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29 • 30 • 31 May 2026

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  • Galleries
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Ségolène Brossette Galerie

Et que le temps est devenu sourd, 2025, poplar, vines (lierre, ivy), wire, industrial materials, charcoal, Installation at Chapelle des Dames Blanches in La Rochelle,  Photo: Misha Gudwin

Traits Libres Gallery

Semiose

Glen Baxter 1990, Belgium

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  • Glen Baxter, There were times when i began to think I might just be in the wrong profression, 2010. Courtesy Semiose

Glen Baxter, There were times when i began to think I might just be in the wrong profression, 2010. Courtesy Semiose

At 42 rue Quincampoix, Semiose will present the artist Glen Baxter’s first exhibition with the gallery (born in 1944; lives and works in London). On this occasion, a book of conversations with Bernard Blistène will be published by Semiose Éditions. Glen Baxter’s work, exhibited internationally and held in prestigious collections such as the Centre Pompidou and Museum of Modern Art, is characterized by ink and pencil drawings accompanied by dissonant, surreal-tinged captions. Drawing on vintage imagery from the 1930s and 1940s, he creates a tragicomic and poetic universe, disorienting in its sense of nonsense.

Solo show of Glen Baxter

From May 23 to June 20, 2026

44 Rue Quincampoix
75004 Paris, France
09 79 26 16 38 semiose.com

The gallery

Founded in 2007 in the 20th district of Paris before migrating to the Marais area in 2011, from the outset, Semiose established itself in the artistic landscape as a gallery, whose aesthetic values are rooted on the margins of art. Nourished by underground culture, the gallery is committed to forms and ideas born in the political, social and geographical fringes.

The practice of citation is a common reference point for the roster of artists represented by the gallery and raises complex issues related to the production and dissemination of images, the role and purpose of archives and visual culture in the broadest sense. Semiose champions an aesthetic based on questions of taste and consequently of cultural hierarchies. Techniques such as collage, appropriation and cultural subversion are shared by many of the artists, leading to a converging interest in referencing reality and the everyday world.

Younger artists are exhibited side by side with established names and figures of international renown. Over the years and through a patiently developed professional network, various institutions and public collections have forged strong links with artists promoted by the gallery. Semiose however, is committed to much more than simply representing artists: the gallery rigorously fulfills its role in the eco-system of art through its scientific and curatorial approach. It oversees the production of oeuvres and undertakes meticulous documentary and archival work around the artists it represents.

Semiose has also expanded its activities through a publishing house, Semiose éditions. Internationally available, more than a hundred titles have been published to date, including monographs, books by artists, written works and essays, an on-going magazine and a collection of coloring books.

Gallery artists

Salvatore Arancio, Amélie Bertrand, Olaf Breuning, William S. Burroughs, Hugo Capron, Anthony Cudahy, Oli Epp, Steve Gianakos, Sébastien Gouju, Otis Jones, Aneta Kajzer, Laurent Le Deunff, Anne Neukamp, Justin Liam O’Brien, Françoise Pétrovitch, Abraham Poincheval, Présence Panchounette, Laurent Proux, Stefan Rinck, Ernest T., Moffat Takadiwa, Julien Tiberi, Gert & Uwe Tobias, Philemona Williamson, Xie Lei

In the thematic « Art contemporain »

Paul McCarthy, SS EE, Kandinsky, D4 #1
2025, Charcoal, pastel, paint marker, collage
and tape on
paper,
322.6 x 279.4 cm,
© Paul McCarthy, Photo : Fredrik Nilsen

Hauser & Wirth

Paul McCarthy

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SS EE

Jérôme Lagarrigue, Anne-Claire, Huile sur toile, Oil on canvas, 213 x 182 cm, 84 x 72 in, 2011 | copyright : galerie Olivier Waltman

Galerie Olivier Waltman

Jérôme Lagarrigue

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"Jérôme Lagarrigue: rétrospective"

5 bis, Courtesy of the Artist and mor charpentier. Exhibition view from Sharjah Biennial, 2025

mor charpentier

Rossella Biscotti 1978, Argentina

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In the thematic « Contemporary Art »

C'est dans ces lieux un peu sauvages, qu'est ma demeure_2025_AurelK_Galerie Binome_BD

Galerie Binome

AurelK 1992, France

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"Au seuil"

Lucy Fradkin, He was a Plumber, an Electrician, a Carpenter, a Cabinetmaker, a Tiler, a Blacksmith and a Mechanic, 2008, Huile sur papier avec crayon, 170 x 132 cm

Galerie RX&SLAG

Lucy Fradkin

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"I've Got Sunshine On A Cloudy Day"

Nancy-Graves-1977-Aphel-Pastel-on-paper-97x127cm©A.Mole-Courtesy-C&B

Ceysson & Bénétière

Nancy Graves 1939 — 1995, Etats-Unis

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"Tout le monde se précipite"

In the thematic « Dessin »

Kata Unger : Philosophical Zombies - 250 x 235 cm - laine sur laine - 2024

Galerie Maria Lund

"There's a Man in a Smiling Bag" — Group show

 Kishio Suga, Branches of Critical Boundary, 1974 © Kishio Suga

Mendes Wood DM

Kishio Suga 1944, Japan

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"Kishio Suga"

Paul McCarthy, SS EE, Kandinsky, D4 #1
2025, Charcoal, pastel, paint marker, collage
and tape on
paper,
322.6 x 279.4 cm,
© Paul McCarthy, Photo : Fredrik Nilsen

Hauser & Wirth

Paul McCarthy

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SS EE

In the thematic « Drawing »

C'est dans ces lieux un peu sauvages, qu'est ma demeure_2025_AurelK_Galerie Binome_BD

Galerie Binome

AurelK 1992, France

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"Au seuil"

Sonia Delaunay, Projet de couverture pour le livre de Jacques Damase,

Galerie Zlotowski

"Sonia Delaunay, today" — Group show

Kata Unger : Philosophical Zombies - 250 x 235 cm - laine sur laine - 2024

Galerie Maria Lund

"There's a Man in a Smiling Bag" — Group show

In the tour « Marais »

Série Le chêne-pointu,Clichy-Sous-Bois, Mains et sucette, 2021 ©Géraldine Lay courtesy of galerie SIT DOWN

Galerie Sit Down

Géraldine Lay 1972, France

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"Juste à côté"

Gilles Peyroulet & Cie

Jean Moral 1906 — 1999

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"Autoportrait - 1925/1935"

Kata Unger : Philosophical Zombies - 250 x 235 cm - laine sur laine - 2024

Galerie Maria Lund

"There's a Man in a Smiling Bag" — Group show

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