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29 • 30 • 31 May 2026

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Susumu Kamijo,

Perrotin

Point Doré (1987)
Huile et bitume sur toile de lin
250 × 150 × 3 cm (each)

Ricardo Fernandes

Peter Freeman, Inc.

Gōzō Yoshimasu 1939, Japan

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"Cher Monstre"

  • Courtesy Peter Freeman, Inc., New York / Paris & Take Ninagawa, Tokyo. © Gozo Yoshimasu.

Courtesy Peter Freeman, Inc., New York / Paris & Take Ninagawa, Tokyo. © Gozo Yoshimasu.

Peter Freeman, Inc. is pleased to present the exhibition “Dear Monster” by Gōzō Yoshimasu (born in 1939 in Tokyo). A poet, photographer, performer, and filmmaker active since the 1960s, he has continually expanded the forms and scope of his poetic practice.

Deeply affected by the March 11, 2011, disaster in Tōhoku, Japan, he initiated Dear Monster (2013–2016), a vast body of works on paper, thirteen of which are brought together in this exhibition. Interweaving autograph manuscripts and transcriptions of writings by his mentor, the poet and philosopher Takaaki Yoshimoto (1924–2012), these works combine collages, line drawings, calligraphic gestures, and splashes and blocks of brightly colored paint, sometimes to the point of rendering the text illegible. This project is part of a “poetic duty” of memory, where the desire for erasure and the force of life coexist in a single movement.

Following in its wake, the series Fire Embroidery (2016–2018) and Voix (2019–2020) continue this exploration of memory, loss, and poetic transformation, deepening the dialogue between text and image that runs through her entire body of work. At the same time, a set of five Polaroids from the series Momentary Ecriture (1999–2000),

conceived as a travel journal whose reverse sides serve as supports for texts, bears witness to her photographic practice and extends this search for an expanded form of writing, where image, voice, and handwritten trace respond to one another.

Solo show by Gōzō Yoshimasu

From April 10 to May 5, 2026

Rendez-Vous

Sunday 31 May 2026 from 3:00 pm to 5:00 pm

Closing and Tea time – Peter Freeman, Inc.

View all events
7 Rue de Montpensier
Paris, France
01 42 71 74 56 www.peterfreemaninc.com

The gallery

Founded in 1990, Peter Freeman, Inc. represents leading artists and major estates spanning several generations.

In 2006, Peter Freeman partnered with Galerie Nelson, which became Peter Freeman, Inc., Paris in 2013. After twenty years on rue Quincampoix (4th arrondissement), the gallery relocated in 2025 to rue de Montpensier (1st arrondissement), near the Palais-Royal.

In both New York and Paris, the gallery brings rare historical works into dialogue with contemporary creations, fostering close relationships with museum institutions.

Gallery artists

David Adamo, Dove Allouche, Silvia Bächli, Elisabetta Benassi, Anna and Bernhard Blume, Mel Bochner, Ernst Caramelle, Jan Dibbets, Robert Filliou, Fernanda Gomes, Josephine Halvorson, Alex Hay, Julije Knifer, Július Koller, Charles LeDray, Mangelos, Hendl Helen Mirra, Robert Moskowitz, Matt Mullican, Catherine Murphy, Nashashibi / Skaer, Roman Ondak, Charlotte Posenenske, N.H. Pritchard, Medardo Rosso, Anne-Marie Schneider, Thomas Schütte, Lucy Skaer, Mladen Stilinović, Myron Stout, Fiona Tan, Goran Trbuljak, Franz Erhard Walther, Richard Wentworth

In the thematic « Asian Art Scene »

Pierre Soulages,

Perrotin

Hans Hartung & Pierre Soulages

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Venice Biennale, photo by Anpis WANG

Perrotin

Lee Mingwei 1964, Taiwan

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"Lorsque la Beauté paraît"

L'artiste au travail, Mayura Torii, photo :  JC Lett

22,48 m²

Mayura Torii 1977, Japan

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"Artiste au travail"

In the thematic « Contemporary art »

Francisco Tropa, Cheminée, 2025, painted plywood, patinated bronze, screen print on plywood,
158 x 90 x 30 cm unique, courtesy of the artist and Galerie Jocelyn Wolff, photo : Pedro Tropa

Galerie Jocelyn Wolff

Francisco Tropa 1968, Portugal

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"MISS AMERICA"

Sans titre, ©galeriedagomaharty©m'barekbouhchichi

Galerie Dagoma-Harty

M'barek Bouhchichi & Kelani Abass

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"Faire face"

Tiziana La Melia - Galerie Anne Barrault - 2026

galerie anne barrault

Tiziana la Melia 1982, Italy

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"Kitten Healer Litter"

In the thematic « Drawing »

Mohamed Lekleti, Le souffle des origines, 2026
Technique mixte sur papier marouflé sur bois,
120 x 175 cm,
© Mohamed Lekleti / ADAGP, Paris
Courtesy of the artist and Galerie lilia ben salah

lilia ben salah

Mohamed Lekleti 1965, Morocco

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"Poussières d'exil"

Galerie Dominique Fiat

Kevork Mourad 1970

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"Sailing to Nowhere"

Sans titre, ©galeriedagomaharty©m'barekbouhchichi

Galerie Dagoma-Harty

M'barek Bouhchichi & Kelani Abass

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"Faire face"

In the thematic « Photography »

Who Loves the Sun, 2023  © Laura Letinsky / Galerie Miranda

GALERIE MIRANDA

Laura Letinsky 1962, Canada

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"Le plaisir d’objets solides et de bribes d’informations inutiles"

Sans titre, ©galeriedagomaharty©m'barekbouhchichi

Galerie Dagoma-Harty

M'barek Bouhchichi & Kelani Abass

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"Faire face"

Alina Szapocznikow
Autoportrait, vers 1967
Résine de polyester et photographie
13,5 × 12,5 × 3 cm
Courtesy The Estate of Alina Szapocznikow | Galerie Loevenbruck, Paris | Hauser & Wirth

Loevenbruck

Alina Szapocznikow 1926 — 1973, Poland

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"Autobiography in Fragments. A Centenary Retrospective"

In the tour « Marais »

GALERIE PUTMAN

First exhibition — Group show

Linda Sanchez, Les bousillés, 2025 © Tadzio/Fondation d’entreprise Hermès

Galerie Papillon

Linda Sanchez 1983, France

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"Pirouettes"

JC Ruggirello, Etude pour trou - la patience des pierres, 2018

Galerie Papillon

Matière vive — Group show

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