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Adam et Eve, 2020-2021, bois, caisses de munitions, diptyque : 242 x 99 x 12 cm / 244 x 100 x 10,5 cm.

RABOUAN MOUSSION

Cédric Quissola, Avalanche, 2018

Ségolène Brossette Galerie

Ricardo Fernandes

Kássia Borges Mytara 1962, Brazil

"'Femme Jibóia"

  • Femme Jibóia, Kássia Borges Mytara, photo Sami Korhonen @ricardofernandesgallery

Femme Jibóia, Kássia Borges Mytara, photo Sami Korhonen @ricardofernandesgallery

Carte blanche granted to Kássia Borges Mytara

The solo exhibition of the Brazilian Indigenous artist Kássia Borges Mytara at our Parisian/Saint-Ouen contemporary art gallery explores the profound and multifaceted significance of the jibóia (the sacred boa) in Brazilian Indigenous culture.

For many ethnic groups, such as the Huni Kuin, the jibóia is a sacred being associated with various cultural and spiritual aspects. As the guardian of Indigenous graphics, it represents traditional patterns and drawings used in craftsmanship and other cultural expressions. Geometric shapes in Indigenous culture symbolize not only mathematical knowledge and rational thought but also the cultures and ethnicities themselves. Their repetition signifies social organization and respect for rules within communities.

The jibóia is a symbol of protection and wisdom, frequently mentioned in myths and stories. It is powerful, hypnotic, influential, and the guardian of forests and rivers. Moving in curves and in balance with nature, it remains in constant contact with the earth while having the strength and dominance to move powerfully. The miniature vases and ceramics in the construction of the Femme Jibóia artwork symbolize shared work, production phases, and the power of women to organize optimally to protect their community.
Thorns observed in Kássia Borges Mytara’s works symbolize the difficult phases of life, challenges, and obstacles, as well as the strength and resilience needed to overcome them. They remind us that despite hardships, it is possible to grow and flourish, just like thorny plants that survive in hostile environments. This symbolism is found in myths and healing practices, where thorns represent overcoming pain and difficulties, a metaphor for life’s diversities and the problems people face.

The artist’s jibóia, composed of a tail, a body, and a head, represents the resistance of communities against diversity and the challenges posed by colonizers. As a symbol of protection and stability, snakes are both protectors and devourers, requiring respect. The jibóia is the woman, the spiritual entity that guards the entrance to tribal communities. When an Indigenous person wishes to explore the outside world, the jibóia does not prevent them but does not allow them to return, thus protecting those inside the community from external influences.

Through her artwork Femme Jibóia, Kássia Borges Mytara highlights the feminine element, always present in acts of work and nourishment, where tasks are equally divided. The jibóia, in Indigenous life, symbolizes spiritual protection and wisdom. As a committed feminist, the artist emphasizes the importance of women’s roles in preserving and transmitting cultural values while asserting their power and resilience in facing contemporary challenges.

Solo show by Kássia Borges Mytara

From April 19th to June 2nd, 2025

Rendez-Vous

Sunday 25 May 2025 at 11:00 am

Guided tour & brunch – Ricardo Fernandes

View all events
132-140 Rue des Rosiers
Saint-Ouen-sur-Seine, France
06 81 35 12 87 www.ricardofernandes.biz

The gallery

Since 2007 in Paris, the Ricardo Fernandes Gallery has been opening the doors of the international Contemporary Art market to talented artists.

It is part of a continuity of work that spans over twenty-five years, beginning with the inauguration of a first gallery in Brazil, which led to an international career during which Ricardo Fernandes has actively engaged in promoting his artists.

The gallery is part of a movement of extremely dynamic and resolutely cosmopolitan contemporary art galleries in Paris, which assert their international and artistic values with each exhibition.

Since 2017, the gallery has been located in Saint-Ouen, offering exhibitions of visual arts in various fields (painting, sculpture, photography, installations...) and welcoming a wide variety of contemporary artistic expressions.

