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29 • 30 • 31 May 2026

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James CHEDBURN - Navy cut, 2026 - Mixed media - 29 x 14 x 8 cm © Jean-François Deroubaix

Galerie Lélia Mordoch

Kata Unger : Philosophical Zombies - 250 x 235 cm - laine sur laine - 2024

Galerie Maria Lund

Galerie Lelong

Alison Saar 1956, United States

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  • Photo by Matt Emonson

Photo by Matt Emonson

Alison Saar has developed a body of work consisting of sculptures, engravings and paintings focused mainly on black female identity in the United States. She was born into a family of artists – her father Richard Saar is a renowned ceramicist and the assemblages of her mother, Betye Saar, still active today, are now receiving international recognition. Over the last forty years, Alison Saar has built a unique corpus that is still little-known in Europe, consisting of sculptures and installations at the crossroads of diverse cultural influences (Afro-American culture, Haitian folklore, mythology or art brut).

Solo show of Alison Saar

From May 15th to July 11th, 2025

38 Avenue Matignon
Paris, France
01 71 72 26 99 galerie-lelong.com/fr

The gallery

The creation of the gallery in 1945 in Paris by Aimé Maeght was marked, during the first thirty years, by the presentation of major artists such as Joan Miró, Alexander Calder, Marc Chagall, Alberto Giacometti, Eduardo Chillida, Antoni Tàpies, and Francis Bacon. Upon Maeght’s passing in 1981, the gallery took its current name and was led by three equal partners: Jacques Dupin, Daniel Lelong, and Jean Frémon (J. Dupin passed away in 2012, the same year D. Lelong stepped down as president, handing over the role to J. Frémon, the current director of both the Paris and New York galleries).

From the 1980s onwards, significant artists such as Pierre Alechinsky, Louise Bourgeois, Konrad Klapheck, Jannis Kounellis, and Joan Miró, among others, joined the gallery. Galerie Lelong New York opened in 1985 and has been led since 1990 by Mary Sabbatino, expanding the program to major figures of the Latin American art scene: Alfredo Jaar, Ana Mendieta, Cildo Meireles, Hélio Oiticica, and Zilia Sánchez.

Today, the gallery continues its history, showcasing leading artists from the global art scene such as Etel Adnan, Marc Desgrandchamps, Leonardo Drew, Barry Flanagan, Günther Förg, Hyunsun Jeon, David Hockney, Nalini Malani, David Nash, Jaume Plensa, Arnulf Rainer, Paula Rego, Christine Safa, Kiki Smith, Nancy Spero, and Barthélémy Toguo.

The gallery has developed the production of monumental sculptures intended for public spaces with artists such as Jaume Plensa, Ursula von Rydingsvard, and Jean Dubuffet, thanks to a privileged relationship with the Dubuffet Foundation.

Gallery artists

Etel Adnan, Pierre Alechinsky, Karel Appel, James Brown, Eduardo Chillida, Nicola De Maria, Marc Desgrandchamps, Leonardo Drew, Jean Dubuffet, Simone Fattal, Barry Flanagan, Günther Förg, Ficre Ghebreyesus, Andy Goldsworthy, Sarah Grilo, Jane Hammond, David Hockney, Frank Horvat, Jean-Baptiste Huynh, Konrad Klapheck, Jiri Kolàr, Jannis Kounellis, Nalini Malani, Ana Mendieta, Henri Michaux, Joan Miró, David Nash, Ernest Pignon-Ernest, Jaume Plensa, Arnulf Rainer, Paula Rego, Alison Saar, Christine Safa, Sean Scully, Kate Shepherd, Kiki Smith, Nancy Spero, Antoni Tàpies, Mildred Thompson, Barthélémy Toguo, Richard Tuttle, Juan Uslé, Marion Verboom, Fabienne Verdier, Ursula von Rydingsvard, Jan Voss, Wang Yan Cheng

Galerie sélectionnée par Daria de Beauvais et Chris Cyrille Isaac

In the thematic « Contemporary art »

Iroha, 2023, Iroha, 2023, Kitai Kazuo,
Courtesy Galerie Écho 119

écho 119

Kazuo Kitai 1944, China

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"Kazuo Kitai : I.RO.HA 1.2.3"

