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Sophie Whettnall, Invisible landscape, 2025, soie perforée, cadre cuivre, 51,5 x 40 x 3,5 cm, Photo © Isabelle Arthuis, Courtesy of the artist and Michel Rein, Paris/Brussels

Michel Rein

Xevi Solà, Nova, 2023, Oil on canvas, 73 x 60 cm, 28.7 x 23.6 in

OPERA GALLERY

mor charpentier

Liliana Porter 1941, Argentina

"Almost There"

  • Liliana Porter, Red Sand, 2021 - Courtesy of the artist and mor charpentier Paris.

Liliana Porter, Red Sand, 2021 - Courtesy of the artist and mor charpentier Paris.

One of Argentina’s most celebrated artists in contemporary culture, Liliana Porter has long questioned the boundary between reality and its representation. She has mastered the art of distilling life and art to simple depths through humorous juxtapositions of incongruous objects. Over the years, Liliana Porter has amassed a prodigious and eccentric collection of figurines, trinkets, toys and souvenirs from travels around the world. These kitsch objects appear regularly in her work, proposing a political, philosophical and existential interpretation from their often unexpected mise-en-scene. Each represents a different era and a different cultural and historical narrative. Liliana Porter delights in manipulating time, history and reality, combining them as if they were dialoguing in an undefined white space. In 1964, she moved to New York, where she has lived and worked ever since. That same year, she founded the New York Graphic Workshop with two artists: Luis Camnitzer and José Guillermo Castillo, with the aim of redefining the practice of printmaking.

Solo show of Liliana Porter

From May 17th to June 19th, 2025

Rendez-Vous

Sunday 25 May 2025 from 11:30 am to 3:30 pm

Workshop for children, aged 5 to 11 – mor charpentier

View all events
18 Rue des Quatre-Fils
75003 Paris, France
01 44 54 01 58 www.mor-charpentier.com

The gallery

Established in Paris since 2010, mor charpentier represents both emerging and well-established artists whose conceptual practices are anchored in the social realities, history and politics of contrasting geographic regions, with special attention to the Global South. By promoting engaged practices internationally, the gallery aims at broadening the knowledge about the crucial debates of the present.

A significant inaugural show with Colombian master Oscar Muñoz fulfilled a void in the French artistic scene, and set a tone for a program focused in content and willing to broaden the spectrum of origins, subjects and identities in the art market. Ever since, a growing number of major international artists have join the gallery. Coming from global backgrounds and different generations, they all share a commitment with either political, feminist, post-colonial, queer or human rights causes.

In 2021 mor charpentier opened a second exhibition space in Bogotá. This expansion was driven by the will to widen the reach of the gallery program to new publics as well as to fulfill the desire of the artists to explore new territories. It also consolidates a long-term bond with the Latin American scene, a strong commitment to support the Colombian artistic ecosystem, and confirms the international projection of the gallery.

Gallery artists

Lawrence Abu Hamdan, Anas Albraehe, Saâdane Afif, Lara Almarcegui, Alexander Apóstol, Julieta Aranda, Marwa Arsanios, Kader Attia, Rossella Biscotti, Bianca Bondi, Milena Bonilla, Fredi Casco, Malo Chapuy, Chen Ching-Yuan, Daniel Correa Mejía, Cevdet Erek, Paz Errázuriz, Voluspa Jarpa, Bouchra Khalili, Teresa Margolles, Guadalupe Maravilla, Théo Mercier, Carlos Motta, Oscar Muñoz, Daniel Otero Torres, Yoshua Okón, Uriel Orlow, Nicolás Paris, Nohemí Pérez, Liliana Porter, Rosângela Rennó, Charwei Tsai, Sylvie Selig, Hajra Waheed, Rayan Yasmineh

Galerie sélectionnée par Anaël Pigeat et Audrey Guttman

In the thematic « Contemporary Art »

MAX ERNST & JOAQUÍN FERRER - Les surprises du hasard exhibition view, Galleria Continua / Paris Matignon. Photo: © Paul Hennebelle. Paris ADAGP 2025

GALLERIA CONTINUA

Max Ernst & Joaquín Ferrer

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"Les surprises du hasard"

Axel Pahlavi, Poussière de Lumière, 2025, oil on wood, 64 x 96 cm, Courtesy H Gallery, Paris

H Gallery

Axel Pahlavi 1975, Iran

"Hyperclassique" // "Abîme moderne" // " Intégrale du réel"

Joris Van de Moortel
music enjoys direct access to the soul, has an immediate echo of response since we have music within ourselves, 2025, Huile sur lin et cadre en acier de l’artiste avec deux sculptures de tête faites en résine acrylique et patine effet bronze (une avec le nez droit et une avec le nez cassé)

Galerie Nathalie Obadia

Joris Van de Moortel 1983, Belgium

"Le poids du ciel illumine la terre"

In the thematic « Latin America's Art Scene »

Laura Huertas Millán, El laberinto, 2018, 21 mins, 16 mm into HD, images founded, Courtesy de l'artiste.

