• fr
  • en

29 • 30 • 31 May 2026

  • Infos
  • Infos
  • fr
  • en
Anne Manoli, Sauvage est le vent, 2017, Peinture à l’huile, cire et emulsion sur toile, 158 x 198 cm

Berthet-Aittouarès

Stéphané Edith Conradie, Klinkende Simbaal II, 2025, Assemblage d’éléments divers, Courtesy Ceysson & Bénétière

Ceysson & Bénétière

Bigaignon

Thomas Paquet 1979, France

"Oh lumière !"

  • Thomas Paquet, Arc en ciel, 2023, signé, daté et numéroté au verso, Impression à l'agrandisseur sur papier sur papier argentique brillant, 61 x 50 cm.

Thomas Paquet, Arc en ciel, 2023, signé, daté et numéroté au verso, Impression à l'agrandisseur sur papier sur papier argentique brillant, 61 x 50 cm.

Thomas Paquet’s new solo exhibition Oh Lumière!, opening at the gallery on April 3, 2025, explores the nature of light, revealing all its nuances through the artist’s various experiments with the traditional tools of the darkroom.
Thomas Paquet created the De la chambre noire series as part of the Picto Lab /”expérimenter l’image” residency, of which he was the 2023 winner. In Picto’s film laboratory, the nature of light was the object of his experimentation, and he decided to use the traditional tools of the darkroom to reveal all the nuances of working with light. While some of the works had already been partially shown at the Approche exhibition in November 2023, the Oh Lumière! exhibition unveils the finalized works for the first time, in a display arrangement linked to the experiments carried out at the Picto laboratories.

Solo show of Thomas Paquet

From April 3rd to May 31st, 2025

18 Rue du Bourg Tibourg
Paris, France
01 83 56 05 82 bigaignon.com

The gallery

Bigaignon is a Paris-based contemporary art gallery. The line of the gallery finds its roots in the avant-garde movements of minimalism, conceptual art, light & space, abstract art, and in the fields of experimental & conceptual photography for which it has been playing a leading role for almost 10 years. Profoundly engaged in the promotion of artists who work the fundamental elements of light, space and time, whatever the medium they use, the gallery is contributing to the rise of a new avant-garde. As such, with a strong international focus, the gallery defends and promotes the unique vision of artists it represents or supports, whether they be emerging, mid-career or established worldwide, in their quest to propose a new visual vocabulary, to foster a radical approach to art, to challenge their own medium and to explore the full extent of its possibilities.

To enable collectors and visitors to the Paris gallery to discover some of the works previously exhibited, or yet to be shown, the gallery has created a dedicated space called La Réserve. And in addition to its magnificent glass-roofed exhibition space in Paris's Marais district, the gallery boasts a one-of-a-kind boutique, the first fully curated bookstore, which has in turn hosted book selections from various art world personalities (critics, curators, publishers, artists and collectors). The gallery also began publishing in 2024.

Gallery artists

Anne-Camille Allueva, Catherine Balet, Lionel Bayol-Thémines, Renato D'Agostin, Martin Désilets, Máté Dobokay, Harold Feinstein, Vittoria Gerardi, Yannig Hedel, Ralph Gibson, Hideyuki Ishibashi, James Howell, Morvarid K, Bernard Joubert, Fernando Marante, Denis Malartre, Remi Noel, Chris McCaw, Jean de Pomereu, Thomas Paquet, Thierry Urbain, Olivier Ratsi, Bernar Venet, Aleksandra Vajd, Elyn Zimmerman

In the thematic « Art contemporain »

Martin Boyce, Drawn from Depths, 2025 (détail), acier peint, acier galvanisé, verre soufflé à la main, composants électriques, installation : 300 x 200 x 200 cm. Production du verre : Cirva, Marseille. Courtesy de l’artiste et Esther Schipper Berlin/Paris/Séoul. Photo © Eoin Carey

Esther Schipper

Martin Boyce 1967, Scotland

"Unhome"

Summer Wheat, Catching Butterflies on Grass, 2025, acrylic paint and gouache on aluminum mesh 172.7 x 119.4 cm (68 x 47 in). Courtesy Zidoun-Bossuyt Gallery

Zidoun-Bossuyt Gallery

Summer Wheat 1977, United States

"Sun Up, Sun Down"

Galerie Nathalie Obadia

Fabrice Hyber 1961, France

"Apocalyipstick"

In the thematic « Contemporary Art »

Raphaëlle Peria, Le brouillard des sentiments, grattage sur photographie, 80x60cm, 2025.