 Guy de Malherbe, Falaises, huile sur toile, 114x146xm, 2025 © Bertrand Hugues Michaud

Galerie La Forest Divonne

Guy de Malherbe 1958

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"Autres Rivages"

Manuela Sedmach, Guardatori - artwork, Galleria CONTINUA, Paris (C) Hafid Lhachmi - ADAGP Paris, 2026

GALLERIA CONTINUA

Manuela Sedmach 1953, Italy

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"Guardatori"

In the thematic « First exhibition »

Martin Jacobson, Apparition I, Oil on canvas, 222 x 141 cm, 2026. © Paulina Simon / Courtesy of the Artist and Andréhn-Schiptjenko

Andréhn-Schiptjenko

Martin Jacobson 1978, Sweden

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"See the Sights"

Galerie Taménaga

Sohei Iwata 1979, France

Et que le temps est devenu sourd, 2025, poplar, vines (lierre, ivy), wire, industrial materials, charcoal, Installation at Chapelle des Dames Blanches in La Rochelle,  Photo: Misha Gudwin

Traits Libres Gallery

Louis Guillaume 1995, France

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In the thematic « Painting »

Lucy Fradkin, He was a Plumber, an Electrician, a Carpenter, a Cabinetmaker, a Tiler, a Blacksmith and a Mechanic, 2008, Huile sur papier avec crayon, 170 x 132 cm

Galerie RX&SLAG

Lucy Fradkin

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"I've Got Sunshine On A Cloudy Day"

Juan Genovés - Descampado, 2015 - Acrylique sur panneau - 130 x 100 cm - @Enrique Palacio

OPERA GALLERY

Regards sur l’art espagnol, 1945-2025 — Group show

Rosson Crow, The Swell, 2025, Acrylique, transfert photographique et huile sur toile
182,9 x 213,4 cm
Crédits photo: © Rosson Crow

Galerie Nathalie Obadia

Rosson Crow 1982, Etats-Unis

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La Rupture

In the thematic « Sculpture »

Galerie Christophe Gaillard

Richard Nonas 1936 — 2021, United States

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Kiki Smith, 
Columba, 2025, 
bronze, 
50

Galerie Lelong

Kiki Smith 1954

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"Flight"

Galerie MiniMasterpiece

Luis Quesada 1923 — 2022, Argentina

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"TERRITOIRES DU SUD"

In the thematic « Women artists »

Galerie Arnaud Lefebvre

40 years — Group show

Jacqueline Lamba, Maison et forêt, 1947, Oil on canvas
crédits DURAZZO

DURAZZO

Spring show — Group show

Rosson Crow, The Swell, 2025, Acrylique, transfert photographique et huile sur toile
182,9 x 213,4 cm
Crédits photo: © Rosson Crow

Galerie Nathalie Obadia

Rosson Crow 1982, Etats-Unis

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La Rupture

In the tour « Matignon »

Rosson Crow, The Swell, 2025, Acrylique, transfert photographique et huile sur toile
182,9 x 213,4 cm
Crédits photo: © Rosson Crow

Galerie Nathalie Obadia

Rosson Crow 1982, Etats-Unis

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La Rupture

Richard de Lalonde (d’après), Paire de consoles, époque Louis XVI, Galerie Léage ____________________________ Manufacture de Meissen, Johann Johachim Kändler (d'après), Jacques ou Philippe Caffieri (bronzes attribués à), Lazare Duvaux (probablement livrée par), Paire de candélabres aux oiseaux de proie, vers 1745, Galerie Léage

Galerie Léage

Exposition permanente / Permanent exhibition

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Meubles et objets d’art du XVIIIe siècle / 18th-century furniture and objets d’art

Francisco Tropa, Cheminée, 2025, painted plywood, patinated bronze, screen print on plywood,
158 x 90 x 30 cm unique, courtesy of the artist and Galerie Jocelyn Wolff, photo : Pedro Tropa

Galerie Jocelyn Wolff

Francisco Tropa 1968, Portugal

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"MISS AMERICA"

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