Marcelle Alix

Ella C Bernard, Cécile Bouffard, Omar Castillo Alfaro, Caroline Rose Curdy, Pierre Dumaire, Laura Huertas Millán, Liz Magor, Rafael Moreno, Nicole, Hatice Pinarbaşi et Jean-Charles de Quillacq

--

"El fantasma de Tennessee"

Paula Siebra, Mesa de cabeceira com revólver, luvas e flor | Table de chevet avec revolver, gants et fleur, 2025, huile sur toile, 30 x 40 cm, MW.PSI.267, Photo credit: EstudioEmObra, Courtesy of the artist and Mendes Wood DM, São Paulo, Brussels, Paris, New York, Copyright The Artist

Mendes Wood DM

Paula Siebra 1998, Spain

"O estranho familiar"

Osvaldo González - Descendencia, exhibition view - GALLERIA CONTINUA, Paris (C) Hafid Lhachmi - ADAGP Paris, 2025

GALLERIA CONTINUA

Osvaldo González 1982, Cuba

"Descendencia"

In the thematic « Painting »

Soufia Erfanian,
I Truly Love Both of You, 2024, Acrylique sur toile, 230 x 180 cm.

Galerie Christophe Gaillard

Soufia Erfanian 1990, Iran

"Lies That Bled Blue"

Siri Derkert, Sara i fönstret, 1924, Unsigned, Oil on canvas mounted on canvas, 95.3 x 63.3 cm. Courtesy of the Artist and Andréhn-Schiptjenko. © Paulina Simon

Andréhn-Schiptjenko

Siri Derkert 1888 — 1973, Sweden

 Installation view, Zander Galerie, Cologne 2024, featuring works by Ed Ruscha: If You Ever Tell I'll Hurt Your Mama Real Real Bad, 1994, If No Cash By Noon You Will Have Visitors, 1997, Do As Told Or Suffer, 1997, and A Columbian Necklace for You, 1997.

Zander Galerie

Ed Ruscha 1937, United States

"Cityscapes"

In the thematic « Women Artists »

Hessie

Galerie Arnaud Lefebvre

Hessie, Olga Theuriet, Jessye Wdowin-McGregor

--

"Temps perdu, partie 2"

Laura Huertas Millán, El laberinto, 2018, 21 mins, 16 mm into HD, images founded, Courtesy de l'artiste.

Marcelle Alix

Ella C Bernard, Cécile Bouffard, Omar Castillo Alfaro, Caroline Rose Curdy, Pierre Dumaire, Laura Huertas Millán, Liz Magor, Rafael Moreno, Nicole, Hatice Pinarbaşi et Jean-Charles de Quillacq

--

"El fantasma de Tennessee"

Laura Garcia Karras, Oraison, 2024, Huile sur toile, 180 x 150 cm, Courtesy de l’artiste et Galerie Anne-Sarah Bénichou

Galerie Anne-Sarah Bénichou

Laura Garcia Karras 1988, France

"Calisté"

In the tour « Marais »



Anne Wenzel, Requiem of Heroism (monument II), 2010, Ceramic and wood, 45 x 63 x 58 cm, Courtesy of the artist and and Galerie Suzanne Tarasieve, Paris

Galerie Suzanne Tarasieve

Anne Wenzel, Otto Dix

--

"Anne Wenzel x Otto Dix"

Bernard Requichot,

Galerie Alain Margaron

Bernard Réquichot 1929 — 1961, France

"Bernard Réquichot, penser par la peinture"

Anne-Sophie Emard, La flûtiste borgne, 2025, Tirages Cibachrome sous diasec, châssis affleurant chêne teinté ciré noir, Diptyque,  45cm x 30cm et 85cm x 70cm, Courtesy de l'artiste et Galerie Claire Gastaud

Galerie Claire Gastaud | Paris

Anne-Sophie Emard 1973, France

"La flûtiste borgne"

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