Through its constant support of international artists and involvement in the development of an expanding international market, the Ricardo Fernandes Gallery contributes to the diversity and artistic and cultural interaction of the city of Paris.

Gallery artists

Ana Luiza Rodrigues, Antonio Sergio Moreira, José Diniz, Juan Esteves, Kássia Borges Mytara, Kati Riikonen, Leopoldo Martins, Lita Cerqueira, Loredana, Lucia Adverse, Lula Ricardi, Marcelo Solá, Mathilde Thiennot, Sami Korhonen, Sylvia Morgado

Galerie sélectionnée par Chris Cyrille Isaac

In the thematic « Activism Art »

Siri Derkert, Sara i fönstret, 1924, Unsigned, Oil on canvas mounted on canvas, 95.3 x 63.3 cm. Courtesy of the Artist and Andréhn-Schiptjenko. © Paulina Simon

Andréhn-Schiptjenko

Siri Derkert 1888 — 1973, Sweden

Laura Huertas Millán, El laberinto, 2018, 21 mins, 16 mm into HD, images founded, Courtesy de l'artiste.

Marcelle Alix

Ella C Bernard, Cécile Bouffard, Omar Castillo Alfaro, Caroline Rose Curdy, Pierre Dumaire, Laura Huertas Millán, Liz Magor, Rafael Moreno, Nicole, Hatice Pinarbaşi et Jean-Charles de Quillacq

--

"El fantasma de Tennessee"

In the thematic « Art contemporain »

Osvaldo González - Descendencia, exhibition view - GALLERIA CONTINUA, Paris (C) Hafid Lhachmi - ADAGP Paris, 2025

GALLERIA CONTINUA

Osvaldo González 1982, Cuba

"Descendencia"

Perrotin

Exposition collective

Thomas Paquet, Arc en ciel, 2023, signé, daté et numéroté au verso, Impression à l'agrandisseur sur papier sur papier argentique brillant, 61 x 50 cm.

Bigaignon

Thomas Paquet 1979, France

"Oh lumière !"

In the thematic « Artistes femmes »

Summer Wheat, Catching Butterflies on Grass, 2025, acrylic paint and gouache on aluminum mesh 172.7 x 119.4 cm (68 x 47 in). Courtesy Zidoun-Bossuyt Gallery

Zidoun-Bossuyt Gallery

Summer Wheat 1977, United States

"Sun Up, Sun Down"

Anne Manoli, Sauvage est le vent, 2017, Peinture à l’huile, cire et emulsion sur toile, 158 x 198 cm

Berthet-Aittouarès

Anne Manoli, Yann Bagot, Paul Iratzoquy

--

"La nature en question"

© Sarah Crowner, courtesy the artist and Galerie Max Hetzler Berlin | Paris | London | Marfa. Photo: Thomas Lannes

Galerie Max Hetzler

Sarah Crowner 1974, United States

"Tableaux en Laine, Pierres en Bronze"

In the thematic « Carte blanche »

Elizabeth Lennard, Flower Mold, Red, 2010.

Les Douches la Galerie

August Sander, Daniel Masclet, Anna et Bernhard Blume, Michel Journiac, Valérie Belin, Stéphane Couturier, Elizabeth Lennard, Henri Foucault, Denis Darzacq, Alain Fleischer, Patrick Tosani, Ghislaine Vappereau, François Kollar, Roger Catherineau, Bernard Plossu etc..

--

"Dans ma cuisine"

Jean-Baptiste Caron, Carton 2, Courtesy of the artist

22,48 m²

Jean-Baptiste Caron 1983, France

"FORCES EN PRÉSENCE"

Lalitha Lajmi. Performer and Child, 2015. Watercolor on paper, 21 x 14 inches. Courtesy of the Estate of Lalitha Lajmi and Gallery Art & Soul, Mumbai.

