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29 • 30 • 31 May 2026

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Jacqueline Lamba, Maison et forêt, 1947, Oil on canvas
crédits DURAZZO

DURAZZO

Jean Hélion, Autoportrait, 1959, huile sur toile, 46 x 55 cm

Galerie Alain Margaron

écho 119

Kazuo Kitai 1944, China

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"Kazuo Kitai : I.RO.HA 1.2.3"

  • Iroha, 2023, Iroha, 2023, Kitai Kazuo,
Courtesy Galerie Écho 119

Iroha, 2023, Iroha, 2023, Kitai Kazuo, Courtesy Galerie Écho 119

Kazuo Kitai (born in 1944 in China) abandoned his photography studies at the College of Art at Nihon University at an early age. Documenting the ‘Resistance’, the title of his first collection published in 1965, he is best known for his photographs of the Japanese protest movements of the 1960s and 1970s. In the 1980s, he turned his attention to the inhabitants of Osaka and Tokyo (Shinsekai Monogatari, Funabashi Monogatari), as well as rural Japan. He has won numerous awards, including the prestigious Kimura Ihei Award (in 1975).

In this new series, “I RO HA”, Kazuo Kitaï revisits his own photographic archives: faces, bodies in tension, marching crowds, fragments of resistance. Known for documenting the protest movements in Japan in the 1960s, he has now chosen to reactivate these images through a radical gesture.

By tearing up his original silver prints and then covering them with paint, Kitaï transforms photography into raw material. The documentary becomes abstraction, the image a medium for a hybrid form, between calligraphy and painting. This work marks a break in his practice: it is no longer a question of bearing witness, but of reinterpreting.

These black-and-white photographs feature helmeted men, workers, police officers, students, busy streets and suspended objects. The artist adds bright colours and traces the Japanese characters “I”, “RO” and “HA” – the first sounds of the syllabary, equivalent to the “ABC” in the Latin alphabet. A return to basics, reinforced by the presence of the numbers ‘1, 2, 3’, which are pronounced like a countdown before taking the plunge.

The exhibition is accompanied by a manifesto book, somewhere between memoir, pictorial gesture and renewal, published by Chose Commune.

Text by Chose Commune

Solo show of Kitai Kazuo

From March 28 to July 7, 2026

1 Rue des Minimes
Paris, France
0744883325 www.galerieecho119.com

The gallery

The Echo 119 gallery and bookshop was founded in 2016 by Noëlle Colin, who divides her time between France and Japan.

Specialising mainly in photography, the gallery presents the work of established and emerging artists, with a particular interest in Japanese artists. Without ever straying from the dual culture that defines its identity and determines its approach, Echo 119 has enriched itself with new artistic sensibilities, all of which share a common concern for contemporary issues and a significant aesthetic quest that makes the images intellectually and visually powerful works of art. In the spirit of the Japanese photographic tradition, Echo119 also offers a wide selection of photography books, from the latest publications to rare editions. The gallery is run by Salomé d'Ornano and Kinuko Asano as artistic director.

Gallery artists

Nobuyoshi Araki, Grégoire Eloy, Chloé Jafé, Rinko Kawauchi, Sakiko Nomura, Eiji Ohashi, Tokyo Rumando, Chieko, Shiraishi, Elliott Verdier, Hitomi Watanabe, Laure Winants

In the thematic « Art contemporain »

Galerie Christophe Gaillard

Nancy Brooks Brody 1962 — 2023, Etats-Unis

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Martin Jacobson, My Future Home IV, 2024, Oil on canvas, 210 x 120 cm. © Paulina Simon | Courtesy of the Artist and Andréhn-Schiptjenko

Andréhn-Schiptjenko

Martin Jacobson 1978, Sweden

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Morgane Porcheron, Feuilles en grille #3 - 2023 Plâtre, encres, courtesy Ségolène Brossette Galerie

Ségolène Brossette Galerie

"Les empreintes silencieuses" — Group show

In the thematic « Asian Art Scene »

Venice Biennale, photo by Anpis WANG

Perrotin

Lee Mingwei 1964, Taiwan

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"Lorsque la Beauté paraît"

