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Javier Ruiz Pérez, Girasoles, Oil on canvas, 50 x 40 cm, 2025, Unique

Galerie Droste

Yves Klein, L’Esclave mourant d’après Michel-Ange, 1962

Galerie Jean-François Cazeau

Galerie Dutko

Cristina Almodóvar 1970, Spain

"Au-delà de la matière"

  • En premier plan : Cristina Almodóvar, AFFLEUREMENT ROCHEUX, 2024, Carton collé sur bois et vernis, 140 x 220 x 80 cm

En arrière plan : Cristina Almodóvar, MARCOS, Evasion, 2025, Encre sur papier encadré, carton encollé et vernis, 177 x 295 cm

En premier plan : Cristina Almodóvar, AFFLEUREMENT ROCHEUX, 2024, Carton collé sur bois et vernis, 140 x 220 x 80 cm En arrière plan : Cristina Almodóvar, MARCOS, Evasion, 2025, Encre sur papier encadré, carton encollé et vernis, 177 x 295 cm

Nature overflows in the work of Cristina Almodóvar (Madrid, 1970). The limits between the organic and the inorganic, between drawing and sculpture, between two and three dimensions, are crossed by the author, who projects her thoughts on the beauty of Nature to recreate her particular universe.  The ability to transform materials through her sculptural work establishes both a plastic and conceptual relationship with matter. A diverse work, in which nothing is what it seems at first glance. The apparent rock is cardboard. The branches are iron. The drawings escape from the paper to become sculptures. The fragile becomes solid, the opposites are always present in his work. Everything overflows its conceptual framework, as the pieces themselves, which are shown overflowing the physical framework that hosts it.

Underneath the careful and calm appearance of the works, we can sense a multiplicity of concepts, reflections and evocations that invite us to immerse ourselves in that depth that we feel when contemplating Nature and its cycles. Through the contemplative peace provided by the pieces, one enters into a reality that surpasses any rational limit, that transcends it, escaping from any conventional vision. The poetry of matter appears, in works that are incorporated into the space that welcomes them, giving it another meaning. Everything moves, escaping from the conventional in the work of this artist, who from her sculptural training, expands the limits of sculpture.

Solo show of Cristina Almodóvar

From May 24 th to June 21st, 2025

Rendez-Vous

Saturday 24 May 2025 from 12:00 pm to 7:00 pm

Opening – Galerie Dutko

View all events
17 Quai Voltaire
Paris, France
01 56 24 04 20 www.dutko.com

The gallery

Dutko Gallery was founded in 1969. Initially specializing in Art Deco furniture, and in particular the work of French designer Eugène Printz, which Jean-Jacques Dutko has helped to rediscover, the gallery's DNA gradually developed around the dialogue between artists' furniture, sculpture and painting.

Historically present in Saint-Germain-des-Près, in 2010 Dutko Gallery opened a new space on rue de Bretonvilliers on the Ile Saint-Louis. The opening marks the intensified development of the gallery's contemporary art program, a central element of its activity.

In 2022, the rue Bonaparte space was replaced by a larger one at 17 quai Voltaire.

Gallery artists

Philippe Anthonioz, Béatrice Casadesus, Katsumata Chieko, Vicky Colombet, Robert Courtright, Monique Frydman, Garnier et Linker, Tegene Kunbi, Jean-François Lacalmontie, Ted Larsen, Guy Leclercq, Benoit Lemercier, Patrick Naggar, Jean-Pierre Pincemin, Marek Szczesny, Bruno Romeda, Eric Schmitt, Christian Sorg, Marek Szczesny, Lucas Talbotier, Hitomi Uchikura, Max Wechsler

In the thematic « Art contemporain »

Photo by Matt Emonson

Galerie Lelong

Alison Saar 1956, United States

"Sweet Life"

Simon Hantaï, Blancs, 1974, acrylique sur toile 192 x 180 cm

Galerie Larock-Granoff

Pierre Alechinsky, Claude Bellegarde, Gaston Chaissac, Jean Couty, Jean Degottex, René Duvillier, André Fougeron, Françoise Gilot, Simon Hantaï, Daniel Hourdé, Hans Hartung, Philippe Hiquily, Kolos-Vary, Charles Lapicque, Lili Le Gouvello, Jean Messagier, Isabel Michel, Joan Miró, Amédée Ozenfant, Paul Rebeyrolle, Antonio Saura et Pierre Tal Coat

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"Hommage à Pierre Larock, une génération d'artistes"

Perrotin

Exposition collective

In the thematic « Artistes femmes »

Anne Manoli, Sauvage est le vent, 2017, Peinture à l’huile, cire et emulsion sur toile, 158 x 198 cm

Berthet-Aittouarès

Anne Manoli, Yann Bagot, Paul Iratzoquy

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"La nature en question"

Raphaëlle Peria, Le brouillard des sentiments, grattage sur photographie, 80x60cm, 2025.

