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29 • 30 • 31 May 2026

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ROBERT BIRMELIN, 
The stadium alight blue city, acrylic on canvas,183 x 198 cm. Courtesy Galerie Claude Bernard

Galerie Claude Bernard

Karla Leyva
Aurora soñando, 2026
Acrylique, graphite, gouache et aquarelle sur coton monté sur châssis en bois
15 × 11 × 2 cm (6 × 4½ × 1 in)
Œuvre unique
Crédit photo : Simon vogel

Galerie Droste

Galerie Dominique Fiat

Kevork Mourad

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"Sailing to Nowhere"

  • Kevork Mourad, acrylique sur coton, détail, 2026 ©Kevork Mourad

Kevork Mourad, acrylique sur coton, détail, 2026 ©Kevork Mourad

Sailing to Nowhere brings together a new body of work inspired by my large-scale installations created for the Institut du Monde Arabe (IMA). At the center of these works is the sail — not only as an object that moves a vessel across water, but as a fragile surface that absorbs history.

The fabric of the sail carries memory. It holds the breath, sweat, and silenced voices of those who were forced beneath it — the captive bodies whose labor powered the ships, whose names were erased, whose languages dissolved into the wind. The sail becomes both witness and archive. It remembers what official history has chosen to forget.

In this exhibition, the sail is not a symbol of discovery or conquest. It is a suspended skin of time — marked by absence, rupture, and endurance. Its threads echo the lives of enslaved people who propelled empires forward while being denied their own humanity.

Interwoven within this narrative is part of my own ancestral history. As Armenians, some of my ancestors were forced to convert, to take on new identities in order to survive. Their past was suppressed, their language muted,
their cultural markings gradually erased. Like the sail, their identities carried hidden layers — visible only through careful attention to what remains beneath the surface.

Sailing to Nowhere speaks of displacement without arrival. Of movement without destination. Of survival that requires transformation. The works invite us to consider how memory persists even when it is denied, how fabric can become flesh, and how erased histories continue to shape the present.

The sail, stretched and exposed, becomes a space where forgotten stories return — not as monuments, but as fragile presences carried by the wind.

  • Kevork Mourad

Solo show of Kevork Mourad

From March 19 to May 31, 2026

Rendez-Vous

Sunday 31 May 2026

Closing – Dominique Fiat

View all events
12 Rue Martel
75010 Paris, France
01 40 29 04 62 dominiquefiat.com

The gallery

Dominique Fiat is a gallery owner based in Paris in the 10th arrondissement, and develops all kinds of artistic
projects in various mediums.

Her transdisciplinary view has allowed the discovery of young talents from the beginning as Camille Henrot or
Hicham Berrada with multiple forms of expression.

By taking an interest of extra-western scene and particularly from Africa and MENASA, Sue Williamson and Anita Dube have been exhibited at the gallery simultaneously with the Centre Pompidou. Anita Dube was also a brilliant curator of Kochi-Muziris Biennale in 2018-19.

In 2017 Dominique Fiat initiated and organized at the Grande Halle de la Villette "Afriques Capitales", an exhibition of the contemporary African art scene of about fifty artists,- from William Kentridge to Leila Alaoui -coupled with a festival of music, dance and performance.

From the partnership established with the Fondation Vuitton was born what everyone called the "African Spring" in Paris. Today, Dominique Fiat affirms more than ever, through the defense of committed artists, its interest for links between Africa, Asia Minor with the Mediterranean Sea and any subject related to it, by privileging the opening and the dialogues in order to avoid any notion of confinement or ghettoization.

Gallery artists

Malala Andrialavidrazanana, Rut Blees Luxembourg, Hannah Collins, Roxane Daumas, Emo de Medeiros, Laddie John Dill, Anita Dube, Safâa Erruas, John Goto, Itvan Kebadian, Nicola lo Calzo, Chantal Regnault, Vivian Van Blerk, Sue Williamson

Galerie sélectionnée par Hugo Spini

In the thematic « Contemporary art »

Pierre Tal Coat - Le rocher vert, 1950 - huile sur toile, 78 x 78 cm. Courtesy Galerie Berthet-Aittouarès

Galerie Berthet-Aittouarès

The gallery is celebrating its 40th anniversary — Group show

C'est dans ces lieux un peu sauvages, qu'est ma demeure_2025_AurelK_Galerie Binome_BD

Galerie Binome

AurelK 1992, France

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"Au seuil"

Galerie Christophe Gaillard

Richard Nonas 1936 — 2021, United States

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In the thematic « Drawing »

Paul McCarthy, SS EE, Kandinsky, D4 #1
2025, Charcoal, pastel, paint marker, collage
and tape on
paper,
322.6 x 279.4 cm,
© Paul McCarthy, Photo : Fredrik Nilsen

Hauser & Wirth

Paul McCarthy

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"SS EE Saint Santa Eva Elf Drawing Sessions 2025 with Lilith Stangenberg"

Sabatina Leccia , Chercher le soleil ( 11), 2025.
Série Chercher le soleil .
Technique s mixtes : impression sur lin, détissage et retissage au fil d’argent. 90 x 75 cm.
(© Sabatina Leccia - Courtesy Galerie XII Paris)

Galerie XII

Sabatina Leccia 1984, France

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"Habiter le silence"

Sonia Delaunay, Projet de couverture pour le livre de Jacques Damase,

Galerie Zlotowski

Sonia Delaunay, today — Group show

In the thematic « Middle Eastern Art Scene »

Galerie Arnaud Lefebvre

40 years — Group show

In the thematic « Painting »

Szabolcs Bozo, The Night Nurse, 2025 © A. Mole

Semiose

Szabolcs Bozó 1992, Hungary

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Youcef Korichi
Observateur III (T.B.3), 2025
huile sur toile
195 x 130 cm
Courtesy de l’artiste et Galerie Suzanne Tarasieve, Paris
Photo : Rebecca Fanuele

Galerie Suzanne Tarasieve

Youcef Korichi 1974, Algeria

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"Alidade de Nuit"

 Guy de Malherbe, Falaises, huile sur toile, 114x146xm, 2025 © Bertrand Hugues Michaud

Galerie La Forest Divonne

Guy de Malherbe 1958

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"Autres Rivages"

In the thematic « Textile Art »

Karla Leyva
Aurora soñando, 2026
Acrylique, graphite, gouache et aquarelle sur coton monté sur châssis en bois
15 × 11 × 2 cm (6 × 4½ × 1 in)
Œuvre unique
Crédit photo : Simon vogel

Galerie Droste

All That She Holds Inside — Group show

Sonia Delaunay, Projet de couverture pour le livre de Jacques Damase,

Galerie Zlotowski

Sonia Delaunay, today — Group show

Kata Unger : Philosophical Zombies - 250 x 235 cm - laine sur laine - 2024

Galerie Maria Lund

There's a Man in a Smiling Bag — Group show

In the tour « Marais »

Série Le chêne-pointu,Clichy-Sous-Bois, Mains et sucette, 2021 ©Géraldine Lay courtesy of galerie SIT DOWN

Galerie Sit Down

Géraldine Lay 1972, France

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"Juste à côté"

Karla Leyva
Aurora soñando, 2026
Acrylique, graphite, gouache et aquarelle sur coton monté sur châssis en bois
15 × 11 × 2 cm (6 × 4½ × 1 in)
Œuvre unique
Crédit photo : Simon vogel

Galerie Droste

All That She Holds Inside — Group show

Susana Solano Toma de tierra 1993 Fer  135 x 65 x 50 cm

GALERIE BERNARD BOUCHE

Susana Solano 1946, Spain

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