• fr
  • en

23 • 24 • 25 May 2025

  • Infos
  • Favorites
  • Partners
  • VIP
  • Galleries
  • Agenda
  • Courses
  • Ambassadors
  • Zooms
  • Cartes blanches
  • Galleries
  • Agenda
  • Courses
  • Ambassadors
  • Zooms
  • Cartes blanches
  • Infos
  • Favorites
  • Partners
  • VIP
  • fr
  • en
Lalitha Lajmi. Performer and Child, 2015. Watercolor on paper, 21 x 14 inches. Courtesy of the Estate of Lalitha Lajmi and Gallery Art & Soul, Mumbai.

Galerie Anne Barrault

Laura Garcia Karras, Oraison, 2024, Huile sur toile, 180 x 150 cm, Courtesy de l’artiste et Galerie Anne-Sarah Bénichou

Galerie Anne-Sarah Bénichou

Galerie Anne-Laure Buffard

Gregory Hodge 1982, Australia

"Afterlight, Solo Show Gregory Hodge"

  • Gregory Hodge, Afterlight, 2025. Acrylique sur lin, 130 x 97 cm © Courtesy Galerie Anne-Laure Buffard

Gregory Hodge, Afterlight, 2025. Acrylique sur lin, 130 x 97 cm © Courtesy Galerie Anne-Laure Buffard

Following its acclaimed presence on the gallery stand at the 2025 edition of Art Paris, at the Grand Palais, Galerie Anne-Laure Buffard is pleased to present Afterlight, the first Solo Show devoted to Australian artist Gregory Hodge in the space at 6 rue Chapon. The exhibition is part of the Paris Gallery Weekend 2025 program, and will feature a conversation with Amélie Adamo on Thursday June 5 at 7pm. 

Born in Australia in 1982, Gregory Hodge is a well-known painter on the Asia-Pacific scene, where he enjoys a strong institutional presence, with works in the collections of the National Gallery of Australia and the Wollongong art gallery, among others. Recently settled in Paris, he is undertaking a residency at the Cité des Arts in 2024, during which his research will focus on the influence of tapestries from the Manufacture des Gobelins on Nabis paintings by Bonnard, Vuillard and Denis held at the Musée d’Orsay.

This Solo Show, dedicated to the artist’s latest works and placed under the aegis of the interplay of representation and light, is a continuation of the projects undertaken by Gregory Hodge during his residency at the Cité internationale des arts (2024) and in line with the Landscapes series presented in the final of the Wynne Prize at the National South Wales Gallery in 2023.

The exhibition Afterlight – whose title is borrowed from one of the artist’s major works, a forest painted against the light, where each tree seems to be dressed in all the colors of the world – gives pride of place to the nuances and dispersion of light. The artist asks: what can we see beyond the light? And each canvas responds with an ever more original vibration, unfolding a weave of lines and dabs of color that call for a perpetual shift of gaze and a constant rediscovery of the image.

The deliberately hand-crafted quality of his canvases, which mimic the weave of a tapestry, enables Gregory Hodge to offer a contemporary variation on trompe-l’œil, made possible by meticulous photocollage and the combined use of acrylic paint and translucent pigmented gels. In Seascape, landscape and silouhette, body and scenery play out the same score, plunging us alternately into total abstraction. Through the canvas, the artist pursues a reflection on the concept of perception and changing color, inherited from the Nabis and the Impressionists, but also informed by the new possibilities offered by Photoshop filters and digital brushes.

For his recent paintings, in which nature is omnipresent, the artist uses specially hand-crafted tools and brushes to create layered compositions that hint at snow-covered landscapes (Winter Landscape) or coastal sunsets (Sunset abstraction), as well as ribbon-like pictorial gestures moving across the surface of still lifes, as in the works Sunflowers andInterior with books.

“Gregory Hodge paints from photographs, but it’s less about realism than about memory. There are the moments lived, a few portraits of loved ones, but above all this play with painting itself, Seurat’s divisionism, Vuillard’s ability to fuse bodies and scenery in a single motif. His comparison of his work with tapestry opens up new perspectives, going against the grain of an aesthetic of the moment. The artist works in acrylics to give him greater freedom of gesture. He develops his own tools to touch the canvas, to lose himself in it in a practice that at times verges on meditation”.

  • Henri Guette

The exhibition is accompanied by a booklet featuring a previously unpublished text on the artist’s work by art critic and curator Henri Guette.

Solo show of Gregory Hodge

From April 30th to June 14th, 2025

Rendez-Vous

Friday 23 May 2025 from 5:00 pm to 9:00 pm

Night opening – Galerie Anne-Laure Buffard

Saturday 24 May 2025 from 4:00 pm to 7:00 pm

Tea time – Galerie Anne-Laure Buffard

Sunday 25 May 2025 from 11:00 am to 1:00 pm

Brunch – Galerie Anne-Laure Buffard

View all events
6 Rue Chapon
75003 Paris, France
01 45 31 72 51 annelaurebuffard.com

The gallery

Founded in 2022, Galerie Anne-Laure Buffard represents a select stable of international artists to whom it offers tailor-made support for collectors and museums alike, forging privileged relationships with festivals (Les rencontres d'Arles, Bratislava Biennale, 100% Villette, Photo Phomn Pehn. ...) and institutions (Victoria and Albert Museum, Huis Marseille in Amsterdam, MEP, BNF, Musée Guimet, Amis de Pompidou...), accompanying each project with a bilingual publication signed by renowned authors from the art scene (Fiona Rogers, Guillaume Logé, Grégoire Prangé, Michel Poivert, Nanda van den Berg...).
With a particular penchant for issues of representation and narrative, Galerie Anne-Laure Buffard represents artists from different generations and in a variety of practices - painting, sculpture, photography, poetry, video, installation and digital art - acknowledging the porosity of approaches and mediums in contemporary art. From the outset, the gallery has participated in leading international fairs such as Paris Photo, Art Paris, Art Brussels and Asia Now.

