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Joel Meyerowitz. Florida, 1978_Polka Galerie.

Polka Galerie

JonOne, Sans titre, 2023, A/T, 149 x 242 cm. Crédit : Bruno Brounch

RABOUAN MOUSSION

Praz-Delavallade

Soufiane Ababri 1985, Maroc

Si nous ne brûlons pas, comment éclairer la nuit

  • Soufiane Ababri, Bed work / (The story didn’t stop at Jack’s hotel), 2023, Color pencil and photo collage on paper, 82 x 122 cm (framed), 32 1/4 x 48 in (SA23D3)

Soufiane Ababri, Bed work / (The story didn’t stop at Jack’s hotel), 2023, Color pencil and photo collage on paper, 82 x 122 cm (framed), 32 1/4 x 48 in (SA23D3)

Praz-Delavallade is pleased to present “Si nous ne brûlons pas, comment éclairer la nuit ?“, Soufiane Ababri’s second solo exhibition at the gallery in Paris, from May 4 to June 10, 2023. It was in 1930 that the Turkish poet Nâzım Hikmet wrote these lines that Soufiane Ababri reinterprets for the title of his new exhibition. Condemned several times for his political activism, Hikmet lived in prison for a long time, went into exile and went underground, before being stripped of his Turkish nationality, which was only returned to him posthumously. In the poem “Like Kerem” from which these few sentences are taken, Hikmet transforms a traditional 16th century tale of forbidden love into a call to revolutionary action. Soufiane Ababri takes up this theme of the subversive scope of erotic force and brings together here different works that deal, each in their own way, with decay. Through his exploration of the fall, Ababri reminds us of the necessary risk-taking, like that of the tightrope walker who advances alone on his thread, to come to the world and to oneself.

«Si je ne brûle pas
si tu ne brûles pas
si nous ne brûlons pas
comment les ténèbres
deviendront-elles
clarté ?»

Exhibition from May 04 to June 10, 2023.

5 Rue des Haudriettes
Paris, France
01 45 86 20 00 www.praz-delavallade.com

The gallery

Praz-Delavallade has a longstanding relationship with both American and European artists whose practices span a variety of mediums. The gallery was founded 1995 in Paris with an inaugural exhibition that included work by Paul McCarthy, Mike Kelley, Richard Petitbon, Jim Shaw, and Benjamin Weisman. In 1997, Praz-Delavallade was part of a burgeoning art scene in the 13th arrondissement on the eastern side of Paris, along with Air de Paris, Almine Rech, Art: Concept, Jennifer Flay, and Emmanuel Perrotin. Due to its strong connections with artists in Los Angeles, the gallery was known for bringing an international program to the growing Paris art scene, by featuring artists such as Sam Durant, Jim Isermann, John Miller, Analia Saban, Jim Shaw and Marnie Weber, among others.

In 2010, the Paris gallery moved to its current location at 5 rue des Haudriettes in the Marais and has continued its support of Los Angeles based artists by exhibiting a new generation that includes Matthew Brandt, Heather Cook, Chris Hood, Nathan Mabry, Joe Reihsen, Ry Rocklen, Amanda Ross-Ho and Jwan Yosef alongside European artists such as Soufiane Ababri, Pierre Ardouvin, Thomas Fougeirol, Maude Maris and Golnaz Payani.

In the fall of 2016, Praz-Delavallade opened a new outpost at 6150 Wilshire Boulevard–on the renowned thoroughfare in Miracle Mile right across from the Los Angeles County Museum of Art–in an effort to create a bridge between the two cities it calls home.

Gallery artists

Soufiane Ababri • Pierre Ardouvin • Carlotta Bailly-Borg • Pauline Bazignan • Matthew Brandt • Phil Chang • Heather Cook • Sepand Danesh • Sam Durant • Thomas Fougeirol • Genevieve Gaignard • Chris Hood • Jim Isermann • Joel Kyack • Dan Levenson • Nathan Mabry • Maude Maris • John Miller • Amy O’neill • Adi Nes • Golnaz Payani • Joe Reihsen • Dario Robleto • Ry Rocklen • Amanda Ross-Ho • Analia Saban • Jim Shaw • Cole Sternberg • Marnie Weber • Johannes Wohnseifer • Guy Yanai

Galerie sélectionnée par Martha Kirszenbaum

In the thematic « Art contemporain »

Ange Arthur Koua - #Blah wawô 4 - 2023 - technique mixte sur papier - 54 x 39 cm © Ange Arthur Koua - Galerie Olivier Waltman

