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Pieter Jennes, Il me tarde, 2025, Huile et collage sur toile / Oil and collage on canvas
190 × 170 cm / 74 13/16 × 66 15/16 inches
192 × 172 × 4 cm / 75 9/16 × 67 11/16 × 1 9/16 inches (encadré / framed)

Semiose

Georg Baselitz, Indigene liegen im Farnkraut, 2025, Oil on canvas, 300 x 430 cm (118,11 x 169,29 in), signed, dated and titled verso. Courtesy Galerie Thaddaeus Ropac, London · Paris · Salzburg · Milan · Seoul © Georg Baselitz

Thaddaeus Ropac

TEMPLON, Paris-Bruxelles-New York

Jeanne Vicerial 1991, France

"Nymphose"

  • Jeanne Vicerial, Présence Amnios, 2025, Cordes, fils, cuivre et laiton doré à l'or fin, Photographie : Laurent Edeline, Courtesy TEMPLON, Paris-Bruxelles-New York

Jeanne Vicerial, Présence Amnios, 2025, Cordes, fils, cuivre et laiton doré à l'or fin, Photographie : Laurent Edeline, Courtesy TEMPLON, Paris-Bruxelles-New York

The young French prodigy Jeanne Vicerial unveils at Galerie Templon the culmination of two years’ reflection on metamorphosis.

With Nymphose, Vicerial invests the historic space of Rue Beaubourg with her “presences”, large sculptures of black thread, crocheted or smoothed, so characteristic of her practice. The exhibition is an ode to mutation in all its facets. Vicerial reveals it in the form of the awakening of matter, as in the tribute to Pierre Soulages, where the Outrenoir thread, tightly stretched across the painting, suddenly flows in waves to the ground. She shows it as artistic creation, through a process of exploration and experimentation, the kind that precedes the birth of a work; or as gestation, as only the viviparous is capable of.

In the room transformed into an intimate chamber or sacred chapel, covered in black and dimly lit, silent presences stare out at the visitor. In the midst of a loving embrace, in childbirth or in the twilight of their lives, they seem to be caught in the midst of a transition. Like a moment in suspense, Vicerial attempts to capture the moult that precedes the (re)birth of these unclassifiable beings, these supernatural nymphs, half-plant, half-animal.

Solo show of  Jeanne Viceral

From May 17th to July 19th, 2025

30 Rue Beaubourg
Paris, France
01 85 76 55 55 www.templon.com/fr/galerie

The gallery

The gallery was founded in 1966 by Daniel Templon, who was then only 21. It first opened rue Bonaparte, in Saint-Germain-des-Prés in Paris, before moving in 1972 to its current location, rue Beaubourg, in the Marais, close to the Pompidou Center, which opened in 1977.

Daniel Templon first gained recognition by exhibiting conceptual and minimal artists such as Martin Barré, Christian Boltanski, Donald Judd, Joseph Kosuth, Richard Serra. In the seventies and eighties, Daniel Templon was one of the pioneers of the contemporary art and introduced many important American artists to the French public: Dan Flavin, Ellsworth Kelly, Willem de Kooning, Frank Stella, Andy Warhol. The gallery quickly became one of the references in contemporary art in France. In 1972, Daniel Templon and Catherine Millet co-founded the monthly art magazine ART PRESS.

Over the years, many artists now part of art history have exhibited with the gallery. In chronological order : Martin Barré, Christian Boltanski, Joseph Kosuth, Ben, Arman, César, Carl Andre, Dan Flavin, Sol LeWitt, Donald Judd, Ellsworth Kelly, Kenneth Noland, Robert Morris, Jules Olitski, Frank Stella, Olivier Mosset, Art & Language, Richard Serra, Roy Lichtenstein, Andy Warhol, Karel Appel, Willem de Kooning, Helmut Newton, Francesco Clemente, Jörg Immendorff, Julian Schnabel, Lawrence Weiner, Daniel Buren, Jean-Michel Basquiat, David Salle, Robert Mapplethorpe, Robert Rauschenberg, Joel Shapiro, Keith Haring, Peter Halley, James Rosenquist, Robert Longo, Paul Rebeyrolle, Georg Baselitz, Raymond Hains, Eric Fischl, Juan Uslé, Jaume Plensa, George Condo, Ross Bleckner, Chapman brothers, Jim Dine, Richard Long, William Eggleston, Hiroshi Sugimoto, Yayoi Kusama, Richard Deacon, Larry Bell, Guillermo Kuitca, Anthony Caro, Pierre et Gilles.

