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Giorgio Morandi, Fiori, 1943, huile sur toile, 35,5 × 25,5 cm, Bertozzi & Casoni, Per Morandi, 2020, céramique polychrome et bronze, H. 50,5 × 31,5 × 32,5 cm Courtesy of Galleria Maggiore g.a.m.

Galerie d’Art Maggiore g.a.m.

Javier Ruiz Pérez, Girasoles, Oil on canvas, 50 x 40 cm, 2025, Unique

Galerie Droste

Galerie Dominique Fiat

Vivian Van Blerk 1971 — 2024, South Africa

"Memento Mori"

  • Vivian Van Blerk, La Clairiere, Sculpture ceramique, 65×65×70 cm.

Vivian Van Blerk, La Clairiere, Sculpture ceramique, 65×65×70 cm.

A tribute to the recently deceased South African-born artist Vivian Van Blerk (1971-2024, Paris). His work combines ceramic sculptures, installations and photographs. Vivian Van Blerk was assiduously preparing her next solo show at the gallery on the theme of Archipelagos, which combine Memento Mori and nature’s resilience in the face of human destruction.
They conceal unique inner worlds and question the environment in a post-human future dominated by the rebirth of nature.

“Trained as a photographer, I have, over the course of my research, created numerous models using a variety of materials such as wood, plaster, polystyrene, or clay.

My photographs were the only trace of this work, as my models—imposing yet ephemeral—were destroyed.

My photographic practice was analog and traditional. Later, to give a tangible presence to these representations, I turned to traditional techniques such as cyanotype, gum bichromate, or prints on old glass plates.

More recently, ceramics have allowed me to transform my models into fully realized works of art, no longer merely photographic supports.

This material, both solid, noble, and fragile, conveys the fragile beauty of existence. I thus explored the theme of Memento Mori through a series of human skulls, following the tradition of vanitas and still lifes. Each piece becomes the vessel for a unique universe, revealed or secretly hidden within the skulls, reflecting the imagination of each individual.

My latest ceramic works address our relationship with the world and the environments created by humans. They depict a post-human world, haunted by its ruins and remnants, the last echoes of our civilizations, while nature reclaims its place.

A tranquil, naturalistic resurrection, yet also a poignant warning about the future of our society.”

  • Vivian Van Blerk

Solo show of Vivian Van Blerk

From May 22nd to June 5th, 2025

Rendez-Vous

Friday 23 May 2025 at 6:00 pm

Opening of Vivian Van Blerk’s Memento Mori exhibition – Galerie Dominique Fiat

View all events
12 Rue Martel
75010 Paris, France
01 40 29 04 62 dominiquefiat.com

The gallery

The gallery is an authentic space for innovation, covering a wide variety of media - painting, sculpture, photography, video, architecture and fashion - open to international creations with an attraction to non-Western scenes, all guided by current concerns of poetic, sociological, historical and political nature.
Renowned for discovering young, emerging artists, the gallery contributes to the careers of influential international creators from specific horizons, from the Californian Light & Space movement to the various scenes in South Africa, North Africa and Asia, as well as the Caribbean and Guyanese scenes and related issues.

Gallery artists

Malala Andrialavidrazanana, Rut Blees Luxembourg, Hannah Collins, Roxane Daumas, Emo de Medeiros, Laddie John Dill, Anita Dube, Safâa Erruas, John Goto, Itvan Kebadian, Nicola lo Calzo, Chantal Regnault, Vivian Van Blerk, Sue Williamson

Galerie sélectionnée par Hugo Spini

In the thematic « Contemporary Art »

Perrotin

Exposition collective

Martin Boyce Spook School, 2016 Giclee Photographic Prints 19 x 12,5 cm each (unframed), 21 parts 52 x 42 x 2 cm each (framed), 21 parts Courtesy the artist and Esther Schipper, Berlin/ Paris/Seoul Photo © Martin Boyce Studio

Galerie Natalie Seroussi

Martin Boyce 1967, Scotland

"Walk With Me"

Stéphané Edith Conradie, Klinkende Simbaal II, 2025, Assemblage d’éléments divers, Courtesy Ceysson & Bénétière

Ceysson & Bénétière

Stephané Edith Conradie 1990, Namibia

In the thematic « Ecological Art »

Femme Jibóia, Kássia Borges Mytara, photo Sami Korhonen @ricardofernandesgallery

Ricardo Fernandes

Kássia Borges Mytara 1962, Brazil

"'Femme Jibóia"

Guillaume Castel, Palma, acier Corten et inox, 19 x 25 x 29 cm, 2024, Courtesy Galerie Ariane C-Y, œuvre Guillaume Castel, ©image Gregory Copitet.