Galerie Papillon

Raphaëlle Peria 1989, France

"Si j’étais un arbre, je serais toi"

Photo by Matt Emonson

Galerie Lelong

Alison Saar 1956, United States

"Sweet Life"

In the thematic « Contemporary Art »

Crocodile Tears (détail), 2024, Bâtons à l'huile, encres, acryliques, crayons, aquarelle sur papier aquarelle Arches 300 g., 130 х 650 сm, Photo Pauline Assathiany

Traits Libres

Noé Herbet 1994, France

"Yeux sable Eau dormante"

Tirdad Hashemi, The collapse of years of hiding,(Transbodies), 2025, Acrylique sur toile, Acrylic on canvas, 189 x 255 cm, 74 3/8 x 100 3/8 inches,(THa008)

Galerie Christophe Gaillard

Tirdad Hashemi 1991, Iran

"Butchered Bodies"

Miguel CHEVALIER, Pixels Infini (jaune - orange), 2011, Sérigraphie sur miroir sans tain, néons, 80 x 80 x 15 cm, Oeuvre unique

Galerie Lélia Mordoch

Miguel Chevalier, Keren, Julio Le Parc, Jean-Claude Meynard

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"Fractales Toujours"

In the thematic « Environmental Art »

Vivian Van Blerk, La Clairiere, Sculpture ceramique, 65×65×70 cm.

Galerie Dominique Fiat

Vivian Van Blerk 1971 — 2024, South Africa

"Memento Mori"

In the thematic « Installation »

Christian Fogarolli, MauvaisCorps

Galerie Alberta Pane

Christian Fogarolli 1983, France

"Mauvais Corps"

Barry McGee, © Barry McGee, courtesy of the artist and Perrotin/

Perrotin

Barry McGee 1966, United States

"I’m Listening"

Joris Van de Moortel
music enjoys direct access to the soul, has an immediate echo of response since we have music within ourselves, 2025, Huile sur lin et cadre en acier de l’artiste avec deux sculptures de tête faites en résine acrylique et patine effet bronze (une avec le nez droit et une avec le nez cassé)

Galerie Nathalie Obadia

Joris Van de Moortel 1983, Belgium

"Le poids du ciel illumine la terre"

In the thematic « Women Artists »

Photo credit: Gaïa Lamarre.

Air de Paris

Mona Filleul 1993, France/Switzerland

--

"Air de Tranny"

Summer Wheat, Catching Butterflies on Grass, 2025, acrylic paint and gouache on aluminum mesh 172.7 x 119.4 cm (68 x 47 in). Courtesy Zidoun-Bossuyt Gallery

Zidoun-Bossuyt Gallery

Summer Wheat 1977, United States

"Sun Up, Sun Down"

Evelyn Pultara, Atnwelarr and Kame, Acrylique sur toile, 210 x 120 cm, 2007 ©Evelyn Pultara ©Arts d’Australie • Stéphane Jacob

©Evelyn Pultara ©Arts d’Australie • Stéphane Jacob

GALERIE ARTS D’AUSTRALIE • STEPHANE JACOB

Abie Loy Kemarre, Ada Pula Beasley, Anna Pitjara, Belinda Golder Kngwarreye, Clara Wubuqwubuk, Elizabeth Kunoth Kngwarreye, Evelyn Omeenyo, Evelyn Pultara, G. W. Bot, Konstantina, Lilly Sandover Kngwarreye, Marilyn Golder Kngwarreye, Naomi Price, Niah Juella Mcleod, Ollie Kemmare, Philip Gudthaykudthay et Tjimpuna Williams

--

"Yallaroo"

In the tour « Saint-Germain-des-Prés »

Kim Simonsson, Mossboy with Sacred Costume, 2025, Ceramics, nylon fibre, epoxy resin, artificial plants, feathers and rope, 100 x 50 x 45 cm. Photo Courtesy of Alzueta Gallery / Hugo Alonso, April House, 2025, Acrylic on canvas, 134 x 101 cm. Photo Courtesy of Alzueta Gallery

Alzueta Gallery

Hugo Alonso et Kim Simonsson

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"Tête à tête"

Christophe Tissot, encre et pastel sec sur papier signé et daté 4.V.2025 - Dim: 29,7 x 21 cm

Galerie Cipango

Christophe Tissot 1960, France

France

Hessie

Galerie Arnaud Lefebvre

Hessie, Olga Theuriet, Jessye Wdowin-McGregor

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"Temps perdu, partie 2"

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