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29 • 30 • 31 May 2026

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Pegeen Vail Guggenheim, Untitled, 1959, oil on cardboard, crédits DURAZZO

DURAZZO

Jean Hélion, Autoportrait, 1959, huile sur toile, 46 x 55 cm

Galerie Alain Margaron

écho 119

Kazuo Kitai 1944, China

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"Kazuo Kitai : I.RO.HA 1.2.3"

  • Iroha, 2023, Iroha, 2023, Kitai Kazuo,
Courtesy Galerie Écho 119

Iroha, 2023, Iroha, 2023, Kitai Kazuo, Courtesy Galerie Écho 119

Kazuo Kitai (born in 1944 in China) abandoned his photography studies at the College of Art at Nihon University at an early age. Documenting the ‘Resistance’, the title of his first collection published in 1965, he is best known for his photographs of the Japanese protest movements of the 1960s and 1970s. In the 1980s, he turned his attention to the inhabitants of Osaka and Tokyo (Shinsekai Monogatari, Funabashi Monogatari), as well as rural Japan. He has won numerous awards, including the prestigious Kimura Ihei Award (in 1975).

In this new series, “I RO HA”, Kazuo Kitaï revisits his own photographic archives: faces, bodies in tension, marching crowds, fragments of resistance. Known for documenting the protest movements in Japan in the 1960s, he has now chosen to reactivate these images through a radical gesture.

By tearing up his original silver prints and then covering them with paint, Kitaï transforms photography into raw material. The documentary becomes abstraction, the image a medium for a hybrid form, between calligraphy and painting. This work marks a break in his practice: it is no longer a question of bearing witness, but of reinterpreting.

These black-and-white photographs feature helmeted men, workers, police officers, students, busy streets and suspended objects. The artist adds bright colours and traces the Japanese characters “I”, “RO” and “HA” – the first sounds of the syllabary, equivalent to the “ABC” in the Latin alphabet. A return to basics, reinforced by the presence of the numbers ‘1, 2, 3’, which are pronounced like a countdown before taking the plunge.

The exhibition is accompanied by a manifesto book, somewhere between memoir, pictorial gesture and renewal, published by Chose Commune.

Text by Chose Commune

Solo show of Kitai Kazuo

From March 28 to July 7, 2026

1 Rue des Minimes
Paris, France
0744883325 www.galerieecho119.com

The gallery

The Echo 119 gallery and bookshop was founded in 2016 by Noëlle Colin, who divides her time between France and Japan.

Specialising mainly in photography, the gallery presents the work of established and emerging artists, with a particular interest in Japanese artists. Without ever straying from the dual culture that defines its identity and determines its approach, Echo 119 has enriched itself with new artistic sensibilities, all of which share a common concern for contemporary issues and a significant aesthetic quest that makes the images intellectually and visually powerful works of art. In the spirit of the Japanese photographic tradition, Echo119 also offers a wide selection of photography books, from the latest publications to rare editions. The gallery is run by Salomé d'Ornano and Kinuko Asano as artistic director.

Gallery artists

Nobuyoshi Araki, Grégoire Eloy, Chloé Jafé, Rinko Kawauchi, Sakiko Nomura, Eiji Ohashi, Tokyo Rumando, Chieko, Shiraishi, Elliott Verdier, Hitomi Watanabe, Laure Winants

In the thematic « Asian Art Scene »

Venice Biennale, photo by Anpis WANG

Perrotin

Lee Mingwei 1964, Taiwan

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"Lorsque la Beauté paraît"

Sohei IWATA - What is there ? - 215 x 152 cm

Galerie Taménaga

Sohei Iwata 1979, France

Pierre Soulages,

Perrotin

Hans Hartung & Pierre Soulages

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In the thematic « Contemporary art »

Rosson Crow, The Swell, 2025, Acrylique, transfert photographique et huile sur toile
182,9 x 213,4 cm
Crédits photo: © Rosson Crow

Galerie Nathalie Obadia

Rosson Crow 1982, France

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"La Rupture"

Who Loves the Sun, 2023  © Laura Letinsky / Galerie Miranda

GALERIE MIRANDA

Laura Letinsky 1962, Canada

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"Le plaisir d’objets solides et de bribes d’informations inutiles"

Martin Jacobson, Apparition I, Oil on canvas, 222 x 141 cm, 2026. © Paulina Simon / Courtesy of the Artist and Andréhn-Schiptjenko

Andréhn-Schiptjenko

Martin Jacobson 1978, Sweden

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"See the Sights"

In the thematic « Painting »

Oda Jaune, Apple of my Eyes, 2025 huile sur toile, 405x30cm_OJ 25.008, Courtesy Galerie Templon

H Gallery

"Auprès du cœur sauvage" — Group show

 Guy de Malherbe, Falaises, huile sur toile, 114x146xm, 2025 © Bertrand Hugues Michaud

Galerie La Forest Divonne

Guy de Malherbe 1958

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"Autres Rivages"

Galerie Dominique Fiat

Kevork Mourad 1970

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"Sailing to Nowhere"

In the thematic « Photography »

Francisco Tropa, Cheminée, 2025, painted plywood, patinated bronze, screen print on plywood,
158 x 90 x 30 cm unique, courtesy of the artist and Galerie Jocelyn Wolff, photo : Pedro Tropa

Galerie Jocelyn Wolff

Francisco Tropa 1968, Portugal

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"MISS AMERICA"

Laia Abril, WRONG CAKE, Mind series, 2023

Les filles du calvaire

30 ANS ET PLUS — Group show

Sans titre, ©galeriedagomaharty©m'barekbouhchichi

Galerie Dagoma-Harty

M'barek Bouhchichi & Kelani Abass

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"Faire face"

In the tour « Marais »

Linda Sanchez, Les bousillés, 2025 © Tadzio/Fondation d’entreprise Hermès

Galerie Papillon

Linda Sanchez 1983, France

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"Pirouettes"

Quel salaud, il veut lui voler son chapeau, 2026
Huile sur toile
200 x 230 cm
© Gregory Copitet
Courtesy Victor Garel et galerie Sator

galerie Sator

Victor Garel

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"Fatrasie"

Hyangmok Baik,

193 Gallery

Hyangmok Baik 1990, South Korea

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"Have You Ever Fallen in Love?"

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