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PABLO PICASSO (1881-1973), Femme agenouillée se coiffant,  1906, Numéroté : 1/10,
Porte le cachet du fondeur : C. Valsuani Cire Perdue, Bronze à patine nuancée, Hauteur : 40 cm. Succession Picasso 2025. Crédit Photo : Cécil Mathieu

HELENE BAILLY

Michel Potage, Dans la vase, Technique Mixte, 130 x 195 cm

L'Avant Galerie Vossen

In Situ – fabienne leclerc

Amir Nave 1974, Israel

"River Folds"

  • Amir Nave, From the body of the mortal, a split splits toward the other side, 2023, Encre sur papier, 27 x 20 cm
© Amir Nave, courtesy de l'artiste & galerie In Situ - fabienne leclerc, Grand Paris

Amir Nave, From the body of the mortal, a split splits toward the other side, 2023, Encre sur papier, 27 x 20 cm © Amir Nave, courtesy de l'artiste & galerie In Situ - fabienne leclerc, Grand Paris

The main question driving Amir Nave’s artistic research is fundamentally motivated by many approaches to elaborate one distinct thing – Is it possible to deliver something valuable from the present to eternity? Questions about time, space, boundaries, seclusion, power relationships between people and within a person, trying to break down everything that is unequivocal, are building the framework for the main subject studied by the artist, the pain of consciousness.

In his process, Amir Nave first destroys everything that represents a value, place, morality or limit for him, until all ‘life’ is gone and only chaos remains. In his works, destruction tells more than construction and the struggle within his painting is connected to the relationship between emptiness and remove ‘the’ fullness. Emptiness being outside the realm of language can provoke creativity because it is our way of describing something that we cannot fully conceive of. The emptiness on his works also participates in focusing attention on the body and particularly on the head, the central point of his painting. From here, the artist attempts to rebuild the world once again. There are faded landscapes, in which figures are walking, whose body is a bag of needs – allegories of the decline of the decadent human society in our time. His figures aim to represent the desire to experience the world, for better or worse. The body is an hourglass and the attempt to confront these springs from the desire not to accept it as absolute but to define it as derived from consciousness.

Solo show of Amir Nave

From May 25th to July 19th, 2025

Rendez-Vous

Sunday 25 May 2025 from 2:00 pm to 6:00 pm

Opening of the show – In Situ – fabienne leclerc

View all events
43 Rue de la Commune de Paris
93230 Romainville, France
01 53 79 06 12 www.insituparis.fr

The gallery

Founded by Fabienne Leclerc in 2001, In Situ began in the 13th district of Paris alongside a group of galleries in the rue Louise Weiss. After seven years in the 6th, the gallery moved to the Marais in 2013 before opening a new space at 14 boulevard de la Chapelle in January 2017. As a founding gallery of the Komunuma project in the Grand Paris suburbs, In Situ - fabienne leclerc joigned colleagues with diverse public and private interests in contemporary art with 500 square meters of newly renovated historic industrial spaces which opened in October 2019.
The ambition of In Situ - fabienne leclerc is to promote young and emerging artists on the French and international art scene, and to support established artists in the long term. In Situ - fabienne leclerc strives to defend the work of its artists in the gallery, in fairs and biennials throughout the world as well as in museums and institutions.

Gallery artists

Renaud Auguste-Dormeuil, Andrea Blum, Lynne Cohen - Estate, Patrick Corillon, Martin Dammann, Marina De Caro, Mark Dion, Lars Fredrikson - Estate, Meschac Gaba, Daniele Genadry, Joana Hadjithomas & Khalil Joreige, Ramin Haerizadeh, Rokni Haerizadeh, Hesam Rahmanian, Gary Hill, Noritoshi Hirakawa, Amir Nave, Haifeng Ni, Otobong Nkanga, Constance Nouvel, Florence Paradeis, Gerald Petit, Hesam Rahmanian, Vivien Roubaud, The Blue Noses, Laurent Tixador, Patrick Tosani, Patrick van Caeckenbergh, Marcel van Eeden, We Are The Painters, Dominique Zinkpè

In the thematic « Contemporary Art »

Robert Irwin, #3 x 6' D Four Fold, 2016
© ARS, NY and DACS, London 2025.
Photo: Philipp Scholz Ritterman. Courtesy of the Estate of Robert Irwin

WHITE CUBE

Robert Irwin 1928 — 2023, United States

"Robert Irwin"

Axel Pahlavi, Poussière de Lumière, 2025, oil on wood, 64 x 96 cm, Courtesy H Gallery, Paris

H Gallery

Axel Pahlavi 1975, Iran

"Hyperclassique" // "Abîme moderne" // " Intégrale du réel"

Ruben Pang, Sans Titre, 2024, 22O x 150 cm.

