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Javier Ruiz Pérez, Girasoles, Oil on canvas, 50 x 40 cm, 2025, Unique

Galerie Droste

Yves Klein, L’Esclave mourant d’après Michel-Ange, 1962

Galerie Jean-François Cazeau

Galerie Dutko

Cristina Almodóvar 1970, Spain

"Au-delà de la matière"

  • En premier plan : Cristina Almodóvar, AFFLEUREMENT ROCHEUX, 2024, Carton collé sur bois et vernis, 140 x 220 x 80 cm

En arrière plan : Cristina Almodóvar, MARCOS, Evasion, 2025, Encre sur papier encadré, carton encollé et vernis, 177 x 295 cm

En premier plan : Cristina Almodóvar, AFFLEUREMENT ROCHEUX, 2024, Carton collé sur bois et vernis, 140 x 220 x 80 cm En arrière plan : Cristina Almodóvar, MARCOS, Evasion, 2025, Encre sur papier encadré, carton encollé et vernis, 177 x 295 cm

Nature overflows in the work of Cristina Almodóvar (Madrid, 1970). The limits between the organic and the inorganic, between drawing and sculpture, between two and three dimensions, are crossed by the author, who projects her thoughts on the beauty of Nature to recreate her particular universe.  The ability to transform materials through her sculptural work establishes both a plastic and conceptual relationship with matter. A diverse work, in which nothing is what it seems at first glance. The apparent rock is cardboard. The branches are iron. The drawings escape from the paper to become sculptures. The fragile becomes solid, the opposites are always present in his work. Everything overflows its conceptual framework, as the pieces themselves, which are shown overflowing the physical framework that hosts it.

Underneath the careful and calm appearance of the works, we can sense a multiplicity of concepts, reflections and evocations that invite us to immerse ourselves in that depth that we feel when contemplating Nature and its cycles. Through the contemplative peace provided by the pieces, one enters into a reality that surpasses any rational limit, that transcends it, escaping from any conventional vision. The poetry of matter appears, in works that are incorporated into the space that welcomes them, giving it another meaning. Everything moves, escaping from the conventional in the work of this artist, who from her sculptural training, expands the limits of sculpture.

Solo show of Cristina Almodóvar

From May 24 th to June 21st, 2025

Rendez-Vous

Saturday 24 May 2025 from 12:00 pm to 7:00 pm

Opening – Galerie Dutko

View all events
17 Quai Voltaire
Paris, France
01 56 24 04 20 www.dutko.com

The gallery

Dutko Gallery was founded in 1969. Initially specializing in Art Deco furniture, and in particular the work of French designer Eugène Printz, which Jean-Jacques Dutko has helped to rediscover, the gallery's DNA gradually developed around the dialogue between artists' furniture, sculpture and painting.

Historically present in Saint-Germain-des-Près, in 2010 Dutko Gallery opened a new space on rue de Bretonvilliers on the Ile Saint-Louis. The opening marks the intensified development of the gallery's contemporary art program, a central element of its activity.

In 2022, the rue Bonaparte space was replaced by a larger one at 17 quai Voltaire.

Gallery artists

Philippe Anthonioz, Béatrice Casadesus, Katsumata Chieko, Vicky Colombet, Robert Courtright, Monique Frydman, Garnier et Linker, Tegene Kunbi, Jean-François Lacalmontie, Ted Larsen, Guy Leclercq, Benoit Lemercier, Patrick Naggar, Jean-Pierre Pincemin, Marek Szczesny, Bruno Romeda, Eric Schmitt, Christian Sorg, Marek Szczesny, Lucas Talbotier, Hitomi Uchikura, Max Wechsler

In the thematic « Art contemporain »

Galerie Taménaga

Jean-Pierre Cassigneul 1935, France

"Jean-Pierre Cassigneul : Carnets intimes"

Rafael Domenech,

193 Gallery

Rafael Domenech 1989, Cuba/United States

"Flowers blooming on acid"

Christophe Tissot, encre et pastel sec sur papier signé et daté 4.V.2025 - Dim: 29,7 x 21 cm

Galerie Cipango

Christophe Tissot 1960, France

France

In the thematic « Artistes femmes »

Sophie Whettnall, Invisible landscape, 2025, soie perforée, cadre cuivre, 51,5 x 40 x 3,5 cm, Photo © Isabelle Arthuis, Courtesy of the artist and Michel Rein, Paris/Brussels

Michel Rein

Sophie Whettnall 1973, Belgium

"Invisible"

Anne Manoli, Sauvage est le vent, 2017, Peinture à l’huile, cire et emulsion sur toile, 158 x 198 cm

Berthet-Aittouarès

Anne Manoli, Yann Bagot, Paul Iratzoquy

--

"La nature en question"

Raphaëlle Peria, Le brouillard des sentiments, grattage sur photographie, 80x60cm, 2025.