Today TEMPLON represents a group of international artists. The program promotes a dialogue between generations: established artists, international mid-career artists, and the experiences of younger artists. The gallery also provides curatorial expertise and assistance in the mounting of exhibitions by its artists in museums or international exhibitions. Many of its artists have participated in international exhibitions such as the Venice Biennale, Documenta, the Whitney Biennale etc.

TEMPLON is involved in the production of its artists and is committed to a strong editorial policy with the publication of exhibition catalogues. It has four spaces: two exhibition spaces in Paris (30 rue Beaubourg and 28 rue du Grenier Saint-Lazare), one in Brussels, Belgium and one in New York (Chelsea). The gallery participates in art fairs worldwide, including FIAC since 1974 and ART BASEL since 1978.

Gallery artists

Franz Ackermann, Valerio Adami, Jean-Michel Alberola, He An, Arman, Omar Ba, Ben, Abdelkader Benchamma, Norbert Bisky, Anthony Caro, James Casebere, Francesco Clemente, Philippe Cognée, Will Cotton, Gregory Crewdson, Daniel Dezeuze, Alioune Diagne, Jim Dine, Atul Dodiya, Anju Dodiya, Ed & Nancy Kienholz, Jan Fabre, Gérard Garouste, Orsten Groom, Oda Jaune,Jitish Kallat, Clay Ketter, Robin Kid, David Lachapelle, Ulrich Lamsfuss Léonard Martin, Jonathan Meese, Michael Ray Charles, Iván Navarro, Prune Nourry, Jules Olitski, Philip Pearlstein, Pierre Et Gilles, Antoine Roegiers, François Rouan, Julião Sarmento, George Segal, Sudarshan Shetty, Chiharu Shiota, Jan Van Imschoot, Claude Viallat, Jeanne Vicerial, Kehinde Wiley, René Wirths, Billie Zangewa

In the thematic « Contemporary Art »

Alighiero Boetti, Entre chien et loup, 1988, Tapestry, Embroidery/fabric, 18 x 18 cm, Courtesy : Pron

Pron

Alice Gavalet, Alighiero Boetti, Bernard Rooke, Carlo Scarpa, Diego Giacometti, Ernesto Basile, Ettore Sottsass, Fausto Melotti, Gommaar Gilliams, Jane Yang-D’Haene, Kodai Ujiie, Lucio Fontana, Maurizio Donzelli, Niyaz Najafov, Marc Chagall, Max Ernst, Pablo Picasso, Pietro Ruffo, Roberto Matta, Rémy Pommeret, Roger Herman, Ujiie Kodai, et Vittorio Zecchin

--

"Exposition inaugurale"

 Installation view, Zander Galerie, Cologne 2024, featuring works by Ed Ruscha: If You Ever Tell I'll Hurt Your Mama Real Real Bad, 1994, If No Cash By Noon You Will Have Visitors, 1997, Do As Told Or Suffer, 1997, and A Columbian Necklace for You, 1997.

Zander Galerie

Ed Ruscha 1937, United States

"Cityscapes"

Summer Wheat, Catching Butterflies on Grass, 2025, acrylic paint and gouache on aluminum mesh 172.7 x 119.4 cm (68 x 47 in). Courtesy Zidoun-Bossuyt Gallery

Zidoun-Bossuyt Gallery

Summer Wheat 1977, United States

"Sun Up, Sun Down"

In the thematic « France Art Scene »

CLEMENT BAGOT, Sans titre, encre, aquarelle et transferts sur papier, 21x297 cm, 2024, courtesy Galerie 8+4

Galerie 8+4

Clément Bagot 1972, France

"Songe de Particules"

Laura Garcia Karras, Oraison, 2024, Huile sur toile, 180 x 150 cm, Courtesy de l’artiste et Galerie Anne-Sarah Bénichou

Galerie Anne-Sarah Bénichou

Laura Garcia Karras 1988, France

"Calisté"

Raphaëlle Peria, Le brouillard des sentiments, grattage sur photographie, 80x60cm, 2025.