Galerie Ariane C-Y

Guillaume Castel 1980, France

"Jardin des simples"

Siri Derkert, Sara i fönstret, 1924, Unsigned, Oil on canvas mounted on canvas, 95.3 x 63.3 cm. Courtesy of the Artist and Andréhn-Schiptjenko. © Paulina Simon

Andréhn-Schiptjenko

Siri Derkert 1888 — 1973, Sweden

In the thematic « Environmental Art »

En premier plan : Cristina Almodóvar, AFFLEUREMENT ROCHEUX, 2024, Carton collé sur bois et vernis, 140 x 220 x 80 cm

En arrière plan : Cristina Almodóvar, MARCOS, Evasion, 2025, Encre sur papier encadré, carton encollé et vernis, 177 x 295 cm

Galerie Dutko

Cristina Almodóvar 1970, Spain

"Au-delà de la matière"

In the thematic « Photography »

Zhanna Kadyrova - Strategic locations, exhibition view - GALLERIA CONTINUA, Paris (C) Hafid Lhachmi - ADAGP Paris, 2025

GALLERIA CONTINUA

Zhanna Kadyrova 1981, Ukraine

"Strategic Locations"

Sophie Calle, Troublante croisière (divergence de points de vue), 2023,

Perrotin

Sophie Calle 1953, France

"Séance de rattrapage"

 Installation view, Zander Galerie, Cologne 2024, featuring works by Ed Ruscha: If You Ever Tell I'll Hurt Your Mama Real Real Bad, 1994, If No Cash By Noon You Will Have Visitors, 1997, Do As Told Or Suffer, 1997, and A Columbian Necklace for You, 1997.

Zander Galerie

Ed Ruscha 1937, United States

"Cityscapes"

In the thematic « Sculpture »

Diego Bianchi, Jacobsen, 2019, chrome pipes, wood, plastic, 181 x 150 x 80 cm

Galerie Jocelyn Wolff

Diego Bianchi 1969, Argentina

"ThéâtrEErreuR"

Sophia Fassi, La sieste I, 2024, huile sur toile, 114 x 146 cm, ©Galerie Berthet-Aittouares

Berthet-Aittouarès

Eve Aschheim, Claude Buraglio, Marie-Claude Bugeaud, Sophia Fassi, Anne Ferrer, Liliane Klapisch, Vera Molnar, Nil Yalter.

--

"8 femmes"

Adam et Eve, 2020-2021, bois, caisses de munitions, diptyque : 242 x 99 x 12 cm / 244 x 100 x 10,5 cm.

RABOUAN MOUSSION

Dimitri Tsykalov 1963, Rusia

"ELEMENTS"

In the tour « Marais »

Paula Siebra, Mesa de cabeceira com revólver, luvas e flor | Table de chevet avec revolver, gants et fleur, 2025, huile sur toile, 30 x 40 cm, MW.PSI.267, Photo credit: EstudioEmObra, Courtesy of the artist and Mendes Wood DM, São Paulo, Brussels, Paris, New York, Copyright The Artist

Mendes Wood DM

Paula Siebra 1998, Spain

"O estranho familiar"

Jeanne Vicerial, Présence Amnios, 2025, Cordes, fils, cuivre et laiton doré à l'or fin, Photographie : Laurent Edeline, Courtesy TEMPLON, Paris-Bruxelles-New York

TEMPLON, Paris-Bruxelles-New York

Jeanne Vicerial 1991, France

"Nymphose"

Joris Van de Moortel
music enjoys direct access to the soul, has an immediate echo of response since we have music within ourselves, 2025, Huile sur lin et cadre en acier de l’artiste avec deux sculptures de tête faites en résine acrylique et patine effet bronze (une avec le nez droit et une avec le nez cassé)

Galerie Nathalie Obadia

Joris Van de Moortel 1983, Belgium

"Le poids du ciel illumine la terre"

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