Galerie Olivier Waltman

Ange Arthur Koua 1989, Côte d'Ivoire

Wawô, les bleus de l'âme

Yoan Béliard, Témoin, 2023, plâtre et toner, 80 x 112 cm

GALERIE VALERIE DELAUNAY

Yoan Beliard 1980, France

Timothée Schelstraete 1985, France

Dans un temps et en un lieu donnés

Pancho QUILICI - 2023,

Galerie Wagner

Pancho QUILICI 1954

Ex Situ

In the thematic « Contemporary Art »

Eugene James MARTIN
Sans titre, 1989
Technique mixte sur papier
41,7 x 28,7 cm, Signé et daté en bas vers la gauche

Galerie Zlotowski

Eugene J. Martin 1938 — 2005, Etats-Unis

DEBRE Olivier (1920-1999)
Composition 1951
Huile sur toile
Monogrammée et datée en bas à droite, annotée au dos 17-XII-46
64X53 cm

GALERIE FAIDHERBE

Parcours abstrait de l’après-guerre à nos jours — Group show

Belly, Margaux Meyer, huile sur toile, 27 x 35 cm, 2022 - GALERIE CHLOE SALGADO.

GALERIE CHLOE SALGADO

Margaux Meyer 1998, France

Sous la régulation du cœur

In the thematic « Dessin »

Duncan Hannah à la Galerie Pixi, huiles sur toile, 2019 © Sacha Floch Poliakoff - Marie-Victoire POLIAKOFF

Galerie Pixi - Marie Victoire Poliakoff

Duncan Hannah 1952 — 2022, Etats-Unis

Hommage

Pierre Tal Coat, Colza, huile sur bois, vers 1975, 24 x 16,5 cm - Galerie Berthet Aittouares

Galerie Berthet-Aittouarès

Pierre Tal Coat 1905 — 1985, France

Peintures

Ruban vegetal - Florence Guiraud - looloolook team

LooLooLook Gallery

Florence Guiraud 1957, France

Regard

In the thematic « Drawing »

Duncan Hannah à la Galerie Pixi, huiles sur toile, 2019 © Sacha Floch Poliakoff - Marie-Victoire POLIAKOFF

Galerie Pixi - Marie Victoire Poliakoff

Duncan Hannah 1952 — 2022, Etats-Unis

Hommage

Yu Nishimura, girl with glasses, 2022, oil on canvas, 194 x 130.3 cm, Courtesy of the artist and Crèvecœur, Paris. ©Aurélien Mole

Crèvecœur

Portraits — Group show

Sans titre, porcelaines, dimensions variables

Galerie Jean Fournier

Frédérique Lucien 1960, France

Jardin d'hiver

In the thematic « Emerging scene »

Belly, Margaux Meyer, huile sur toile, 27 x 35 cm, 2022 - GALERIE CHLOE SALGADO.

GALERIE CHLOE SALGADO

Margaux Meyer 1998, France

Sous la régulation du cœur

Emily Ludwig Shaffer, Power Trappings, 2023, Acrylic on canvas, 82 x 82 cm - 32 x 32 in Courtesy PACT and the artist

PACT

Metamorphose II — Group show

Shona McAndrew: Hold You Tight, 2022, acrylique sur toile, 218,4 x 106,7cm

Galerie LJ

Shona McAndrew 1990, France

Sydney Vernon 1995, Etats-Unis

Nadia Waheed 1992, Arabie-Saoudite

"Inner Matter", sur une proposition d'Anne-Laure Lemaitre

In the thematic « Scène émergente »

Lucile Piketty_Batman_2021_huile sur toile_61 x 50 cm_Courtesy H Gallery, Paris

H Gallery

Lucile Piketty 1990, France

Du jour ou de la nuit

In the tour « Marais »

Sherrie Levine, Repetition and Difference, 2002, © Sherrie Levine, Courtesy the artist and David Zwirner

David Zwirner

Sherrie Levine 1947, Etats-Unis

WALTON FORD, The Singer Tract, 2023
watercolour, gouache and ink on paper 152.5 x
106 cm.; 60 x 41 3/4 in.
160 x 113.5 x 6.4 cm.; 63 x 44 3/4 x 2 1/2 in.
(framed)

Galerie Max Hetzler

Walton Ford 1960, Etats-Unis

A Very Rare Sight

Benjamin Deroche
Mer Baltique, Surnature, 2018
Tirage pigmentaire monté sur dibond.
Signé par l'artiste sur étiquette au dos. Edition 1/6.

40 x 53 cm, (31.001.1.22), Copyright: Copyright The Artist, Courtesy of La Galerie Rouge

La Galerie Rouge

Benjamin Deroche 1981, France

Sur-Nature

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