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29 • 30 • 31 May 2026

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Arthur Simms, Portrait of a Politician Vomiting, 1992, Techniques mixtes, 135,9 x 139,7 x 55,9 cm

Galerie RX&SLAG

Série Le chêne-pointu,Clichy-Sous-Bois, Mains et sucette, 2021 ©Géraldine Lay courtesy of galerie SIT DOWN

Galerie Sit Down

galerie Sator

Victor Garel

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"Fatrasie"

  • Quel salaud, il veut lui voler son chapeau, 2026
Huile sur toile
200 x 230 cm
© Gregory Copitet
Courtesy Victor Garel et galerie Sator

Quel salaud, il veut lui voler son chapeau, 2026 Huile sur toile 200 x 230 cm © Gregory Copitet Courtesy Victor Garel et galerie Sator

Victor Garel is largely self-taught in painting. After a few years of fruitful exploration, he enrolled in college to study art history. He had always drawn. He moved to Scotland to further his practice by pursuing a master’s degree at the Glasgow School of Art.

A frequent visitor to museums and libraries, he recounts his encounter with contemporary art through his discovery of Louise Bourgeois’s work. Barely 15 years old, he was struck by the domestic world—both direct and violent—that emanates from her sculptures, particularly the maternal figure embodied by the monumental spiders. Today, his images emerge on his canvases very intuitively, barely filtered through a few sketches in a notebook. The characters’ faces resemble those of icons, identical today to what they were centuries ago.

Solo show of Victor Garel

From May 27 to July 18, 2026

4 Cour de l'île Louviers
Paris, France
06 89 46 02 84 galeriesator.com

The gallery

Founded in 2011 in the Marais in Paris, Galerie Sator promotes the work of emerging and developing international artists.
The gallery is characterized by its strong emphasis on visual art that references other forms of art and fields of thought: politics, history, history of art, literature, philosophy and science.
The gallery’s approach is completed by an investigation of the place of the image in contemporary societies and of the production of plastic forms.

Gallery artists

Djabril Boukhenaïssi, Corentin Canesson, Jean Marc Cerino, Sylvain Ciavaldini, Raphaël Denis, Hugo Deverchère, Yevgeniy Fiks, Christian Gonzenbach, Yan Heng, Evangelia Kranioti, Hayoun Kwon, Gabriel Leger, Kokou Ferdinand Makouvia, Eric Manigaud, Nazanin Pouyandeh, Truc-Anh, Pu Yinkwei

Galerie sélectionnée par Anaël Pigeat et Chris Cyrille Isaac

In the thematic « Contemporary art »

Arcangelo Sassolino, Aux abords du seisme, artwork Galleria CONTINUA Paris C Hafid Lhachmi ADAGP Paris

GALLERIA CONTINUA

Arcangelo Sassolino 1967, Italy

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"Aux abords du séisme"

Perrotin

Susumu Kamijo 1975, Japan

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Glen Baxter, There were times when i began to think I might just be in the wrong profression, 2010. Courtesy Semiose

Semiose

Glen Baxter 1990, Belgium

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In the thematic « Emergent scene »

C'est dans ces lieux un peu sauvages, qu'est ma demeure_2025_AurelK_Galerie Binome_BD

Galerie Binome

AurelK 1992, France

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"Au seuil"

Ségolène Brossette Galerie

"Empreintes vitales" — Group show

Slumber Party, Amber Boardman, 2026, huile sur toile  (oil on canvas), 97.8 x 121.9 cm (38 1/2 x 48 in)

Brigitte Mulholland

Amber Boardman

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"The Summer Before Everything Changed"

In the thematic « Painting »

Jean Hélion, Autoportrait, 1959, huile sur toile, 46 x 55 cm

Galerie Alain Margaron

Derain, Deux, Hélion, Music, From Model to Self-Portrait — Group show

Perrotin

Hans Hartung & Pierre Soulages

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ARMAN,
Fang Reliquary Figure (Gabon), 1997, Acrylique et encre de Chine sur papier, 101 x 67.3 cm / Courtesy Galerie Patrice Trigano

Galerie Patrice Trigano

Arman

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In the tour « Marais »

Sabatina Leccia , Chercher le soleil ( 11), 2025.
Série Chercher le soleil .
Technique s mixtes : impression sur lin, détissage et retissage au fil d’argent. 90 x 75 cm.
(© Sabatina Leccia - Courtesy Galerie XII Paris)

Galerie XII

Sabatina Leccia 1984, France

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"Habiter le silence"

Courtesy Hyangmok Baik and 193 Gallery

193 Gallery

Hyangmok Baik 1990, South Korea

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"Have You Ever Fallen in Love?"

Venice Biennale, photo by Anpis WANG

Perrotin

Lee Mingwei 1964, Taiwan

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"Lorsque la Beauté paraît"

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