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Javier Ruiz Pérez, Girasoles, Oil on canvas, 50 x 40 cm, 2025, Unique

Galerie Droste

Yves Klein, L’Esclave mourant d’après Michel-Ange, 1962

Galerie Jean-François Cazeau

Galerie Dutko

Cristina Almodóvar 1970, Spain

"Au-delà de la matière"

  • En premier plan : Cristina Almodóvar, AFFLEUREMENT ROCHEUX, 2024, Carton collé sur bois et vernis, 140 x 220 x 80 cm

En arrière plan : Cristina Almodóvar, MARCOS, Evasion, 2025, Encre sur papier encadré, carton encollé et vernis, 177 x 295 cm

En premier plan : Cristina Almodóvar, AFFLEUREMENT ROCHEUX, 2024, Carton collé sur bois et vernis, 140 x 220 x 80 cm En arrière plan : Cristina Almodóvar, MARCOS, Evasion, 2025, Encre sur papier encadré, carton encollé et vernis, 177 x 295 cm

Nature overflows in the work of Cristina Almodóvar (Madrid, 1970). The limits between the organic and the inorganic, between drawing and sculpture, between two and three dimensions, are crossed by the author, who projects her thoughts on the beauty of Nature to recreate her particular universe.  The ability to transform materials through her sculptural work establishes both a plastic and conceptual relationship with matter. A diverse work, in which nothing is what it seems at first glance. The apparent rock is cardboard. The branches are iron. The drawings escape from the paper to become sculptures. The fragile becomes solid, the opposites are always present in his work. Everything overflows its conceptual framework, as the pieces themselves, which are shown overflowing the physical framework that hosts it.

Underneath the careful and calm appearance of the works, we can sense a multiplicity of concepts, reflections and evocations that invite us to immerse ourselves in that depth that we feel when contemplating Nature and its cycles. Through the contemplative peace provided by the pieces, one enters into a reality that surpasses any rational limit, that transcends it, escaping from any conventional vision. The poetry of matter appears, in works that are incorporated into the space that welcomes them, giving it another meaning. Everything moves, escaping from the conventional in the work of this artist, who from her sculptural training, expands the limits of sculpture.

Solo show of Cristina Almodóvar

From May 24 th to June 21st, 2025

Rendez-Vous

Saturday 24 May 2025 from 12:00 pm to 7:00 pm

Opening – Galerie Dutko

View all events
17 Quai Voltaire
Paris, France
01 56 24 04 20 www.dutko.com

The gallery

Dutko Gallery was founded in 1969. Initially specializing in Art Deco furniture, and in particular the work of French designer Eugène Printz, which Jean-Jacques Dutko has helped to rediscover, the gallery's DNA gradually developed around the dialogue between artists' furniture, sculpture and painting.

Historically present in Saint-Germain-des-Près, in 2010 Dutko Gallery opened a new space on rue de Bretonvilliers on the Ile Saint-Louis. The opening marks the intensified development of the gallery's contemporary art program, a central element of its activity.

In 2022, the rue Bonaparte space was replaced by a larger one at 17 quai Voltaire.

Gallery artists

Philippe Anthonioz, Béatrice Casadesus, Katsumata Chieko, Vicky Colombet, Robert Courtright, Monique Frydman, Garnier et Linker, Tegene Kunbi, Jean-François Lacalmontie, Ted Larsen, Guy Leclercq, Benoit Lemercier, Patrick Naggar, Jean-Pierre Pincemin, Marek Szczesny, Bruno Romeda, Eric Schmitt, Christian Sorg, Marek Szczesny, Lucas Talbotier, Hitomi Uchikura, Max Wechsler

In the thematic « Art contemporain »

Perrotin

Exposition collective

Afaf Zurayk, untitled, watercolour and crayon on canvas, 40x40cm. Courtesy of the artist.

