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Pieter Jennes, Il me tarde, 2025, Huile et collage sur toile / Oil and collage on canvas
190 × 170 cm / 74 13/16 × 66 15/16 inches
192 × 172 × 4 cm / 75 9/16 × 67 11/16 × 1 9/16 inches (encadré / framed)

Semiose

Georg Baselitz, Indigene liegen im Farnkraut, 2025, Oil on canvas, 300 x 430 cm (118,11 x 169,29 in), signed, dated and titled verso. Courtesy Galerie Thaddaeus Ropac, London · Paris · Salzburg · Milan · Seoul © Georg Baselitz

Thaddaeus Ropac

TEMPLON, Paris-Bruxelles-New York

Jeanne Vicerial 1991, France

"Nymphose"

  • Jeanne Vicerial, Présence Amnios, 2025, Cordes, fils, cuivre et laiton doré à l'or fin, Photographie : Laurent Edeline, Courtesy TEMPLON, Paris-Bruxelles-New York

Jeanne Vicerial, Présence Amnios, 2025, Cordes, fils, cuivre et laiton doré à l'or fin, Photographie : Laurent Edeline, Courtesy TEMPLON, Paris-Bruxelles-New York

The young French prodigy Jeanne Vicerial unveils at Galerie Templon the culmination of two years’ reflection on metamorphosis.

With Nymphose, Vicerial invests the historic space of Rue Beaubourg with her “presences”, large sculptures of black thread, crocheted or smoothed, so characteristic of her practice. The exhibition is an ode to mutation in all its facets. Vicerial reveals it in the form of the awakening of matter, as in the tribute to Pierre Soulages, where the Outrenoir thread, tightly stretched across the painting, suddenly flows in waves to the ground. She shows it as artistic creation, through a process of exploration and experimentation, the kind that precedes the birth of a work; or as gestation, as only the viviparous is capable of.

In the room transformed into an intimate chamber or sacred chapel, covered in black and dimly lit, silent presences stare out at the visitor. In the midst of a loving embrace, in childbirth or in the twilight of their lives, they seem to be caught in the midst of a transition. Like a moment in suspense, Vicerial attempts to capture the moult that precedes the (re)birth of these unclassifiable beings, these supernatural nymphs, half-plant, half-animal.

Solo show of  Jeanne Viceral

From May 17th to July 19th, 2025

30 Rue Beaubourg
Paris, France
01 85 76 55 55 www.templon.com/fr/galerie

The gallery

The gallery was founded in 1966 by Daniel Templon, who was then only 21. It first opened rue Bonaparte, in Saint-Germain-des-Prés in Paris, before moving in 1972 to its current location, rue Beaubourg, in the Marais, close to the Pompidou Center, which opened in 1977.

Daniel Templon first gained recognition by exhibiting conceptual and minimal artists such as Martin Barré, Christian Boltanski, Donald Judd, Joseph Kosuth, Richard Serra. In the seventies and eighties, Daniel Templon was one of the pioneers of the contemporary art and introduced many important American artists to the French public: Dan Flavin, Ellsworth Kelly, Willem de Kooning, Frank Stella, Andy Warhol. The gallery quickly became one of the references in contemporary art in France. In 1972, Daniel Templon and Catherine Millet co-founded the monthly art magazine ART PRESS.

Over the years, many artists now part of art history have exhibited with the gallery. In chronological order : Martin Barré, Christian Boltanski, Joseph Kosuth, Ben, Arman, César, Carl Andre, Dan Flavin, Sol LeWitt, Donald Judd, Ellsworth Kelly, Kenneth Noland, Robert Morris, Jules Olitski, Frank Stella, Olivier Mosset, Art & Language, Richard Serra, Roy Lichtenstein, Andy Warhol, Karel Appel, Willem de Kooning, Helmut Newton, Francesco Clemente, Jörg Immendorff, Julian Schnabel, Lawrence Weiner, Daniel Buren, Jean-Michel Basquiat, David Salle, Robert Mapplethorpe, Robert Rauschenberg, Joel Shapiro, Keith Haring, Peter Halley, James Rosenquist, Robert Longo, Paul Rebeyrolle, Georg Baselitz, Raymond Hains, Eric Fischl, Juan Uslé, Jaume Plensa, George Condo, Ross Bleckner, Chapman brothers, Jim Dine, Richard Long, William Eggleston, Hiroshi Sugimoto, Yayoi Kusama, Richard Deacon, Larry Bell, Guillermo Kuitca, Anthony Caro, Pierre et Gilles.

Today TEMPLON represents a group of international artists. The program promotes a dialogue between generations: established artists, international mid-career artists, and the experiences of younger artists. The gallery also provides curatorial expertise and assistance in the mounting of exhibitions by its artists in museums or international exhibitions. Many of its artists have participated in international exhibitions such as the Venice Biennale, Documenta, the Whitney Biennale etc.

TEMPLON is involved in the production of its artists and is committed to a strong editorial policy with the publication of exhibition catalogues. It has four spaces: two exhibition spaces in Paris (30 rue Beaubourg and 28 rue du Grenier Saint-Lazare), one in Brussels, Belgium and one in New York (Chelsea). The gallery participates in art fairs worldwide, including FIAC since 1974 and ART BASEL since 1978.

