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PABLO PICASSO (1881-1973), Femme agenouillée se coiffant,  1906, Numéroté : 1/10,
Porte le cachet du fondeur : C. Valsuani Cire Perdue, Bronze à patine nuancée, Hauteur : 40 cm. Succession Picasso 2025. Crédit Photo : Cécil Mathieu

HELENE BAILLY

Michel Potage, Dans la vase, Technique Mixte, 130 x 195 cm

L'Avant Galerie Vossen

In Situ – fabienne leclerc

Amir Nave 1974, Israel

"River Folds"

  • Amir Nave, From the body of the mortal, a split splits toward the other side, 2023, Encre sur papier, 27 x 20 cm
© Amir Nave, courtesy de l'artiste & galerie In Situ - fabienne leclerc, Grand Paris

Amir Nave, From the body of the mortal, a split splits toward the other side, 2023, Encre sur papier, 27 x 20 cm © Amir Nave, courtesy de l'artiste & galerie In Situ - fabienne leclerc, Grand Paris

The main question driving Amir Nave’s artistic research is fundamentally motivated by many approaches to elaborate one distinct thing – Is it possible to deliver something valuable from the present to eternity? Questions about time, space, boundaries, seclusion, power relationships between people and within a person, trying to break down everything that is unequivocal, are building the framework for the main subject studied by the artist, the pain of consciousness.

In his process, Amir Nave first destroys everything that represents a value, place, morality or limit for him, until all ‘life’ is gone and only chaos remains. In his works, destruction tells more than construction and the struggle within his painting is connected to the relationship between emptiness and remove ‘the’ fullness. Emptiness being outside the realm of language can provoke creativity because it is our way of describing something that we cannot fully conceive of. The emptiness on his works also participates in focusing attention on the body and particularly on the head, the central point of his painting. From here, the artist attempts to rebuild the world once again. There are faded landscapes, in which figures are walking, whose body is a bag of needs – allegories of the decline of the decadent human society in our time. His figures aim to represent the desire to experience the world, for better or worse. The body is an hourglass and the attempt to confront these springs from the desire not to accept it as absolute but to define it as derived from consciousness.

Solo show of Amir Nave

From May 25th to July 19th, 2025

Rendez-Vous

Sunday 25 May 2025 from 2:00 pm to 6:00 pm

Opening of the show – In Situ – fabienne leclerc

View all events
43 Rue de la Commune de Paris
93230 Romainville, France
01 53 79 06 12 www.insituparis.fr

The gallery

Founded by Fabienne Leclerc in 2001, In Situ began in the 13th district of Paris alongside a group of galleries in the rue Louise Weiss. After seven years in the 6th, the gallery moved to the Marais in 2013 before opening a new space at 14 boulevard de la Chapelle in January 2017. As a founding gallery of the Komunuma project in the Grand Paris suburbs, In Situ - fabienne leclerc joigned colleagues with diverse public and private interests in contemporary art with 500 square meters of newly renovated historic industrial spaces which opened in October 2019.
The ambition of In Situ - fabienne leclerc is to promote young and emerging artists on the French and international art scene, and to support established artists in the long term. In Situ - fabienne leclerc strives to defend the work of its artists in the gallery, in fairs and biennials throughout the world as well as in museums and institutions.

Gallery artists

Renaud Auguste-Dormeuil, Andrea Blum, Lynne Cohen - Estate, Patrick Corillon, Martin Dammann, Marina De Caro, Mark Dion, Lars Fredrikson - Estate, Meschac Gaba, Daniele Genadry, Joana Hadjithomas & Khalil Joreige, Ramin Haerizadeh, Rokni Haerizadeh, Hesam Rahmanian, Gary Hill, Noritoshi Hirakawa, Amir Nave, Haifeng Ni, Otobong Nkanga, Constance Nouvel, Florence Paradeis, Gerald Petit, Hesam Rahmanian, Vivien Roubaud, The Blue Noses, Laurent Tixador, Patrick Tosani, Patrick van Caeckenbergh, Marcel van Eeden, We Are The Painters, Dominique Zinkpè

In the thematic « Contemporary Art »

Hessie

Galerie Arnaud Lefebvre

Hessie, Olga Theuriet, Jessye Wdowin-McGregor

--

"Temps perdu, partie 2"

Raphaëlle Peria, Le brouillard des sentiments, grattage sur photographie, 80x60cm, 2025.

