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29 • 30 • 31 May 2026

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Gérard SCHNEIDER (1896 - 1986),
Opus 50E, 1960
oil on canvas, Signed and dated on the lower left : «Schneider 11-60»
97 x 130 cm

Galerie Jean-François Cazeau

Galerie Jousse Entreprise

Galerie Jocelyn Wolff

Francisco Tropa 1968, Portugal

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"MISS AMERICA"

  • Francisco Tropa, Cheminée, 2025, painted plywood, patinated bronze, screen print on plywood,
158 x 90 x 30 cm unique, courtesy of the artist and Galerie Jocelyn Wolff, photo : Pedro Tropa

Francisco Tropa, Cheminée, 2025, painted plywood, patinated bronze, screen print on plywood, 158 x 90 x 30 cm unique, courtesy of the artist and Galerie Jocelyn Wolff, photo : Pedro Tropa

Francisco Tropa is a Portuguese artist whose work is grounded in an imaginary world constantly nourished by literature, philosophy, history, and conversation. Certain themes particularly interest the artist, such as Vanitas and Time, which he continually revisits and renews.

Miss America is the name of an imagined boat, which one boards as soon as the gallery doors are crossed. It is also the title of a narrative, visualised by Tropa. The exhibition thus allegorically invokes the maritime world, and more specifically the naufragium in its ancient (Roman) sense—that is, an accident or uncontrolled fall. The term was used to describe both shipwrecks and chariot crashes in the Roman circus. The boat, the sailors, and the shipwreck are also figures that have evoked imagery since ancient times, such as Ulysses in the Odyssey, and are associated with the story of a character constantly in motion.

At the origin of this exhibition lies an object discovered during an excavation by an archaeologist friend: a small bronze tower with an internal staircase, used to cast dice from an opening at the top, thus invoking chance or randomness. It is, in fact, a beautiful allegory of the Roman idea of naufragium. The first part of this fiction, Miss America, was recently presented at Palazzo De’ Toschi in Bologna, curated by Simone Menegoi. At Galerie Jocelyn Wolff in Paris, visitors are invited to discover two new chapters that complete the story of Miss America: Poor Captain and Shipwreck.

The myth of the sailor is also accompanied by songs. The artist therefore asked a close collaborator from the maritime world to write three songs, each inspired by one of the three chapters of the story. They reflect the language of sailors and provide clues for deciphering the allegory. These songs are made available to the public in a leaflet at the entrance of the gallery.

Solo show of Francisco Tropa

From April 29 to June 20, 2026

Rendez-Vous

Friday 29 May 2026 from 4:00 pm to 8:00 pm

Opening of the exhibition – Galerie Jocelyn Wolff

View all events
1 Rue de Penthièvre
Paris, France
01 42 03 05 65 www.galeriewolff.com

The gallery

Based in Paris, Galerie Jocelyn Wolff has been promoting a rigorous and committed vision of contemporary art for over twenty years, supporting emerging artists while fostering the recognition of historical figures. The gallery has developed an artistic program guided by progressive aesthetic values, encouraging the circulation of both artworks and ideas.

Gallery artists

Manuel Alvess (estate of), William Anastasi, Zbyněk Baladrán, Diego Bianchi, Katinka Bock, Mélissa Boucher Morales, Colette Brunschwig, Marcelle Cahn, Miriam Cahn, Harald Klingelhöller, Irene Kopelman, Isa Melsheimer, Frédéric Moser & Philippe Schwinger, Imre Pán (estate of), Santiago de Paoli, Ulrich Polster, Prinz Gholam, Elodie Seguin, Francisco Tropa, Franz Erhard Walther, Christoph Weber, Clemens von Wedemeyer

In the thematic « Contemporary art »

Karla Leyva
Aurora soñando, 2026
Acrylique, graphite, gouache et aquarelle sur coton monté sur châssis en bois
15 × 11 × 2 cm (6 × 4½ × 1 in)
Œuvre unique
Crédit photo : Simon vogel

Galerie Droste

All That She Holds Inside — Group show

Slumber Party, Amber Boardman, 2026, huile sur toile  (oil on canvas), 97.8 x 121.9 cm (38 1/2 x 48 in)

Brigitte Mulholland

Amber Boardman

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"The Summer Before Everything Changed"

Alina Szapocznikow
Autoportrait, vers 1967
Résine de polyester et photographie
13,5 × 12,5 × 3 cm
Courtesy The Estate of Alina Szapocznikow | Galerie Loevenbruck, Paris | Hauser & Wirth

Loevenbruck

Alina Szapocznikow 1926 — 1973, Poland

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"Autobiography in Fragments. 100 Years Alina Szapocznikow"

In the thematic « Photography »

Image : 28,4 x 19,3 cm
Carton : 40,4 x 32,3 cm
Signé au crayon sous l’image, à droite
Tamponné au dos : Jean Moral, Paris
Courtesy Gilles Peyroulet & Cie, Paris

Gilles Peyroulet & Cie

Jean Moral 1906 — 1999

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"Autoportrait(s) 1926-1936"

Alina Szapocznikow
Autoportrait, vers 1967
Résine de polyester et photographie
13,5 × 12,5 × 3 cm
Courtesy The Estate of Alina Szapocznikow | Galerie Loevenbruck, Paris | Hauser & Wirth

Loevenbruck

Alina Szapocznikow 1926 — 1973, Poland

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"Autobiography in Fragments. 100 Years Alina Szapocznikow"

Courtesy Peter Freeman, Inc., New York / Paris & Take Ninagawa, Tokyo. © Gozo Yoshimasu.

Peter Freeman, Inc.

Gōzō Yoshimasu 1939, Japan

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"Cher Monstre"

In the thematic « Sculpture »

Kishio Suga, Branches of Critical Boundary, 1974/2026, branch, metal rod, stones, variable dimensions. Courtesy the artist and Mendes Wood DM.

Mendes Wood DM

Kishio Suga 1944, Japan

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"Kishio Suga"

James CHEDBURN - Navy cut, 2026 - Mixed media - 29 x 14 x 8 cm © Jean-François Deroubaix

Galerie Lélia Mordoch

James Chedburn

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"Avis de grand large"

Arcangelo Sassolino, Aux abords du seisme, artwork Galleria CONTINUA Paris C Hafid Lhachmi ADAGP Paris

GALLERIA CONTINUA

Arcangelo Sassolino 1967, Italy

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"Aux abords du séisme"

In the tour « Matignon »

To be titled, Bernard Frize, 2026, Acrylic and resin on canvas, 122 x122 cm © Bernard Frize

Perrotin

Bernard Frize 1949, France

Jacqueline Lamba, Maison et forêt, 1947, Oil on canvas
crédits DURAZZO

DURAZZO

Spring show — Group show

Rosson Crow, The Swell, 2025, Acrylique, transfert photographique et huile sur toile
182,9 x 213,4 cm
Crédits photo: © Rosson Crow

Galerie Nathalie Obadia

Rosson Crow 1982, Etats-Unis

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"La Rupture"

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