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Javier Ruiz Pérez, Girasoles, Oil on canvas, 50 x 40 cm, 2025, Unique

Galerie Droste

Yves Klein, L’Esclave mourant d’après Michel-Ange, 1962

Galerie Jean-François Cazeau

Galerie Dutko

Cristina Almodóvar 1970, Spain

"Au-delà de la matière"

  • En premier plan : Cristina Almodóvar, AFFLEUREMENT ROCHEUX, 2024, Carton collé sur bois et vernis, 140 x 220 x 80 cm

En arrière plan : Cristina Almodóvar, MARCOS, Evasion, 2025, Encre sur papier encadré, carton encollé et vernis, 177 x 295 cm

En premier plan : Cristina Almodóvar, AFFLEUREMENT ROCHEUX, 2024, Carton collé sur bois et vernis, 140 x 220 x 80 cm En arrière plan : Cristina Almodóvar, MARCOS, Evasion, 2025, Encre sur papier encadré, carton encollé et vernis, 177 x 295 cm

Nature overflows in the work of Cristina Almodóvar (Madrid, 1970). The limits between the organic and the inorganic, between drawing and sculpture, between two and three dimensions, are crossed by the author, who projects her thoughts on the beauty of Nature to recreate her particular universe.  The ability to transform materials through her sculptural work establishes both a plastic and conceptual relationship with matter. A diverse work, in which nothing is what it seems at first glance. The apparent rock is cardboard. The branches are iron. The drawings escape from the paper to become sculptures. The fragile becomes solid, the opposites are always present in his work. Everything overflows its conceptual framework, as the pieces themselves, which are shown overflowing the physical framework that hosts it.

Underneath the careful and calm appearance of the works, we can sense a multiplicity of concepts, reflections and evocations that invite us to immerse ourselves in that depth that we feel when contemplating Nature and its cycles. Through the contemplative peace provided by the pieces, one enters into a reality that surpasses any rational limit, that transcends it, escaping from any conventional vision. The poetry of matter appears, in works that are incorporated into the space that welcomes them, giving it another meaning. Everything moves, escaping from the conventional in the work of this artist, who from her sculptural training, expands the limits of sculpture.

Solo show of Cristina Almodóvar

From May 24 th to June 21st, 2025

Rendez-Vous

Saturday 24 May 2025 from 12:00 pm to 7:00 pm

Opening – Galerie Dutko

View all events
17 Quai Voltaire
Paris, France
01 56 24 04 20 www.dutko.com

The gallery

Dutko Gallery was founded in 1969. Initially specializing in Art Deco furniture, and in particular the work of French designer Eugène Printz, which Jean-Jacques Dutko has helped to rediscover, the gallery's DNA gradually developed around the dialogue between artists' furniture, sculpture and painting.

Historically present in Saint-Germain-des-Près, in 2010 Dutko Gallery opened a new space on rue de Bretonvilliers on the Ile Saint-Louis. The opening marks the intensified development of the gallery's contemporary art program, a central element of its activity.

In 2022, the rue Bonaparte space was replaced by a larger one at 17 quai Voltaire.

Gallery artists

Philippe Anthonioz, Béatrice Casadesus, Katsumata Chieko, Vicky Colombet, Robert Courtright, Monique Frydman, Garnier et Linker, Tegene Kunbi, Jean-François Lacalmontie, Ted Larsen, Guy Leclercq, Benoit Lemercier, Patrick Naggar, Jean-Pierre Pincemin, Marek Szczesny, Bruno Romeda, Eric Schmitt, Christian Sorg, Marek Szczesny, Lucas Talbotier, Hitomi Uchikura, Max Wechsler

In the thematic « Art contemporain »

Sophie Whettnall, Invisible landscape, 2025, soie perforée, cadre cuivre, 51,5 x 40 x 3,5 cm, Photo © Isabelle Arthuis, Courtesy of the artist and Michel Rein, Paris/Brussels

Michel Rein

Sophie Whettnall 1973, Belgium

"Invisible"

Photo by Matt Emonson

Galerie Lelong

Alison Saar 1956, United States

"Sweet Life"

Thomas Paquet, Arc en ciel, 2023, signé, daté et numéroté au verso, Impression à l'agrandisseur sur papier sur papier argentique brillant, 61 x 50 cm.

Bigaignon

Thomas Paquet 1979, France

"Oh lumière !"

In the thematic « Artistes femmes »

Sophie Whettnall, Invisible landscape, 2025, soie perforée, cadre cuivre, 51,5 x 40 x 3,5 cm, Photo © Isabelle Arthuis, Courtesy of the artist and Michel Rein, Paris/Brussels

Michel Rein

Sophie Whettnall 1973, Belgium

"Invisible"

Afaf Zurayk, untitled, watercolour and crayon on canvas, 40x40cm. Courtesy of the artist.