Galerie Papillon

Raphaëlle Peria 1989, France

"Si j’étais un arbre, je serais toi"

Countrejour in the French Style, 1974, Gravure, 75 exemplaires, 99,5 × 91,5 cm © David Hockney / Courtesy Galerie Lelong

Galerie Lelong

David Hockney 1937, United Kingdom

"Impressions"

Pieter Jennes, Il me tarde, 2025, Huile et collage sur toile / Oil and collage on canvas
190 × 170 cm / 74 13/16 × 66 15/16 inches
192 × 172 × 4 cm / 75 9/16 × 67 11/16 × 1 9/16 inches (encadré / framed)

Semiose

Pieter Jennes 1990, Belgium

"Le Bouquet manquant"

In the thematic « Photographie »

Raphaëlle Peria, Le brouillard des sentiments, grattage sur photographie, 80x60cm, 2025.

Galerie Papillon

Raphaëlle Peria 1989, France

"Si j’étais un arbre, je serais toi"

Martin Boyce, Drawn from Depths, 2025 (détail), acier peint, acier galvanisé, verre soufflé à la main, composants électriques, installation : 300 x 200 x 200 cm. Production du verre : Cirva, Marseille. Courtesy de l’artiste et Esther Schipper Berlin/Paris/Séoul. Photo © Eoin Carey

Esther Schipper

Martin Boyce 1967, Scotland

"Unhome"

Martin Boyce Spook School, 2016 Giclee Photographic Prints 19 x 12,5 cm each (unframed), 21 parts 52 x 42 x 2 cm each (framed), 21 parts Courtesy the artist and Esther Schipper, Berlin/ Paris/Seoul Photo © Martin Boyce Studio

Galerie Natalie Seroussi

Martin Boyce 1967, Scotland

"Walk With Me"

In the thematic « Photography »

Sophie Calle, Troublante croisière (divergence de points de vue), 2023,

Perrotin

Sophie Calle 1953, France

"Séance de rattrapage"

Raphaëlle Peria, Le brouillard des sentiments, grattage sur photographie, 80x60cm, 2025.

Galerie Papillon

Raphaëlle Peria 1989, France

"Si j’étais un arbre, je serais toi"

Galerie SIT DOWN

Jean-Michel André 1976, France

"Chambre 207"

In the tour « Marais »

Stéphané Edith Conradie, Klinkende Simbaal II, 2025, Assemblage d’éléments divers, Courtesy Ceysson & Bénétière

Ceysson & Bénétière

Stephané Edith Conradie 1990, Namibia

Ahmed Legs, framed photography by ©️Hassan Hajjaj, 2022_1443. Courtesy of Ahmed, Hassan Hajjaj Studio & 193 Gallery

193 Gallery

Hassan Hajjaj 1961, Morocco

"Legs"

Paula Siebra, Mesa de cabeceira com revólver, luvas e flor | Table de chevet avec revolver, gants et fleur, 2025, huile sur toile, 30 x 40 cm, MW.PSI.267, Photo credit: EstudioEmObra, Courtesy of the artist and Mendes Wood DM, São Paulo, Brussels, Paris, New York, Copyright The Artist

Mendes Wood DM

Paula Siebra 1998, Spain

"O estranho familiar"

  • Subscribe to the newsletter

organisation.pgw@comitedesgaleriesdart.com

Facebook — Instagram

PGW is organized by