15 Beautreillis

Amy Todman, Afaf Zurayk

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"Light Enters"

Robert Irwin, #3 x 6' D Four Fold, 2016
© ARS, NY and DACS, London 2025.
Photo: Philipp Scholz Ritterman. Courtesy of the Estate of Robert Irwin

WHITE CUBE

Robert Irwin 1928 — 2023, United States

"Robert Irwin"

In the thematic « Artistes femmes »

Femme Jibóia, Kássia Borges Mytara, photo Sami Korhonen @ricardofernandesgallery

Ricardo Fernandes

Kássia Borges Mytara 1962, Brazil

"'Femme Jibóia"

Summer Wheat, Catching Butterflies on Grass, 2025, acrylic paint and gouache on aluminum mesh 172.7 x 119.4 cm (68 x 47 in). Courtesy Zidoun-Bossuyt Gallery

Zidoun-Bossuyt Gallery

Summer Wheat 1977, United States

"Sun Up, Sun Down"

Sophie Whettnall, Invisible landscape, 2025, soie perforée, cadre cuivre, 51,5 x 40 x 3,5 cm, Photo © Isabelle Arthuis, Courtesy of the artist and Michel Rein, Paris/Brussels

Michel Rein

Sophie Whettnall 1973, Belgium

"Invisible"

In the thematic « Contemporary Art »

Ruben Pang, Sans Titre, 2024, 22O x 150 cm.

PACT

Ruben Pang 1990, Singapore

"Némésis"

Raphaëlle Peria, Le brouillard des sentiments, grattage sur photographie, 80x60cm, 2025.

Galerie Papillon

Raphaëlle Peria 1989, France

"Si j’étais un arbre, je serais toi"

Paula Siebra, Mesa de cabeceira com revólver, luvas e flor | Table de chevet avec revolver, gants et fleur, 2025, huile sur toile, 30 x 40 cm, MW.PSI.267, Photo credit: EstudioEmObra, Courtesy of the artist and Mendes Wood DM, São Paulo, Brussels, Paris, New York, Copyright The Artist

Mendes Wood DM

Paula Siebra 1998, Spain

"O estranho familiar"

In the thematic « Environmental Art »

Vivian Van Blerk, La Clairiere, Sculpture ceramique, 65×65×70 cm.

Galerie Dominique Fiat

Vivian Van Blerk 1971 — 2024, South Africa

"Memento Mori"

In the thematic « Installation »

Sophie Whettnall, Invisible landscape, 2025, soie perforée, cadre cuivre, 51,5 x 40 x 3,5 cm, Photo © Isabelle Arthuis, Courtesy of the artist and Michel Rein, Paris/Brussels

Michel Rein

Sophie Whettnall 1973, Belgium

"Invisible"

Rafael Domenech,

193 Gallery

Rafael Domenech 1989, Cuba/United States

"Flowers blooming on acid"

Diego Bianchi, Jacobsen, 2019, chrome pipes, wood, plastic, 181 x 150 x 80 cm

Galerie Jocelyn Wolff

Diego Bianchi 1969, Argentina

"ThéâtrEErreuR"

In the thematic « Women Artists »

Photo by Matt Emonson

Galerie Lelong

Alison Saar 1956, United States

"Sweet Life"

Anne Manoli, Sauvage est le vent, 2017, Peinture à l’huile, cire et emulsion sur toile, 158 x 198 cm

Berthet-Aittouarès

Anne Manoli, Yann Bagot, Paul Iratzoquy

--

"La nature en question"

Photo credit: Gaïa Lamarre.

Air de Paris

Mona Filleul 1993, France/Switzerland

--

"Air de Tranny"

In the tour « Saint-Germain-des-Prés »

Martin Boyce Spook School, 2016 Giclee Photographic Prints 19 x 12,5 cm each (unframed), 21 parts 52 x 42 x 2 cm each (framed), 21 parts Courtesy the artist and Esther Schipper, Berlin/ Paris/Seoul Photo © Martin Boyce Studio

Galerie Natalie Seroussi

Martin Boyce 1967, Scotland

"Walk With Me"

Anne Manoli, Sauvage est le vent, 2017, Peinture à l’huile, cire et emulsion sur toile, 158 x 198 cm

Berthet-Aittouarès

Anne Manoli, Yann Bagot, Paul Iratzoquy

--

"La nature en question"

Christophe Tissot, encre et pastel sec sur papier signé et daté 4.V.2025 - Dim: 29,7 x 21 cm

Galerie Cipango

Christophe Tissot 1960, France

France

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