Gallery artists

Elie Bouisson, Gilles Caron, Pauline-Rose Dumas, Yoshimi Futamura, Ilanit Illouz, Nhu Xuan Hua, Park Chae Biole, Park Chae Dalle, Pierre-Elie de Pibrac, Antoine Ronin, Bachelot & Caron

In the thematic « Art contemporain »

Femme Jibóia, Kássia Borges Mytara, photo Sami Korhonen @ricardofernandesgallery

Ricardo Fernandes

Kássia Borges Mytara 1962, Brazil

"'Femme Jibóia"

Adam et Eve, 2020-2021, bois, caisses de munitions, diptyque : 242 x 99 x 12 cm / 244 x 100 x 10,5 cm.

RABOUAN MOUSSION

Dimitri Tsykalov 1963, Rusia

"ELEMENTS"

En premier plan : Cristina Almodóvar, AFFLEUREMENT ROCHEUX, 2024, Carton collé sur bois et vernis, 140 x 220 x 80 cm

En arrière plan : Cristina Almodóvar, MARCOS, Evasion, 2025, Encre sur papier encadré, carton encollé et vernis, 177 x 295 cm

Galerie Dutko

Cristina Almodóvar 1970, Spain

"Au-delà de la matière"

In the thematic « Contemporary Art »

École espagnole du XVIIᵉ siècle, Virgin of solitude, signé au dos MB, Huile sur toile, 145 x 104 cm.

PACT

Jure Kastelic, Clément Bataille, Victoria Oresko, Maria Adjovici, Carlo Dolci, Eugène Appert

--

"Be The Holy"

Famakan Magassa, L’AMOUR ET LA JUSTICE, Acrylique et pastel à l'huile sur toile, 150 X 130 CM, 2025, copyright galerie Sabine Bayasli

Galerie Sabine Bayasli

Famakan Magassa 1997, Mali

"La vie est un compte"

Ahmed Legs, framed photography by ©️Hassan Hajjaj, 2022_1443. Courtesy of Ahmed, Hassan Hajjaj Studio & 193 Gallery

193 Gallery

Hassan Hajjaj 1961, Morocco

"Legs"

In the thematic « Painting »

Javier Ruiz Pérez, Girasoles, Oil on canvas, 50 x 40 cm, 2025, Unique

Galerie Droste

Javier Ruiz Pérez 1989, Spain

"QUISE SER UN ELEFANTE ASUSTADO"

"I Wanted to Be a Scared Elephant"

Georg Baselitz, Indigene liegen im Farnkraut, 2025, Oil on canvas, 300 x 430 cm (118,11 x 169,29 in), signed, dated and titled verso. Courtesy Galerie Thaddaeus Ropac, London · Paris · Salzburg · Milan · Seoul © Georg Baselitz

Thaddaeus Ropac

Georg Baselitz 1938, Germany

"Ein Bein von Manet aus Paris"

Renaud Auguste-Dormeuil, Le Tourbillon de la Vie #01, 2013, Impression Lambda contrecollée sur aluminium, 120 x 150 cm, Edition de 5 ex + 1 AP, © Renaud Auguste-Dormeuil, Courtesy de l'artiste & galerie In Situ - fabienne leclerc, Grand Paris

galerie Sator

Renaud Auguste-Dormeuil, Djabril Boukhenaïssi, Raphaël Denis, Alessandro Di Lorenzo, Gabriel Leger, Éric Manigaud, Bruno Pélassy, Kelly Sinnapah Mary, Thiên Ngoc Ngo Rioufol

--

"De l'effacement de la figure humaine"

In the thematic « Peinture »

Georg Baselitz, Indigene liegen im Farnkraut, 2025, Oil on canvas, 300 x 430 cm (118,11 x 169,29 in), signed, dated and titled verso. Courtesy Galerie Thaddaeus Ropac, London · Paris · Salzburg · Milan · Seoul © Georg Baselitz

Thaddaeus Ropac

Georg Baselitz 1938, Germany

"Ein Bein von Manet aus Paris"

Summer Wheat, Catching Butterflies on Grass, 2025, acrylic paint and gouache on aluminum mesh 172.7 x 119.4 cm (68 x 47 in). Courtesy Zidoun-Bossuyt Gallery

Zidoun-Bossuyt Gallery

Summer Wheat 1977, United States

"Sun Up, Sun Down"

Bernard Requichot,

Galerie Alain Margaron

Bernard Réquichot 1929 — 1961, France

"Bernard Réquichot, penser par la peinture"

In the tour « Marais »

Hans Josephsohn, Untitled, 1971, Brass, 66 x 218 x 59 cm (25,98 x 85,83 x 23,23 in), Ed. 2 of 6 + 2 AP, Courtesy Galerie Thaddaeus Ropac, London · Paris · Salzburg · Milan · Seoul
© Josephsohn Estate

Thaddaeus Ropac

Hans Josephsohn 1920 — 2012, Switzerland

"Sculptures 1952 - 2002"

Paul Wesenberg, Carmin River, 2024, huile sur toile, toile cirée, 200 x 150 cm, Courtesy RX&SLAG

Galerie RX&SLAG

Paul Wesenberg 1973, Germany

"Found New Paradise"

Ruben Pang, Sans Titre, 2024, 22O x 150 cm.

PACT

Ruben Pang 1990, Singapore

"Némésis"

  • Subscribe to the newsletter

organisation.pgw@comitedesgaleriesdart.com

Facebook — Instagram

PGW is organized by