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"When I think of you in Spring"

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