Galerie Papillon

Raphaëlle Peria 1989, France

"Si j’étais un arbre, je serais toi"

In the thematic « Contemporary Art »

Julio Villani, Lettres Brisées, 2024, Acrylique, fusain, kaolin sur toile
Courtesy RX&SLAG
ADAGP

Galerie RX&SLAG

Julio Villani 1956, Brasil

"L'eau rougie de la veine mémoire"

Stéphané Edith Conradie, Klinkende Simbaal II, 2025, Assemblage d’éléments divers, Courtesy Ceysson & Bénétière

Ceysson & Bénétière

Stephané Edith Conradie 1990, Namibia

Galerie Taménaga

Jean-Pierre Cassigneul 1935, France

"Jean-Pierre Cassigneul : Carnets intimes"

In the thematic « Environmental Art »

Vivian Van Blerk, La Clairiere, Sculpture ceramique, 65×65×70 cm.

Galerie Dominique Fiat

Vivian Van Blerk 1971 — 2024, South Africa

"Memento Mori"

In the thematic « Installation »

Jean-Baptiste Caron, Carton 2, Courtesy of the artist

22,48 m²

Jean-Baptiste Caron 1983, France

"FORCES EN PRÉSENCE"

Axel Pahlavi, Poussière de Lumière, 2025, oil on wood, 64 x 96 cm, Courtesy H Gallery, Paris

H Gallery

Axel Pahlavi 1975, Iran

"Hyperclassique" // "Abîme moderne" // " Intégrale du réel"

Sophie Whettnall, Invisible landscape, 2025, soie perforée, cadre cuivre, 51,5 x 40 x 3,5 cm, Photo © Isabelle Arthuis, Courtesy of the artist and Michel Rein, Paris/Brussels

Michel Rein

Sophie Whettnall 1973, Belgium

"Invisible"

In the thematic « Women Artists »

Titina Maselli, Calciatori e città, 1973, Acrylic on canvas

Galerie Raphaël Durazzo

Titina Maselli 1924 — 2005, Italy

"Panta Rhei – Everything flows"

Yves Klein, L’Esclave mourant d’après Michel-Ange, 1962

Galerie Jean-François Cazeau

Eduardo Arroyo, César, Gaston Chaissac, Paul Delvaux, Leonor Fini, Gen Paul, Henri Hayden, Auguste Herbin, Marcel Janco, Paul Klee, Yves Klein, Jean Lacombe, Fernand Léger, Eugène Leroy, Aristide Maillol, André Masson, Amedeo Modigliani, Pablo Picasso, Paul Elie Ranson, Auguste Renoir, Ker-Xavier Roussel, Niki de Saint-Phalle, Kees Van Dongen

--

"La Figuration dans tous ses états"

Evelyn Pultara, Atnwelarr and Kame, Acrylique sur toile, 210 x 120 cm, 2007 ©Evelyn Pultara ©Arts d’Australie • Stéphane Jacob

©Evelyn Pultara ©Arts d’Australie • Stéphane Jacob

GALERIE ARTS D’AUSTRALIE • STEPHANE JACOB

Abie Loy Kemarre, Ada Pula Beasley, Anna Pitjara, Belinda Golder Kngwarreye, Clara Wubuqwubuk, Elizabeth Kunoth Kngwarreye, Evelyn Omeenyo, Evelyn Pultara, G. W. Bot, Konstantina, Lilly Sandover Kngwarreye, Marilyn Golder Kngwarreye, Naomi Price, Niah Juella Mcleod, Ollie Kemmare, Philip Gudthaykudthay et Tjimpuna Williams

--

"Yallaroo"

In the tour « Saint-Germain-des-Prés »

Giorgio Morandi, Fiori, 1943, huile sur toile, 35,5 × 25,5 cm, Bertozzi & Casoni, Per Morandi, 2020, céramique polychrome et bronze, H. 50,5 × 31,5 × 32,5 cm Courtesy of Galleria Maggiore g.a.m.

Galerie d’Art Maggiore g.a.m.

Giorgio Morandi et Bertozzi & Casoni

--

"La rencontre entre le quotidien et l’extraordinaire"

Christophe Tissot, encre et pastel sec sur papier signé et daté 4.V.2025 - Dim: 29,7 x 21 cm

Galerie Cipango

Christophe Tissot 1960, France

France

Alberto Magnelli, Nature morte à la fleur, 1914, Huile sur toile, 70 x 55 cm, Signée et datée « Magnelli 914 ». CourtesyGaleriePatriceTrigano

Galerie Patrice Trigano

Alberto Magnelli

"Peintures"

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