Galerie Anne Barrault

Lalitha Lajmi 1932 — 2023, India

In the thematic « Contemporary Art »

Margaret Lansink, Sentient, 2019 ©Margaret Lansink

Galerie XII

Margaret Lansink 1961, Netherlands

"AWAKE"

© Sarah Crowner, courtesy the artist and Galerie Max Hetzler Berlin | Paris | London | Marfa. Photo: Thomas Lannes

Galerie Max Hetzler

Sarah Crowner 1974, United States

"Tableaux en Laine, Pierres en Bronze"

Mathieu Dufois, Lambeaux, Dessin à la pierre noire, 42 x 76 cm, Pièce unique, 2024

Galerie C

Mathieu Dufois 1984, France

"Là où repose la lumière flottent les cendres"

In the thematic « Ecological Art »

Guillaume Castel, Palma, acier Corten et inox, 19 x 25 x 29 cm, 2024, Courtesy Galerie Ariane C-Y, œuvre Guillaume Castel, ©image Gregory Copitet.

Galerie Ariane C-Y

Guillaume Castel 1980, France

"Jardin des simples"

Vivian Van Blerk, La Clairiere, Sculpture ceramique, 65×65×70 cm.

Galerie Dominique Fiat

Vivian Van Blerk 1971 — 2024, South Africa

"Memento Mori"

Siri Derkert, Sara i fönstret, 1924, Unsigned, Oil on canvas mounted on canvas, 95.3 x 63.3 cm. Courtesy of the Artist and Andréhn-Schiptjenko. © Paulina Simon

Andréhn-Schiptjenko

Siri Derkert 1888 — 1973, Sweden

In the thematic « Installation »

Jean-Baptiste Caron, Carton 2, Courtesy of the artist

22,48 m²

Jean-Baptiste Caron 1983, France

"FORCES EN PRÉSENCE"

Barry McGee, © Barry McGee, courtesy of the artist and Perrotin/

Perrotin

Barry McGee 1966, United States

"I’m Listening"

Rafael Domenech,

193 Gallery

Rafael Domenech 1989, Cuba/United States

"Flowers blooming on acid"

In the thematic « Latin America's Art Scene »

Iván Navarro, The Eye, 2025, Néon, bois, courant électrique/ Neons, wood and electric energy, 120 × 140 cm — 47 1/4 × 55 in.
Photographie : Thelma Garcia. Courtesy TEMPLON, Paris-Bruxelles-New York

TEMPLON, Paris-Bruxelles-New York

Iván Navarro 1972, Chile

"Cyclops"

Osvaldo González - Descendencia, exhibition view - GALLERIA CONTINUA, Paris (C) Hafid Lhachmi - ADAGP Paris, 2025

GALLERIA CONTINUA

Osvaldo González 1982, Cuba

"Descendencia"

Diego Bianchi, Jacobsen, 2019, chrome pipes, wood, plastic, 181 x 150 x 80 cm

Galerie Jocelyn Wolff

Diego Bianchi 1969, Argentina

"ThéâtrEErreuR"

In the thematic « Performance Art »

Sophie Whettnall, Invisible landscape, 2025, soie perforée, cadre cuivre, 51,5 x 40 x 3,5 cm, Photo © Isabelle Arthuis, Courtesy of the artist and Michel Rein, Paris/Brussels

Michel Rein

Sophie Whettnall 1973, Belgium

"Invisible"

Joris Van de Moortel
music enjoys direct access to the soul, has an immediate echo of response since we have music within ourselves, 2025, Huile sur lin et cadre en acier de l’artiste avec deux sculptures de tête faites en résine acrylique et patine effet bronze (une avec le nez droit et une avec le nez cassé)

Galerie Nathalie Obadia

Joris Van de Moortel 1983, Belgium

"Le poids du ciel illumine la terre"

Axel Pahlavi, Poussière de Lumière, 2025, oil on wood, 64 x 96 cm, Courtesy H Gallery, Paris

H Gallery

Axel Pahlavi 1975, Iran

"Hyperclassique" // "Abîme moderne" // " Intégrale du réel"

In the thematic « Sculpture »

