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29 • 30 • 31 May 2026

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Iroha, 2023, Iroha, 2023, Kitai Kazuo,
Courtesy Galerie Écho 119

écho 119

Galerie Alberta Pane

Galerie Alain Margaron

Derain, Deux, Hélion, Music, From Model to Self-Portrait
Group show

  • Jean Hélion, Autoportrait, 1959, huile sur toile, 46 x 55 cm

Jean Hélion, Autoportrait, 1959, huile sur toile, 46 x 55 cm

The human body continued to fascinate 20th-century artists.

Derain, deeply shocked by the amputation of his comrades’ bodies in the trenches, returned to figurative art.
In Hélion’s case, his profound interest in others, women, his model, and his aesthetic type, Pegeen, led him to a reflection that was both structural and erotic.
As for Music, his work explored the confrontation between body and death in the camps, resistance and decline in old age, counterbalanced by his need for love and poetry, embodied by his wife, Ida.
Deux focused on the human body beneath the skin. His self-portraits represent a high point in his oeuvre.

Group show of Jean Hélion, Fred Deux, André Dérain and Zoran Music

From May 27 to July 11, 2026

Rendez-Vous

Sunday 31 May 2026 from 4:00 pm to 6:00 pm

Round table and Guided tour – Galerie Alain Margaron

View all events
5 Rue du Perche
Paris, France
01 42 74 20 52 galerieamargaron.com

The gallery

Founded in Paris in the early 1990s by Alain Margaron, the gallery is dedicated to modern and post-war art. For over thirty years, it has maintained a long-term commitment, championing major 20th-century artists.

The gallery maintains close and lasting relationships with private collectors and institutions, both in France and internationally, and works exclusively with a collection of works it has built up over the years, forming a coherent and independent body of work.

Gallery artists

Jean Hélion, Bernard Réquichot, André Derain, Zoran Music, Dado, Fred Deux, René Laubiès, Jörg Immendorff

In the thematic « Drawing »

Kishio Suga, Branches of Critical Boundary, 1974/2026, branch, metal rod, stones, variable dimensions. Courtesy the artist and Mendes Wood DM.

Mendes Wood DM

Kishio Suga 1944, Japan

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"Kishio Suga"

Alina Szapocznikow
Autoportrait, vers 1967
Résine de polyester et photographie
13,5 × 12,5 × 3 cm
Courtesy The Estate of Alina Szapocznikow | Galerie Loevenbruck, Paris | Hauser & Wirth

Loevenbruck

Alina Szapocznikow 1926 — 1973, Poland

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"Autobiography in Fragments. A Centenary Retrospective"

Juan Genovés -

OPERA GALLERY

Regards sur l’art espagnol, 1945-2025 — Group show

In the thematic « Modern art »

Pegeen Vail Guggenheim, Untitled, 1959, oil on cardboard, crédits DURAZZO

DURAZZO

Spring show — Group show

Sonia Delaunay, Projet de couverture pour le livre de Jacques Damase,

Galerie Zlotowski

Salon Sonia — Group show

Maurice Baskine, Sans titre, circa 1955
huile et plâtre sur panneau, 116 x 89 cm, signé « Baskine » en bas à droite, contresigné
« Maurice Baskine » au dos. Provenance collection Arturo Schwarz.
Œuvre prêtée pour l’exposition du centenaire Surréalisme au Centre Pompidou, septembre 2024

Galerie Les Yeux Fertiles

"Galerie les Yeux Fertiles, 25 Years!" — Group show

In the thematic « Painting »

Pierre Soulages,

PERROTIN

Hans Hartung & Pierre Soulages

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Affinités électives

Konstantina, Murrira I, Acrylique sur toile, 151 x 101 cm, 2025

©Konstantina ©Arts d’Australie • Stéphane Jacob

ARTS D’AUSTRALIE • STEPHANE JACOB

"Shaping the Invisible" — Group show

Lucy Fradkin, He was a Plumber, an Electrician, a Carpenter, a Cabinetmaker, a Tiler, a Blacksmith and a Mechanic, 2008, Huile sur papier avec crayon, 170 x 132 cm

Galerie RX&SLAG

Lucy Fradkin

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"I've Got Sunshine On A Cloudy Day"

In the tour « Marais »

Who Loves the Sun, 2023  © Laura Letinsky / Galerie Miranda

GALERIE MIRANDA

Laura Letinsky 1962, Canada

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"Le plaisir d’objets solides et de bribes d’informations inutiles"

Et que le temps est devenu sourd, 2025, poplar, vines (lierre, ivy), wire, industrial materials, charcoal, Installation at Chapelle des Dames Blanches in La Rochelle,  Photo: Misha Gudwin

Traits Libres Gallery

Louis Guillaume 1995, France

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Linda Sanchez, Les bousillés, 2025 © Tadzio/Fondation d’entreprise Hermès

Galerie Papillon

Linda Sanchez 1983, France

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"Pirouettes"

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