Galerie Papillon

Raphaëlle Peria 1989, France

"Si j’étais un arbre, je serais toi"

In the thematic « Sculpture »

Vivian Van Blerk, La Clairiere, Sculpture ceramique, 65×65×70 cm.

Galerie Dominique Fiat

Vivian Van Blerk 1971 — 2024, South Africa

"Memento Mori"

Evelyn Pultara, Atnwelarr and Kame, Acrylique sur toile, 210 x 120 cm, 2007 ©Evelyn Pultara ©Arts d’Australie • Stéphane Jacob

©Evelyn Pultara ©Arts d’Australie • Stéphane Jacob

GALERIE ARTS D’AUSTRALIE • STEPHANE JACOB

Abie Loy Kemarre, Ada Pula Beasley, Anna Pitjara, Belinda Golder Kngwarreye, Clara Wubuqwubuk, Elizabeth Kunoth Kngwarreye, Evelyn Omeenyo, Evelyn Pultara, G. W. Bot, Konstantina, Lilly Sandover Kngwarreye, Marilyn Golder Kngwarreye, Naomi Price, Niah Juella Mcleod, Ollie Kemmare, Philip Gudthaykudthay et Tjimpuna Williams

--

"Yallaroo"

Christian Fogarolli, MauvaisCorps

Galerie Alberta Pane

Christian Fogarolli 1983, France

"Mauvais Corps"

In the thematic « Textile Art »

Hessie

Galerie Arnaud Lefebvre

Hessie, Olga Theuriet, Jessye Wdowin-McGregor

--

"Temps perdu, partie 2"

In the thematic « Women Artists »

Yves Klein, L’Esclave mourant d’après Michel-Ange, 1962

Galerie Jean-François Cazeau

Eduardo Arroyo, César, Gaston Chaissac, Paul Delvaux, Leonor Fini, Gen Paul, Henri Hayden, Auguste Herbin, Marcel Janco, Paul Klee, Yves Klein, Jean Lacombe, Fernand Léger, Eugène Leroy, Aristide Maillol, André Masson, Amedeo Modigliani, Pablo Picasso, Paul Elie Ranson, Auguste Renoir, Ker-Xavier Roussel, Niki de Saint-Phalle, Kees Van Dongen

--

"La Figuration dans tous ses états"

Evelyn Pultara, Atnwelarr and Kame, Acrylique sur toile, 210 x 120 cm, 2007 ©Evelyn Pultara ©Arts d’Australie • Stéphane Jacob

©Evelyn Pultara ©Arts d’Australie • Stéphane Jacob

GALERIE ARTS D’AUSTRALIE • STEPHANE JACOB

Abie Loy Kemarre, Ada Pula Beasley, Anna Pitjara, Belinda Golder Kngwarreye, Clara Wubuqwubuk, Elizabeth Kunoth Kngwarreye, Evelyn Omeenyo, Evelyn Pultara, G. W. Bot, Konstantina, Lilly Sandover Kngwarreye, Marilyn Golder Kngwarreye, Naomi Price, Niah Juella Mcleod, Ollie Kemmare, Philip Gudthaykudthay et Tjimpuna Williams

--

"Yallaroo"

Titina Maselli, Calciatori e città, 1973, Acrylic on canvas

Galerie Raphaël Durazzo

Titina Maselli 1924 — 2005, Italy

"Panta Rhei – Everything flows"

In the tour « Marais »

École espagnole du XVIIᵉ siècle, Virgin of solitude, signé au dos MB, Huile sur toile, 145 x 104 cm.

PACT

Jure Kastelic, Clément Bataille, Victoria Oresko, Maria Adjovici, Carlo Dolci, Eugène Appert

--

"Be The Holy"

Elizabeth Lennard, Flower Mold, Red, 2010.

Les Douches la Galerie

August Sander, Daniel Masclet, Anna et Bernhard Blume, Michel Journiac, Valérie Belin, Stéphane Couturier, Elizabeth Lennard, Henri Foucault, Denis Darzacq, Alain Fleischer, Patrick Tosani, Ghislaine Vappereau, François Kollar, Roger Catherineau, Bernard Plossu etc..

--

"Dans ma cuisine"

Thomas Paquet, Arc en ciel, 2023, signé, daté et numéroté au verso, Impression à l'agrandisseur sur papier sur papier argentique brillant, 61 x 50 cm.

Bigaignon

Thomas Paquet 1979, France

"Oh lumière !"

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