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Christophe Tissot, encre et pastel sec sur papier signé et daté 4.V.2025 - Dim: 29,7 x 21 cm

Galerie Cipango

Giorgio Morandi, Fiori, 1943, huile sur toile, 35,5 × 25,5 cm, Bertozzi & Casoni, Per Morandi, 2020, céramique polychrome et bronze, H. 50,5 × 31,5 × 32,5 cm Courtesy of Galleria Maggiore g.a.m.

Galerie d’Art Maggiore g.a.m.

Galerie Claire Gastaud | Paris

Anne-Sophie Emard 1973, France

"La flûtiste borgne"

  • Anne-Sophie Emard, La flûtiste borgne, 2025, Tirages Cibachrome sous diasec, châssis affleurant chêne teinté ciré noir, Diptyque,  45cm x 30cm et 85cm x 70cm, Courtesy de l'artiste et Galerie Claire Gastaud

Anne-Sophie Emard, La flûtiste borgne, 2025, Tirages Cibachrome sous diasec, châssis affleurant chêne teinté ciré noir, Diptyque, 45cm x 30cm et 85cm x 70cm, Courtesy de l'artiste et Galerie Claire Gastaud

Galerie Claire Gastaud is delighted to present the first solo exhibition in Paris by photographer and filmmaker Anne-Sophie Emard. The works presented were specially produced for the exhibition during a residency in January 2025.
La Flûtiste borgne is both the title of this exhibition and that of one of the photographs presented. Inspired by a 16th-century painting by Marc Duval in the Louvre, the photographic work offers a feminine version, subtly shifting genders and eras. In this new series, each photograph combines landscapes and studio settings. References to cinema and painting merge into a new space, blurring the boundary between memory and invention. One eye open to the world, one eye closed inward: this oscillation is at the heart of this new photographic series, which undoubtedly stems from a parenthesis for the artist, who has devoted herself to filmmaking in recent years. At times, the image overflows the frame and becomes embodied in real space through props or objects – a stone extracted from a landscape, a glass of whisky that seems to have escaped from the photograph. The aim is not to represent, but to reveal what stands on the edge of the visible, in that zone of indecision where forms vacillate and the gaze, by dint of insistence, ends up touching the unknown. Anne-Sophie Emard’s universe has always been at the crossroads of cinema, photography and painting. She has made her mark on the contemporary art scene with her unique vision and treatment of images. A visual artist and director, her first film “F comme fleuve” won the SCAM prize for institutional work in 2020. In 2012, David Lynch selected her photographic work for his book “Paris Photo vu par David Lynch”. In 2003, she began a regular cycle of residencies abroad with the Institut Français in Montreal. Supported by a number of organizations and institutions, she returned to her early years of scientific study, exploring the role of images in the fight against climate change through a cycle of research and creation that I have named “Climat cinéma”. His work has been exhibited in major institutions in France, Europe and Asia.

Solo show of Anne-Sophie Emard

From April 9th to May 25th, 2025

37 Rue Chapon
Paris, France
01 88 33 98 63 www.claire-gastaud.com

The gallery

Galerie Claire Gastaud has 3 spaces:
-In Paris, in the Marais district near the Centre Pompidou, a space dedicated to curatorial projects, regularly giving international artists and curators “carte blanche”.
-The historic space in Clermont-Ferrand (opposite FRAC Auvergne, between the Ministry of Culture and the Cathedral), dedicated to major museum exhibitions and featuring an underground space, regularly taken over by artists for performances, encounters or the creation of in situ works.
- Every summer, the gallery presents a major monographic exhibition at the Château de la Trémolière (Cantal) and welcomes artists in residence.
Since it opened in 1986, Galerie Claire Gastaud has established itself as one of France's most influential art galleries. The programming is inspired by the interference of generations, mediums and nationalities. The gallery's commitment to artists is protean, based on a rhizome-like dissemination of contemporary art, and particularly committed to women artists.
Among the most emblematic exhibitions in the 1980s-90s: Chu Teh Chun, Rémi Blanchard, Erro, Dennis Oppenheim, Jacques de la Villeglé, Riopelle, Claude Viallat. 2000s to present: Henni Alftan, Tania Mouraud, Georges Rousse, Nils-Udo, Henri Cueco, Roland Cognet, Frank Stella, Alain Josseau, Delphine Gigoux-Martin, Jean-Charles Eustache, MC Mitout, Erik Schmidt, MC Mitout, Vladimir Skoda, Milène Sanchez, Natacha Lesueur, Judith Grassl, Coraline de Chiara, Bertrand Gadenne, Anne Sophie Emard, Antoine+Manuel.

