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29 • 30 • 31 May 2026

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Morgane Porcheron, Feuilles en grille #3 - 2023 Plâtre, encres, courtesy Ségolène Brossette Galerie

Ségolène Brossette Galerie

Iván Navarro, The Eye, 2025, Néon, bois, courant électrique/ Neons, wood and electric energy, 120 × 140 cm — 47 1/4 × 55 in.
Photographie : Thelma Garcia. Courtesy TEMPLON, Paris-Bruxelles-New York

TEMPLON, Paris-Bruxelles-New York

Semiose

Glen Baxter 1990, Belgium

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  • Glen Baxter, There were times when i began to think I might just be in the wrong profression, 2010. Courtesy Semiose

Glen Baxter, There were times when i began to think I might just be in the wrong profression, 2010. Courtesy Semiose

At 42 rue Quincampoix, Semiose will present the artist Glen Baxter’s first exhibition with the gallery (born in 1944; lives and works in London). On this occasion, a book of conversations with Bernard Blistène will be published by Semiose Éditions. Glen Baxter’s work, exhibited internationally and held in prestigious collections such as the Centre Pompidou and Museum of Modern Art, is characterized by ink and pencil drawings accompanied by dissonant, surreal-tinged captions. Drawing on vintage imagery from the 1930s and 1940s, he creates a tragicomic and poetic universe, disorienting in its sense of nonsense.

Solo show of Glen Baxter

From May 23 to June 20, 2026

44 Rue Quincampoix
75004 Paris, France
09 79 26 16 38 semiose.com

The gallery

Founded in 2007 in the 20th district of Paris before migrating to the Marais area in 2011, from the outset, Semiose established itself in the artistic landscape as a gallery, whose aesthetic values are rooted on the margins of art. Nourished by underground culture, the gallery is committed to forms and ideas born in the political, social and geographical fringes.

The practice of citation is a common reference point for the roster of artists represented by the gallery and raises complex issues related to the production and dissemination of images, the role and purpose of archives and visual culture in the broadest sense. Semiose champions an aesthetic based on questions of taste and consequently of cultural hierarchies. Techniques such as collage, appropriation and cultural subversion are shared by many of the artists, leading to a converging interest in referencing reality and the everyday world.

Younger artists are exhibited side by side with established names and figures of international renown. Over the years and through a patiently developed professional network, various institutions and public collections have forged strong links with artists promoted by the gallery. Semiose however, is committed to much more than simply representing artists: the gallery rigorously fulfills its role in the eco-system of art through its scientific and curatorial approach. It oversees the production of oeuvres and undertakes meticulous documentary and archival work around the artists it represents.

Semiose has also expanded its activities through a publishing house, Semiose éditions. Internationally available, more than a hundred titles have been published to date, including monographs, books by artists, written works and essays, an on-going magazine and a collection of coloring books.

Gallery artists

Salvatore Arancio, Amélie Bertrand, Olaf Breuning, William S. Burroughs, Hugo Capron, Anthony Cudahy, Oli Epp, Steve Gianakos, Sébastien Gouju, Otis Jones, Aneta Kajzer, Laurent Le Deunff, Anne Neukamp, Justin Liam O’Brien, Françoise Pétrovitch, Abraham Poincheval, Présence Panchounette, Laurent Proux, Stefan Rinck, Ernest T., Moffat Takadiwa, Julien Tiberi, Gert & Uwe Tobias, Philemona Williamson, Xie Lei

In the thematic « Contemporary Art »

Gérard SCHNEIDER (1896 - 1986),
Opus 50E, 1960
oil on canvas, Signed and dated on the lower left : «Schneider 11-60»
97 x 130 cm

Galerie Jean-François Cazeau

"Maîtres du XXe siècle" — Group show

Série Le chêne-pointu,Clichy-Sous-Bois, Mains et sucette, 2021 ©Géraldine Lay courtesy of galerie SIT DOWN

Galerie Sit Down

Géraldine Lay 1972, France

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"Juste à côté"

GaHee Park, Incarnation, 2025, Oil on linen, 172.7 x 182.9 cm, Photo: Paul Litherland, Courtesy of the artist and Perrotin

Perrotin

GaHee Park 1985, South Korea

"Not Quite Tomorrow"

In the thematic « Drawing »

PABLO PICASSO (1881-1973), Femme agenouillée se coiffant,  1906, Numéroté : 1/10,
Porte le cachet du fondeur : C. Valsuani Cire Perdue, Bronze à patine nuancée, Hauteur : 40 cm. Succession Picasso 2025. Crédit Photo : Cécil Mathieu

HELENE BAILLY

Pablo Picasso 1881 — 1973, Spain

Christophe Tissot, encre et pastel sec sur papier signé et daté 4.V.2025 - Dim: 29,7 x 21 cm

Galerie Cipango

Christophe Tissot 1960, France

France

Siri Derkert, Sara i fönstret, 1924, Unsigned, Oil on canvas mounted on canvas, 95.3 x 63.3 cm. Courtesy of the Artist and Andréhn-Schiptjenko. © Paulina Simon

Andréhn-Schiptjenko

Siri Derkert 1888 — 1973, Sweden

In the tour « Marais »

Iván Navarro, The Eye, 2025, Néon, bois, courant électrique/ Neons, wood and electric energy, 120 × 140 cm — 47 1/4 × 55 in.
Photographie : Thelma Garcia. Courtesy TEMPLON, Paris-Bruxelles-New York

TEMPLON, Paris-Bruxelles-New York

Iván Navarro 1972, Chile

"Cyclops"

Sophie Whettnall, Invisible landscape, 2025, soie perforée, cadre cuivre, 51,5 x 40 x 3,5 cm, Photo © Isabelle Arthuis, Courtesy of the artist and Michel Rein, Paris/Brussels

Michel Rein

Sophie Whettnall 1973, Belgium

"Invisible"

Quel salaud, il veut lui voler son chapeau, 2026
Huile sur toile
200 x 230 cm
© Gregory Copitet
Courtesy Victor Garel et galerie Sator

galerie Sator

Victor Garel

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"Fatrasie"

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