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29 • 30 • 31 May 2026

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  • Galleries
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Slumber Party, Amber Boardman, 2026, huile sur toile  (oil on canvas), 97.8 x 121.9 cm (38 1/2 x 48 in)

Brigitte Mulholland

Jacqueline Lamba, Maison et forêt, 1947, Oil on canvas
crédits DURAZZO

DURAZZO

Ceysson & Bénétière

Nancy Graves 1939 — 1995, United States

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"Tout le monde se précipite"

  • Nancy-Graves-1977-Aphel-Pastel-on-paper-97x127cm©A.Mole-Courtesy-C&B

Nancy-Graves-1977-Aphel-Pastel-on-paper-97x127cm©A.Mole-Courtesy-C&B

Born in Pittsfield, Massachusetts, Nancy Graves graduated from Vassar College in 1961. She went on to earn an MFA in painting from Yale University in 1964, alongside Robert Mangold, Rackstraw Downes, Brice Marden, Chuck Close, and Richard Serra, whom she was married to from 1964 to 1970. Her career took off in 1969, five years after graduating, when she became the youngest artist—and only the fifth woman—to have a solo exhibition at the Whitney Museum of Art. Subsequently, Nancy Graves’ work has been featured in hundreds of museums and galleries worldwide, as well as in numerous solo museum exhibitions. She then received commissions for large-scale site-specific sculptures, and her works entered the permanent collections of major international art museums. Often invited to give lectures on her work, it was extensively documented during her lifetime. In 1991, she married veterinarian Avery Smith. Nancy Graves traveled the world and closely followed the major intellectual and cultural debates of her time. Cancer took her life at the age of 54, bringing her brilliant career to a premature end.

Solo show of Nancy Graves

From May 21 to June 20, 2026

23 Rue du Renard
Paris, France
01 42 77 08 22 www.ceyssonbenetiere.com/fr/home

The gallery

Founded in Saint-Étienne in 2006 by François Ceysson and Loïc Bénétière, and joined by Bernard Ceysson as artistic advisor, the Ceysson & Bénétière gallery has developed locations in Luxembourg, Paris, Geneva, New York, and Lyon.

Multiplying exhibition spaces has never been, for us, an obsession or an end in itself. Rather, it is a way to better serve our collectors, whose trust we greatly value. Above all, in a context in which artistic creation is now expanding and circulating more widely than ever, it is about presenting more effectively the artists we have chosen to support—because we are convinced of their talent and, for some of them, of their historical importance as key figures of the Supports/Surfaces movement.

Art is both a means and an object of knowledge. It enables us to be in the world and to think about it. This is what these artists have expressed, in and through their works. This is also the endeavor of the younger American and French artists whose works we are proud to present. They are forging a path beyond postmodernity, beyond the contemporary understood as an avatar of the isms of the past, toward a new modernity that bears no resemblance to a completed “modernism.”

Gallery artists

Wilfrid Almendra, Amina Benbouchta, Trudy Benson, Roger Bissière, Robert Brandy, Pierre Buraglio, Denis Castellas, Franck Chalendard, Alan Charlton, Max Charvolen, Claire Chesnier, Stephané Edith Conradie, Olivier Debré, Mounir Fatmi, Philippe Favier, Daniel Firman, Christian Floquet, Clédia Fourniau, Gloria Friedmann, Nancy Graves, Antwan Horfee, Rémy Jacquier, Phillip King, Sadie Laska, Lauren Luloff, Tomona Matsukawa, Jean Messagier, Champion Métadier, Nicolas Momein, Tania Mouraud, Alexander Nolan, ORLAN, Aurélie Pétrel, Bernard Piffaretti, Florian Pugnaire & David Raffini, Roland Quetsch, Lionel Sabatté, Frank Stella, Rachael Tarravechia, Nam Tchun-Mo, David Tremlett, Mitja Tušek, Bernar Venet, Jean-Luc Verna, Bao Vuong, Wallace Whitney, Jesse Willenbring, Yves Zurstrassen

In the thematic « Contemporary art »

5 bis, Courtesy of the Artist and mor charpentier. Exhibition view from Sharjah Biennial, 2025

mor charpentier

Rossella Biscotti 1978, Italy

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 Khalif Tahir Thompson, « State Fair », 2026, Oil, Acrylic, Handmade papers, on canvas, 170 x 240 cm (66 7/8 x 94 1/2 in). Courtesy Zidoun-Bossuyt Gallery and the artist.

Zidoun-Bossuyt Gallery

Khalif Tahir Thompson 1995, United States

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"Beautiful Land"

Martin Jacobson, Apparition I, Oil on canvas, 222 x 141 cm, 2026. © Paulina Simon / Courtesy of the Artist and Andréhn-Schiptjenko

Andréhn-Schiptjenko

Martin Jacobson 1978, Sweden

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"See the Sights"

In the thematic « Painting »

Jérôme Lagarrigue, Genesis, Huile sur toile, 250 x 200 cm, 2015

Galerie Olivier Waltman

Jérôme Lagarrigue 1973, France

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"Au fil du temps"

ARMAN,
Fang Reliquary Figure (Gabon), 1997, Acrylique et encre de Chine sur papier, 101 x 67.3 cm / Courtesy Galerie Patrice Trigano

Galerie Patrice Trigano

Arman

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Szabolcs Bozo, The Night Nurse, 2025 © A. Mole

Semiose

Szabolcs Bozó 1992, Hungary

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In the thematic « Women artists »

Jacqueline Lamba, Maison et forêt, 1947, Oil on canvas
crédits DURAZZO

DURAZZO

Spring show — Group show

Slumber Party, Amber Boardman, 2026, huile sur toile  (oil on canvas), 97.8 x 121.9 cm (38 1/2 x 48 in)

Brigitte Mulholland

Amber Boardman

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"The Summer Before Everything Changed"

Hélène Morbu. Galerie Arcanes

Galerie Arcanes

Hélène Morbu France

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"Hélène Morbu, géométrie sensible"

In the tour « Marais »

Hélène Morbu. Galerie Arcanes

Galerie Arcanes

Hélène Morbu France

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"Hélène Morbu, géométrie sensible"

galerie anne barrault

Tiziana la Melia 1982, Italy

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"Kitten Healer Litter"

Sabatina Leccia , Chercher le soleil ( 11), 2025.
Série Chercher le soleil .
Technique s mixtes : impression sur lin, détissage et retissage au fil d’argent. 90 x 75 cm.
(© Sabatina Leccia - Courtesy Galerie XII Paris)

Galerie XII

Sabatina Leccia 1984, France

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"Habiter le silence"

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