Gallery artists

Franz Ackermann, Valerio Adami, Jean-Michel Alberola, He An, Arman, Omar Ba, Ben, Abdelkader Benchamma, Norbert Bisky, Anthony Caro, James Casebere, Francesco Clemente, Philippe Cognée, Will Cotton, Gregory Crewdson, Daniel Dezeuze, Alioune Diagne, Jim Dine, Atul Dodiya, Anju Dodiya, Ed & Nancy Kienholz, Jan Fabre, Gérard Garouste, Orsten Groom, Oda Jaune,Jitish Kallat, Clay Ketter, Robin Kid, David Lachapelle, Ulrich Lamsfuss Léonard Martin, Jonathan Meese, Michael Ray Charles, Iván Navarro, Prune Nourry, Jules Olitski, Philip Pearlstein, Pierre Et Gilles, Antoine Roegiers, François Rouan, Julião Sarmento, George Segal, Sudarshan Shetty, Chiharu Shiota, Jan Van Imschoot, Claude Viallat, Jeanne Vicerial, Kehinde Wiley, René Wirths, Billie Zangewa

In the thematic « Contemporary Art »

Hans Josephsohn, Untitled, 1971, Brass, 66 x 218 x 59 cm (25,98 x 85,83 x 23,23 in), Ed. 2 of 6 + 2 AP, Courtesy Galerie Thaddaeus Ropac, London · Paris · Salzburg · Milan · Seoul
© Josephsohn Estate

Thaddaeus Ropac

Hans Josephsohn 1920 — 2012, Switzerland

"Sculptures 1952 - 2002"

Afaf Zurayk, untitled, watercolour and crayon on canvas, 40x40cm. Courtesy of the artist.

15 Beautreillis

Amy Todman, Afaf Zurayk

--

"Light Enters"

Renaud Auguste-Dormeuil, Le Tourbillon de la Vie #01, 2013, Impression Lambda contrecollée sur aluminium, 120 x 150 cm, Edition de 5 ex + 1 AP, © Renaud Auguste-Dormeuil, Courtesy de l'artiste & galerie In Situ - fabienne leclerc, Grand Paris

galerie Sator

Renaud Auguste-Dormeuil, Djabril Boukhenaïssi, Raphaël Denis, Alessandro Di Lorenzo, Gabriel Leger, Éric Manigaud, Bruno Pélassy, Kelly Sinnapah Mary, Thiên Ngoc Ngo Rioufol

--

"De l'effacement de la figure humaine"

In the thematic « France Art Scene »

Galerie Taménaga

Jean-Pierre Cassigneul 1935, France

"Jean-Pierre Cassigneul : Carnets intimes"

Photo credit: Gaïa Lamarre.

Air de Paris

Mona Filleul 1993, France/Switzerland

--

"Air de Tranny"

CLEMENT BAGOT, Sans titre, encre, aquarelle et transferts sur papier, 21x297 cm, 2024, courtesy Galerie 8+4

Galerie 8+4

Clément Bagot 1972, France

"Songe de Particules"

In the thematic « Sculpture »

Kim Simonsson, Mossboy with Sacred Costume, 2025, Ceramics, nylon fibre, epoxy resin, artificial plants, feathers and rope, 100 x 50 x 45 cm. Photo Courtesy of Alzueta Gallery / Hugo Alonso, April House, 2025, Acrylic on canvas, 134 x 101 cm. Photo Courtesy of Alzueta Gallery

Alzueta Gallery

Hugo Alonso et Kim Simonsson

--

"Tête à tête"

Femme Jibóia, Kássia Borges Mytara, photo Sami Korhonen @ricardofernandesgallery

Ricardo Fernandes

Kássia Borges Mytara 1962, Brazil

"'Femme Jibóia"

Robert Irwin, #3 x 6' D Four Fold, 2016
© ARS, NY and DACS, London 2025.
Photo: Philipp Scholz Ritterman. Courtesy of the Estate of Robert Irwin

WHITE CUBE

Robert Irwin 1928 — 2023, United States

"Robert Irwin"

In the thematic « Textile Art »

Hessie

Galerie Arnaud Lefebvre

Hessie, Olga Theuriet, Jessye Wdowin-McGregor

--

"Temps perdu, partie 2"

In the thematic « Women Artists »

En premier plan : Cristina Almodóvar, AFFLEUREMENT ROCHEUX, 2024, Carton collé sur bois et vernis, 140 x 220 x 80 cm

En arrière plan : Cristina Almodóvar, MARCOS, Evasion, 2025, Encre sur papier encadré, carton encollé et vernis, 177 x 295 cm

Galerie Dutko

Cristina Almodóvar 1970, Spain

"Au-delà de la matière"

GaHee Park, Incarnation, 2025, Oil on linen, 172.7 x 182.9 cm, Photo: Paul Litherland, Courtesy of the artist and Perrotin

Perrotin

GaHee Park 1985, South Korea

"Not Quite Tomorrow"

Sophie Whettnall, Invisible landscape, 2025, soie perforée, cadre cuivre, 51,5 x 40 x 3,5 cm, Photo © Isabelle Arthuis, Courtesy of the artist and Michel Rein, Paris/Brussels

Michel Rein

Sophie Whettnall 1973, Belgium

"Invisible"

In the tour « Marais »

GaHee Park, Incarnation, 2025, Oil on linen, 172.7 x 182.9 cm, Photo: Paul Litherland, Courtesy of the artist and Perrotin

Perrotin

GaHee Park 1985, South Korea

"Not Quite Tomorrow"

Hans Josephsohn, Untitled, 1971, Brass, 66 x 218 x 59 cm (25,98 x 85,83 x 23,23 in), Ed. 2 of 6 + 2 AP, Courtesy Galerie Thaddaeus Ropac, London · Paris · Salzburg · Milan · Seoul
© Josephsohn Estate

Thaddaeus Ropac

Hans Josephsohn 1920 — 2012, Switzerland

"Sculptures 1952 - 2002"

CLEMENT BAGOT, Sans titre, encre, aquarelle et transferts sur papier, 21x297 cm, 2024, courtesy Galerie 8+4

Galerie 8+4

Clément Bagot 1972, France

"Songe de Particules"

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