• fr
  • en

23 • 24 • 25 May 2025

  • Infos
  • Favorites
  • Partners
  • VIP
  • Galleries
  • Agenda
  • Courses
  • Ambassadors
  • Zooms
  • Cartes blanches
  • Galleries
  • Agenda
  • Courses
  • Ambassadors
  • Zooms
  • Cartes blanches
  • Infos
  • Favorites
  • Partners
  • VIP
  • fr
  • en
Joachim Bandau, vue de l'exposition personnelle ''La Face cachée'', 2016, Galerie Maubert, Paris

Galerie Maubert

Martin Boyce Spook School, 2016 Giclee Photographic Prints 19 x 12,5 cm each (unframed), 21 parts 52 x 42 x 2 cm each (framed), 21 parts Courtesy the artist and Esther Schipper, Berlin/ Paris/Seoul Photo © Martin Boyce Studio

Galerie Natalie Seroussi

Galerie Max Hetzler

Sarah Crowner 1974, United States

"Tableaux en Laine, Pierres en Bronze"

  • © Sarah Crowner, courtesy the artist and Galerie Max Hetzler Berlin | Paris | London | Marfa. Photo: Thomas Lannes

© Sarah Crowner, courtesy the artist and Galerie Max Hetzler Berlin | Paris | London | Marfa. Photo: Thomas Lannes

American artist Sarah Crowner (b. 1974) is recognised for her sustained engagement with line, form, colour and materiality. Working across a breadth of media, she investigates the relationship between the individual and the whole. In her sewn canvases, Crowner emphasises the physical act of making as well as the tactility of medium; broad brush strokes swipe across sliced forms that are then sewed and joined back together.

Sarah Crowner’s work has been presented in institutional solo exhibitions including SCAD Museum of Art, Savannah (2025); Chinati Foundation, Marfa (2024); Pulitzer Arts Foundation, St. Louis; Hill Art Foundation, New York; Casa de Vidro Lina Bo Bardi, São Paulo (all 2023); Museo Amparo, Puebla; Chinati Foundation, Marfa (2022); KMAC Contemporary Art Museum, Louisville (2018); and MASS MoCA, North Adams (2016).

Solo show of Sarah Crowner

From April 26th to June 21st, 2025

 

46-57 Rue du Temple
75004 Paris, France
01 57 40 60 80 www.maxhetzler.com

The gallery

Galerie Max Hetzler is a global contemporary art gallery representing over sixty artists across six spaces in Berlin, Paris and London, with an exhibition space and artist residency in Marfa. Established in Stuttgart in 1974, in its early years the gallery championed the generation of influential German artists emerging at the time including Albert Oehlen, Günther Förg and Martin Kippenberger and their international counterparts Christopher Wool, Jeff Koons, Robert Gober and Cady Noland amongst others. Over several decades, Galerie Max Hetzler has expanded, having worked with nearly 175 artists and representing a strong core of leading international artists and supporting the legacy of several estates. The gallery’s programme is conceived as a fruitful dialogue between established artists and younger generations; representing a constantly evolving discourse.

Gallery artists

DARREN ALMOND, GIULIA ANDREANI, KAREL APPEL, LEILAH BABIRYE, MATTHEW BARNEY, LOUISE BONNET, GLENN BROWN, ANDRÉ BUTZER, ANTHONY CARO, WILLIAM N. COPLEY, SARAH CROWNER, JEREMY DEMESTER, RINEKE DIJKSTRA, CARROLL DUNHAM, CELESTE DUPUY-SPENCER, IDA EKBLAD, ELMGREEN & DRAGSET, JEFF ELROD, URS FISCHER, BARRY FLANAGAN, WALTON FORD, GÜNTHER FÖRG, KATHARINA GROSSE, ROBERT GROSVENOR, MARK GROTJAHN, RAYMOND HAINS, HANS HARTUNG, ROBERT HOLYHEAD, HANS JOSEPHSOHN, KAWS, MARTIN KIPPENBERGER, SERGEY KONONOV, JEFF KOONS, FRIEDRICH KUNATH, LIZ LARNER, JAKE LONGSTRETH, INGE MAHN , VICTOR MAN, EDDIE MARTINEZ, PAUL McCARTHY, DANIELLE MCKINNEY, BEATRIZ MILHAZES, ERNESTO NETO, FRANK NITSCHE, NAVID NUUR, ALBERT OEHLEN, ADAM PENDLETON, RICHARD PRINCE, TAL R, BRIDGET RILEY, JULIAN SCHNABEL, RAPHAELA SIMON, RUDOLF STINGEL, THOMAS STRUTH, ELEANOR SWORDY, TURSIC & MILLE, RINUS VAN DE VELDE, EDMUND DE WAAL, REBECCA WARREN, GRACE WEAVER, CHRISTOPHER WOOL, TOBY ZIEGLER

In the thematic « Art contemporain »

Diego Bianchi, Jacobsen, 2019, chrome pipes, wood, plastic, 181 x 150 x 80 cm

Galerie Jocelyn Wolff

Diego Bianchi 1969, Argentina

"ThéâtrEErreuR"