Gallery artists

Rémi Blanchard, Coraline de Chiara, Roland Cognet, Henri Cueco, Léo Dorfner, Anne-Sophie Emard, Jean-Charles Eustache, Bertrand Gadenne, Delphine Gigoux-Martin, Judith Grassl, Alain Josseau, Kriki, Natacha Lesueur, MC Mitout, Tania Mouraud, Nils-Udo, Georges Rousse, Milène Sanchez, Erik Schmidt, Vladimir Skoda

Galerie sélectionnée par Fanny Robin

In the thematic « First Solo Exhibition »

La Galerie Rouge

Clarissa Bonet 1986, United States

"Clarissa Bonet, City Space"

Photo credit: Gaïa Lamarre.

Air de Paris

Mona Filleul 1993, France/Switzerland

--

"Air de Tranny"

Laura Garcia Karras, Oraison, 2024, Huile sur toile, 180 x 150 cm, Courtesy de l’artiste et Galerie Anne-Sarah Bénichou

Galerie Anne-Sarah Bénichou

Laura Garcia Karras 1988, France

"Calisté"

In the thematic « Photography »

Sophie Calle, Troublante croisière (divergence de points de vue), 2023,

Perrotin

Sophie Calle 1953, France

"Séance de rattrapage"

Martin Boyce, Drawn from Depths, 2025 (détail), acier peint, acier galvanisé, verre soufflé à la main, composants électriques, installation : 300 x 200 x 200 cm. Production du verre : Cirva, Marseille. Courtesy de l’artiste et Esther Schipper Berlin/Paris/Séoul. Photo © Eoin Carey

Esther Schipper

Martin Boyce 1967, Scotland

"Unhome"

Zhanna Kadyrova - Strategic locations, exhibition view - GALLERIA CONTINUA, Paris (C) Hafid Lhachmi - ADAGP Paris, 2025

GALLERIA CONTINUA

Zhanna Kadyrova 1981, Ukraine

"Strategic Locations"

In the thematic « Women Artists »

Anne Manoli, Sauvage est le vent, 2017, Peinture à l’huile, cire et emulsion sur toile, 158 x 198 cm

Berthet-Aittouarès

Anne Manoli, Yann Bagot, Paul Iratzoquy

--

"La nature en question"

Stéphané Edith Conradie, Klinkende Simbaal II, 2025, Assemblage d’éléments divers, Courtesy Ceysson & Bénétière

Ceysson & Bénétière

Stephané Edith Conradie 1990, Namibia

Laura Huertas Millán, El laberinto, 2018, 21 mins, 16 mm into HD, images founded, Courtesy de l'artiste.

Marcelle Alix

Ella C Bernard, Cécile Bouffard, Omar Castillo Alfaro, Caroline Rose Curdy, Pierre Dumaire, Laura Huertas Millán, Liz Magor, Rafael Moreno, Nicole, Hatice Pinarbaşi et Jean-Charles de Quillacq

--

"El fantasma de Tennessee"

In the tour « Marais »

Rafael Domenech,

193 Gallery

Rafael Domenech 1989, Cuba/United States

"Flowers blooming on acid"

La Galerie Rouge

Clarissa Bonet 1986, United States

"Clarissa Bonet, City Space"

Siri Derkert, Sara i fönstret, 1924, Unsigned, Oil on canvas mounted on canvas, 95.3 x 63.3 cm. Courtesy of the Artist and Andréhn-Schiptjenko. © Paulina Simon

Andréhn-Schiptjenko

Siri Derkert 1888 — 1973, Sweden

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