15 Beautreillis

Amy Todman, Afaf Zurayk

--

"Light Enters"

Simon Hantaï, Blancs, 1974, acrylique sur toile 192 x 180 cm

Galerie Larock-Granoff

Pierre Alechinsky, Claude Bellegarde, Gaston Chaissac, Jean Couty, Jean Degottex, René Duvillier, André Fougeron, Françoise Gilot, Simon Hantaï, Daniel Hourdé, Hans Hartung, Philippe Hiquily, Kolos-Vary, Charles Lapicque, Lili Le Gouvello, Jean Messagier, Isabel Michel, Joan Miró, Amédée Ozenfant, Paul Rebeyrolle, Antonio Saura et Pierre Tal Coat

--

"Hommage à Pierre Larock, une génération d'artistes"

In the thematic « Contemporary Art »

Amir Nave, From the body of the mortal, a split splits toward the other side, 2023, Encre sur papier, 27 x 20 cm
© Amir Nave, courtesy de l'artiste & galerie In Situ - fabienne leclerc, Grand Paris

In Situ - fabienne leclerc

Amir Nave 1974, Israel

"River Folds"

Summer Wheat, Catching Butterflies on Grass, 2025, acrylic paint and gouache on aluminum mesh 172.7 x 119.4 cm (68 x 47 in). Courtesy Zidoun-Bossuyt Gallery

Zidoun-Bossuyt Gallery

Summer Wheat 1977, United States

"Sun Up, Sun Down"

Afaf Zurayk, untitled, watercolour and crayon on canvas, 40x40cm. Courtesy of the artist.

15 Beautreillis

Amy Todman, Afaf Zurayk

--

"Light Enters"

In the thematic « Environmental Art »

Vivian Van Blerk, La Clairiere, Sculpture ceramique, 65×65×70 cm.

Galerie Dominique Fiat

Vivian Van Blerk 1971 — 2024, South Africa

"Memento Mori"

In the thematic « Installation »

Jean-Baptiste Caron, Carton 2, Courtesy of the artist

22,48 m²

Jean-Baptiste Caron 1983, France

"FORCES EN PRÉSENCE"

Joris Van de Moortel
music enjoys direct access to the soul, has an immediate echo of response since we have music within ourselves, 2025, Huile sur lin et cadre en acier de l’artiste avec deux sculptures de tête faites en résine acrylique et patine effet bronze (une avec le nez droit et une avec le nez cassé)

Galerie Nathalie Obadia

Joris Van de Moortel 1983, Belgium

"Le poids du ciel illumine la terre"

Christian Fogarolli, MauvaisCorps

Galerie Alberta Pane

Christian Fogarolli 1983, France

"Mauvais Corps"

In the thematic « Women Artists »

Jeanne Vicerial, Présence Amnios, 2025, Cordes, fils, cuivre et laiton doré à l'or fin, Photographie : Laurent Edeline, Courtesy TEMPLON, Paris-Bruxelles-New York

TEMPLON, Paris-Bruxelles-New York

Jeanne Vicerial 1991, France

"Nymphose"

Laura Huertas Millán, El laberinto, 2018, 21 mins, 16 mm into HD, images founded, Courtesy de l'artiste.

Marcelle Alix

Ella C Bernard, Cécile Bouffard, Omar Castillo Alfaro, Caroline Rose Curdy, Pierre Dumaire, Laura Huertas Millán, Liz Magor, Rafael Moreno, Nicole, Hatice Pinarbaşi et Jean-Charles de Quillacq

--

"El fantasma de Tennessee"

Sophia Fassi, La sieste I, 2024, huile sur toile, 114 x 146 cm, ©Galerie Berthet-Aittouares

Berthet-Aittouarès

Eve Aschheim, Claude Buraglio, Marie-Claude Bugeaud, Sophia Fassi, Anne Ferrer, Liliane Klapisch, Vera Molnar, Nil Yalter.

--

"8 femmes"

In the tour « Saint-Germain-des-Prés »

Giorgio Morandi, Fiori, 1943, huile sur toile, 35,5 × 25,5 cm, Bertozzi & Casoni, Per Morandi, 2020, céramique polychrome et bronze, H. 50,5 × 31,5 × 32,5 cm Courtesy of Galleria Maggiore g.a.m.

Galerie d’Art Maggiore g.a.m.

Giorgio Morandi et Bertozzi & Casoni

--

"La rencontre entre le quotidien et l’extraordinaire"

Anne Manoli, Sauvage est le vent, 2017, Peinture à l’huile, cire et emulsion sur toile, 158 x 198 cm

Berthet-Aittouarès

Anne Manoli, Yann Bagot, Paul Iratzoquy

--

"La nature en question"

Ofer Lellouche, Atelier 1, Bronze, 40 x 80 x 40, Epreuve 1_7, 2014 Courtesy Galerie La Forest Divonne

Galerie La Forest Divonne

Ofer Lellouche 1947, France

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