PACT

Ruben Pang 1990, Singapore

"Némésis"

In the thematic « Drawing »

Joachim Bandau, vue de l'exposition personnelle ''La Face cachée'', 2016, Galerie Maubert, Paris

Galerie Maubert

Joachim Bandau 1936, Germany

"Solo Show''

Christophe Tissot, encre et pastel sec sur papier signé et daté 4.V.2025 - Dim: 29,7 x 21 cm

Galerie Cipango

Christophe Tissot 1960, France

France

Anne Manoli, Sauvage est le vent, 2017, Peinture à l’huile, cire et emulsion sur toile, 158 x 198 cm

Berthet-Aittouarès

Anne Manoli, Yann Bagot, Paul Iratzoquy

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"La nature en question"

In the thematic « Middle Eastern Art Scene »

Afaf Zurayk, untitled, watercolour and crayon on canvas, 40x40cm. Courtesy of the artist.

15 Beautreillis

Amy Todman, Afaf Zurayk

--

"Light Enters"

In the thematic « Painting »

YOO Hye-Sook, M250405, 2025, acrylique et encre sur toile / acrylic and ink on canvas, 49,5 x 49,5 cm, © photo Nicolas Pfeiffer, Courtoisie Yoo Hye-Sook & Galerie Maria Lund

Galerie Maria Lund

Yoo Hye-Sook 1964, Republic of Korea

"Acte II"

Titina Maselli, Calciatori e città, 1973, Acrylic on canvas

Galerie Raphaël Durazzo

Titina Maselli 1924 — 2005, Italy

"Panta Rhei – Everything flows"

Barry McGee, © Barry McGee, courtesy of the artist and Perrotin/

Perrotin

Barry McGee 1966, United States

"I’m Listening"

In the thematic « Works on paper »

Christophe Tissot, encre et pastel sec sur papier signé et daté 4.V.2025 - Dim: 29,7 x 21 cm

Galerie Cipango

Christophe Tissot 1960, France

France

Raphaëlle Peria, Le brouillard des sentiments, grattage sur photographie, 80x60cm, 2025.

Galerie Papillon

Raphaëlle Peria 1989, France

"Si j’étais un arbre, je serais toi"

Cédric Quissola, Avalanche, 2018

Ségolène Brossette Galerie

Christophe Beauregard, Elise Bergamini, Cyril Burget, Fabien de Chavanes, Marielle Degioanni, Michele Landel, Maud Louvrier Clerc, Laurence Nicola, Laure Pubert, Cédric Quissola, Nathalie Tacheau, Tania & Lazlo

--

"Limited Prints"

In the tour « Nord-Est (Saint-Ouen - Belleville - Pantin - Romainville) »

Femme Jibóia, Kássia Borges Mytara, photo Sami Korhonen @ricardofernandesgallery

Ricardo Fernandes

Kássia Borges Mytara 1962, Brazil

"'Femme Jibóia"

Renaud Auguste-Dormeuil, Le Tourbillon de la Vie #01, 2013, Impression Lambda contrecollée sur aluminium, 120 x 150 cm, Edition de 5 ex + 1 AP, © Renaud Auguste-Dormeuil, Courtesy de l'artiste & galerie In Situ - fabienne leclerc, Grand Paris

galerie Sator

Renaud Auguste-Dormeuil, Djabril Boukhenaïssi, Raphaël Denis, Alessandro Di Lorenzo, Gabriel Leger, Éric Manigaud, Bruno Pélassy, Kelly Sinnapah Mary, Thiên Ngoc Ngo Rioufol

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"De l'effacement de la figure humaine"

Photo credit: Gaïa Lamarre.

Air de Paris

Mona Filleul 1993, France/Switzerland

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"Air de Tranny"

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