Galerie Papillon

Raphaëlle Peria 1989, France

"Si j’étais un arbre, je serais toi"

Robert Irwin, #3 x 6' D Four Fold, 2016
© ARS, NY and DACS, London 2025.
Photo: Philipp Scholz Ritterman. Courtesy of the Estate of Robert Irwin

WHITE CUBE

Robert Irwin 1928 — 2023, United States

"Robert Irwin"

In the thematic « Drawing »

Charles Le Hyaric, Les jours bleus, 2024, Peinture à l’huile, peinture en spray sur papier, 75 x 110 cm

Galerie Papillon

Cathryn Boch, Erik Dietman, Joël Kermarrec, Jürgen Klauke, Charles Le Hyaric, Frédérique Loutz, Javier Pérez, Raphaëlle Peria, JC Ruggirello,Didier Trenet

--

"Des dessins"

Siri Derkert, Sara i fönstret, 1924, Unsigned, Oil on canvas mounted on canvas, 95.3 x 63.3 cm. Courtesy of the Artist and Andréhn-Schiptjenko. © Paulina Simon

Andréhn-Schiptjenko

Siri Derkert 1888 — 1973, Sweden

Joachim Bandau, vue de l'exposition personnelle ''La Face cachée'', 2016, Galerie Maubert, Paris

Galerie Maubert

Joachim Bandau 1936, Germany

"Solo Show''

In the thematic « Middle Eastern Art Scene »

Afaf Zurayk, untitled, watercolour and crayon on canvas, 40x40cm. Courtesy of the artist.

15 Beautreillis

Amy Todman, Afaf Zurayk

--

"Light Enters"

In the thematic « Painting »

Simon Hantaï, Blancs, 1974, acrylique sur toile 192 x 180 cm

Galerie Larock-Granoff

Pierre Alechinsky, Claude Bellegarde, Gaston Chaissac, Jean Couty, Jean Degottex, René Duvillier, André Fougeron, Françoise Gilot, Simon Hantaï, Daniel Hourdé, Hans Hartung, Philippe Hiquily, Kolos-Vary, Charles Lapicque, Lili Le Gouvello, Jean Messagier, Isabel Michel, Joan Miró, Amédée Ozenfant, Paul Rebeyrolle, Antonio Saura et Pierre Tal Coat

--

"Hommage à Pierre Larock, une génération d'artistes"

Titina Maselli, Calciatori e città, 1973, Acrylic on canvas

Galerie Raphaël Durazzo

Titina Maselli 1924 — 2005, Italy

"Panta Rhei – Everything flows"

Pieter Jennes, Il me tarde, 2025, Huile et collage sur toile / Oil and collage on canvas
190 × 170 cm / 74 13/16 × 66 15/16 inches
192 × 172 × 4 cm / 75 9/16 × 67 11/16 × 1 9/16 inches (encadré / framed)

Semiose

Pieter Jennes 1990, Belgium

"Le Bouquet manquant"

In the thematic « Works on paper »

Christophe Tissot, encre et pastel sec sur papier signé et daté 4.V.2025 - Dim: 29,7 x 21 cm

Galerie Cipango

Christophe Tissot 1960, France

France

PABLO PICASSO (1881-1973), Femme agenouillée se coiffant,  1906, Numéroté : 1/10,
Porte le cachet du fondeur : C. Valsuani Cire Perdue, Bronze à patine nuancée, Hauteur : 40 cm. Succession Picasso 2025. Crédit Photo : Cécil Mathieu

HELENE BAILLY

Pablo Picasso 1881 — 1973, Spain

Mathieu Dufois, Lambeaux, Dessin à la pierre noire, 42 x 76 cm, Pièce unique, 2024

Galerie C

Mathieu Dufois 1984, France

"Là où repose la lumière flottent les cendres"

In the tour « Nord-Est (Saint-Ouen - Belleville - Pantin - Romainville) »

Renaud Auguste-Dormeuil, Le Tourbillon de la Vie #01, 2013, Impression Lambda contrecollée sur aluminium, 120 x 150 cm, Edition de 5 ex + 1 AP, © Renaud Auguste-Dormeuil, Courtesy de l'artiste & galerie In Situ - fabienne leclerc, Grand Paris

galerie Sator

Renaud Auguste-Dormeuil, Djabril Boukhenaïssi, Raphaël Denis, Alessandro Di Lorenzo, Gabriel Leger, Éric Manigaud, Bruno Pélassy, Kelly Sinnapah Mary, Thiên Ngoc Ngo Rioufol

--

"De l'effacement de la figure humaine"

Jean-Baptiste Caron, Carton 2, Courtesy of the artist

22,48 m²

Jean-Baptiste Caron 1983, France

"FORCES EN PRÉSENCE"

Diego Bianchi, Jacobsen, 2019, chrome pipes, wood, plastic, 181 x 150 x 80 cm

Galerie Jocelyn Wolff

Diego Bianchi 1969, Argentina

"ThéâtrEErreuR"

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