Martin Boyce, Drawn from Depths, 2025 (détail), acier peint, acier galvanisé, verre soufflé à la main, composants électriques, installation : 300 x 200 x 200 cm. Production du verre : Cirva, Marseille. Courtesy de l’artiste et Esther Schipper Berlin/Paris/Séoul. Photo © Eoin Carey

Esther Schipper

Martin Boyce 1967, Scotland

"Unhome"

Jean-Baptiste Caron, Carton 2, Courtesy of the artist

22,48 m²

Jean-Baptiste Caron 1983, France

"FORCES EN PRÉSENCE"

In the thematic « Artistes femmes »

Photo by Matt Emonson

Galerie Lelong

Alison Saar 1956, United States

"Sweet Life"

Afaf Zurayk, untitled, watercolour and crayon on canvas, 40x40cm. Courtesy of the artist.

15 Beautreillis

Amy Todman, Afaf Zurayk

--

"Light Enters"

Femme Jibóia, Kássia Borges Mytara, photo Sami Korhonen @ricardofernandesgallery

Ricardo Fernandes

Kássia Borges Mytara 1962, Brazil

"'Femme Jibóia"

In the thematic « Contemporary Art »

Iván Navarro, The Eye, 2025, Néon, bois, courant électrique/ Neons, wood and electric energy, 120 × 140 cm — 47 1/4 × 55 in.
Photographie : Thelma Garcia. Courtesy TEMPLON, Paris-Bruxelles-New York

TEMPLON, Paris-Bruxelles-New York

Iván Navarro 1972, Chile

"Cyclops"

Stéphané Edith Conradie, Klinkende Simbaal II, 2025, Assemblage d’éléments divers, Courtesy Ceysson & Bénétière

Ceysson & Bénétière

Stephané Edith Conradie 1990, Namibia

Femme Jibóia, Kássia Borges Mytara, photo Sami Korhonen @ricardofernandesgallery

Ricardo Fernandes

Kássia Borges Mytara 1962, Brazil

"'Femme Jibóia"

In the thematic « Painting »

Galerie Taménaga

Jean-Pierre Cassigneul 1935, France

"Jean-Pierre Cassigneul : Carnets intimes"

 Arnulf Rainer
Sans titre, 1987/1988
Crayon gras et huile sur toile, 200,5 × 124 cm
© Arnulf Rainer. Courtesy Galerie Lelong

Galerie Lelong

Arnulf Rainer 1929, Austria

"Reminiszenz"

1955-2025

Miguel CHEVALIER, Pixels Infini (jaune - orange), 2011, Sérigraphie sur miroir sans tain, néons, 80 x 80 x 15 cm, Oeuvre unique

Galerie Lélia Mordoch

Miguel Chevalier, Keren, Julio Le Parc, Jean-Claude Meynard

--

"Fractales Toujours"

In the thematic « Peinture »

Anne Manoli, Sauvage est le vent, 2017, Peinture à l’huile, cire et emulsion sur toile, 158 x 198 cm

Berthet-Aittouarès

Anne Manoli, Yann Bagot, Paul Iratzoquy

--

"La nature en question"

Sophie Whettnall, Invisible landscape, 2025, soie perforée, cadre cuivre, 51,5 x 40 x 3,5 cm, Photo © Isabelle Arthuis, Courtesy of the artist and Michel Rein, Paris/Brussels

Michel Rein

Sophie Whettnall 1973, Belgium

"Invisible"

Galerie Nathalie Obadia

Fabrice Hyber 1961, France

"Apocalyipstick"

In the thematic « Women Artists »

YOO Hye-Sook, M250405, 2025, acrylique et encre sur toile / acrylic and ink on canvas, 49,5 x 49,5 cm, © photo Nicolas Pfeiffer, Courtoisie Yoo Hye-Sook & Galerie Maria Lund

Galerie Maria Lund

Yoo Hye-Sook 1964, Republic of Korea

"Acte II"

La Galerie Rouge

Clarissa Bonet 1986, United States

"Clarissa Bonet, City Space"

Femme Jibóia, Kássia Borges Mytara, photo Sami Korhonen @ricardofernandesgallery

Ricardo Fernandes

Kássia Borges Mytara 1962, Brazil

"'Femme Jibóia"

In the tour « Marais »

La Galerie Rouge

Clarissa Bonet 1986, United States

"Clarissa Bonet, City Space"

Julio Villani, Lettres Brisées, 2024, Acrylique, fusain, kaolin sur toile
Courtesy RX&SLAG
ADAGP

Galerie RX&SLAG

Julio Villani 1956, Brasil

"L'eau rougie de la veine mémoire"

Tirdad Hashemi, The collapse of years of hiding,(Transbodies), 2025, Acrylique sur toile, Acrylic on canvas, 189 x 255 cm, 74 3/8 x 100 3/8 inches,(THa008)

Galerie Christophe Gaillard

Tirdad Hashemi 1991, Iran

"Butchered Bodies"

  • Subscribe to the newsletter

organisation.pgw@comitedesgaleriesdart.com

Facebook — Instagram

PGW is organized by