L'artiste au travail, Mayura Torii, photo :  JC Lett

22,48 m²

Mayura Torii 1977, Japan

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"Artiste au travail"

Perrotin

Hans Hartung & Pierre Soulages

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In the thematic « Contemporary Art »

Abdelhak Benallou, Ouverture, 2025
Huile sur toile
180 x 200 cm, Courtesy de l'artiste et Les filles du calvaire

Les filles du calvaire

Abdelhak Benallou 1992

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"Rouge, Vert, Bleu"

galerie anne barrault

Tiziana la Melia 1982, Italy

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"Kitten Healer Litter"

Galerie Christophe Gaillard

Richard Nonas 1936 — 2021, Etats-Unis

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In the thematic « Painting »

Alberto Magnelli, Nature morte à la fleur, 1914, Huile sur toile, 70 x 55 cm, Signée et datée « Magnelli 914 ». CourtesyGaleriePatriceTrigano

Galerie Patrice Trigano

Alberto Magnelli

"Peintures"

The Two Silences 80 x 60 cm Oil on canvas 2026. Courtesy Galerie Marie Vitoux

Galerie Marie Vitoux

Marie Rauzy 1961, France

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"Du désordre Grand Siècle"

Galerie Christophe Gaillard

Richard Nonas 1936 — 2021, Etats-Unis

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In the thematic « Peinture »

To be titled, Bernard Frize, 2026, Acrylic and resin on canvas, 122 x122 cm © Bernard Frize

Perrotin

Bernard Frize 1949, France

The Two Silences 80 x 60 cm Oil on canvas 2026. Courtesy Galerie Marie Vitoux

Galerie Marie Vitoux

Marie Rauzy 1961, France

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"Du désordre Grand Siècle"

Claudia Valsells, L581, Acrylique sur toile, 200x180cm, 2025, Courtesy Alzueta Gallery

Alzueta Gallery

Claudia Valsells

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"Moll de l'ós"

In the thematic « Photographie »

Sheila Metzner, Uma, Patou Dress, 1986 © Sheila Metzner / Courtesy La Galerie Rouge

La Galerie Rouge

Lillian Bassman et Sheila Metzner

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"So Chic !"

Francisco Tropa, Cheminée, 2025, painted plywood, patinated bronze, screen print on plywood,
158 x 90 x 30 cm unique, courtesy of the artist and Galerie Jocelyn Wolff, photo : Pedro Tropa

Galerie Jocelyn Wolff

Francisco Tropa 1968, Portugal

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"MISS AMERICA"

Alina Szapocznikow
Autoportrait, vers 1967
Résine de polyester et photographie
13,5 × 12,5 × 3 cm
Courtesy The Estate of Alina Szapocznikow | Galerie Loevenbruck, Paris | Hauser & Wirth

Loevenbruck

Alina Szapocznikow 1926 — 1973, Poland

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"Autobiography in Fragments. 100 Years Alina Szapocznikow"

In the thematic « Photography »

Série Le chêne-pointu,Clichy-Sous-Bois, Mains et sucette, 2021 ©Géraldine Lay courtesy of galerie SIT DOWN

Galerie Sit Down

Géraldine Lay 1972, France

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"Juste à côté"

 Larry Sultan, Mike Mandel, Evidence, 1977, © Estate Larry Sultan, courtesy Galerie Thomas Zander, Cologne

Zander Galerie

Larry Sultan et Mike Mandel

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"Evidence"

Adrianna Wallis, Bijou Bougie, 2012. Courtesy of Anne-Laure Buffard and the artist.

Galerie Anne-Laure Buffard

Adrianna Wallis / Diane Esmond

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"Il restera la gravité"

In the tour « Marais »

GALERIE BERNARD BOUCHE

Susana Solano 1946, Spain

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Léonore Chastagner, Sans titre, 2025, Céramique, 21 x 17 x 5,5 cm, ©Ici Au Loin, Courtesy de l'artiste et Galerie Anne-Sarah Bénichou

Galerie Anne-Sarah Bénichou

Léonore Chastagner 1992, France

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"Ce qu'il faut aimer est absent"

Courtesy Hyangmok Baik and 193 Gallery

193 Gallery

Hyangmok Baik 1990, Corée du Sud

"Have You Ever Fallen in Love?"

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