Yves Klein, L’Esclave mourant d’après Michel-Ange, 1962

Galerie Jean-François Cazeau

Eduardo Arroyo, César, Gaston Chaissac, Paul Delvaux, Leonor Fini, Gen Paul, Henri Hayden, Auguste Herbin, Marcel Janco, Paul Klee, Yves Klein, Jean Lacombe, Fernand Léger, Eugène Leroy, Aristide Maillol, André Masson, Amedeo Modigliani, Pablo Picasso, Paul Elie Ranson, Auguste Renoir, Ker-Xavier Roussel, Niki de Saint-Phalle, Kees Van Dongen

--

"La Figuration dans tous ses états"

Photo by Matt Emonson

Galerie Lelong

Alison Saar 1956, United States

"Sweet Life"

Diego Bianchi, Jacobsen, 2019, chrome pipes, wood, plastic, 181 x 150 x 80 cm

Galerie Jocelyn Wolff

Diego Bianchi 1969, Argentina

"ThéâtrEErreuR"

In the thematic « Women Artists »

Summer Wheat, Catching Butterflies on Grass, 2025, acrylic paint and gouache on aluminum mesh 172.7 x 119.4 cm (68 x 47 in). Courtesy Zidoun-Bossuyt Gallery

Zidoun-Bossuyt Gallery

Summer Wheat 1977, United States

"Sun Up, Sun Down"

Yves Klein, L’Esclave mourant d’après Michel-Ange, 1962

Galerie Jean-François Cazeau

Eduardo Arroyo, César, Gaston Chaissac, Paul Delvaux, Leonor Fini, Gen Paul, Henri Hayden, Auguste Herbin, Marcel Janco, Paul Klee, Yves Klein, Jean Lacombe, Fernand Léger, Eugène Leroy, Aristide Maillol, André Masson, Amedeo Modigliani, Pablo Picasso, Paul Elie Ranson, Auguste Renoir, Ker-Xavier Roussel, Niki de Saint-Phalle, Kees Van Dongen

--

"La Figuration dans tous ses états"

Anne-Sophie Emard, La flûtiste borgne, 2025, Tirages Cibachrome sous diasec, châssis affleurant chêne teinté ciré noir, Diptyque,  45cm x 30cm et 85cm x 70cm, Courtesy de l'artiste et Galerie Claire Gastaud

Galerie Claire Gastaud | Paris

Anne-Sophie Emard 1973, France

"La flûtiste borgne"

In the tour « Nord-Est (Saint-Ouen - Belleville - Pantin - Romainville) »

Laura Huertas Millán, El laberinto, 2018, 21 mins, 16 mm into HD, images founded, Courtesy de l'artiste.

Marcelle Alix

Ella C Bernard, Cécile Bouffard, Omar Castillo Alfaro, Caroline Rose Curdy, Pierre Dumaire, Laura Huertas Millán, Liz Magor, Rafael Moreno, Nicole, Hatice Pinarbaşi et Jean-Charles de Quillacq

--

"El fantasma de Tennessee"

Renaud Auguste-Dormeuil, Le Tourbillon de la Vie #01, 2013, Impression Lambda contrecollée sur aluminium, 120 x 150 cm, Edition de 5 ex + 1 AP, © Renaud Auguste-Dormeuil, Courtesy de l'artiste & galerie In Situ - fabienne leclerc, Grand Paris

galerie Sator

Renaud Auguste-Dormeuil, Djabril Boukhenaïssi, Raphaël Denis, Alessandro Di Lorenzo, Gabriel Leger, Éric Manigaud, Bruno Pélassy, Kelly Sinnapah Mary, Thiên Ngoc Ngo Rioufol

--

"De l'effacement de la figure humaine"

Diego Bianchi, Jacobsen, 2019, chrome pipes, wood, plastic, 181 x 150 x 80 cm

Galerie Jocelyn Wolff

Diego Bianchi 1969, Argentina

"ThéâtrEErreuR"

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