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Joris Van de Moortel
music enjoys direct access to the soul, has an immediate echo of response since we have music within ourselves, 2025, Huile sur lin et cadre en acier de l’artiste avec deux sculptures de tête faites en résine acrylique et patine effet bronze (une avec le nez droit et une avec le nez cassé)

Galerie Nathalie Obadia

Raphaëlle Peria, Le brouillard des sentiments, grattage sur photographie, 80x60cm, 2025.

Galerie Papillon

Galerie Olivier Waltman

Ange-Arthur Koua, Jérôme Lagarrigue, Gastineau Massamba

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"Le rythme. Choc vibratoire de l'être"

  • Jérôme Lagarrigue, Here I am, Huile sur toile, 65 x 65 cm, Courtesy Galerie Olivier Waltman.

Jérôme Lagarrigue, Here I am, Huile sur toile, 65 x 65 cm, Courtesy Galerie Olivier Waltman.

This exhibition, inspired by Léopold Sédar Senghor’s idea that rhythm, like a vibratory shock, seizes us at the root of our being, brings together the works of three African or Afro-descendant artists: Ange-Arthur Koua, Gastineau Massamba and Jérôme Lagarrigue.

Ange-Arthur Koua (Ivory Coast) focuses on textiles: he cuts, glues, sews, discolors, and paints denim to create tapestries and works on paper. His work is centered on humanity, particularly the relationships people have with their environment, with others, and with their life experiences. The Akan people of Ivory Coast believe in the existence of the soul (Wawô) and its immortality: it is sometimes forbidden to wear the clothes of a deceased person because they believe that the Wawô of the deceased remains within the garment. The artist, therefore, uses the clothing of multiple individuals, embedding their stories and experiences into his works to preserve their memory.

Jérôme Lagarrigue (Brooklyn, New York) creates works that question deep issues not only in contemporary art but also in American society, particularly regarding the place it assigns to the African American community. The artist builds a gallery of portraits, mostly of unknown individuals, as a taxonomy of the human species: his work is as much about observing and characterizing the people around him as it is about emphasizing their place and role in society.

Finally, works by Gastineau Massamba (Republic of Congo) explore African realities, particularly those of the Congolese people. He paints figures fleeing the violence of their surroundings in search of better living conditions. Using acrylic, charcoal, and pastel on black paper and canvas, he portrays these figures in a highly contrasted manner, making their cries and suffering visible.

Group show of Ange-Arthur Koua, Jérôme Lagarrigue and Gastineau Massamba

From May 13th to June 21st, 2025

16 Rue du Perche
Paris, France
01 89 16 78 31 www.galeriewaltman.com

The gallery

Galerie Olivier Waltman was created in 2006 and been representing a group of contemporary artists from different regions of the world, both emerging and established. Active in different media (painting, photography, design, video, drawing and installation), they are exhibited in its two Paris galleries (Saint-Germain-des-Prés and Le Marais).

The gallery also participates in numerous international contemporary art fairs and has developed a publishing activity with the publication of exhibition catalogs and artist monographs.

The gallery is a member of the Comité Professionnel des Galeries d’Art. Olivier Waltman is also board member of the Paris Gallery Weekend and les Amis de la Maison Européenne de la Photographie (M.E.P.), Paris.

Gallery artists

Fabien Chalon, Manon Pellan, Fabien Yvon, Philippe Calandre, François Ronsiaux, Dayron Gonzalez, Gastineau Massamba, Stevens Dossou-Yovo, Aleix Plademunt, Xavier Escribà, Julien Graizely, Tali Amitai-Tabib, Claire Fanjul, Jean-Pierre Attal, Mykolas Sauka, Jérôme Lagarrigue, Cedric Arnold, Chloé Tiravy, Assaf Shoshan, Linda Tuloup, Richard Butler, Gyula Zarand, Alain le Boucher, Jérôme Borel, Rune Guneriussen, Cristina Escobar, AnaÏs Prouzet, Michal Mraz, Joseph Dadoune, François Bard & Nicole Tran Ba Vang, Jonathan Huxley, Julien-Arnaud Corongiu, Silvere Jarrosson, Toma Jankowski, Jorge Enrique

In the thematic « Africa's Art Scene »

Famakan Magassa, L’AMOUR ET LA JUSTICE, Acrylique et pastel à l'huile sur toile, 150 X 130 CM, 2025, copyright galerie Sabine Bayasli

Galerie Sabine Bayasli

Famakan Magassa 1997, Mali

"La vie est un compte"

Stéphané Edith Conradie, Klinkende Simbaal II, 2025, Assemblage d’éléments divers, Courtesy Ceysson & Bénétière

Ceysson & Bénétière

Stephané Edith Conradie 1990, Namibia

Ahmed Legs, framed photography by ©️Hassan Hajjaj, 2022_1443. Courtesy of Ahmed, Hassan Hajjaj Studio & 193 Gallery

193 Gallery

Hassan Hajjaj 1961, Morocco

"Legs"

In the thematic « Contemporary Art »

 Arnulf Rainer
Sans titre, 1987/1988
Crayon gras et huile sur toile, 200,5 × 124 cm
© Arnulf Rainer. Courtesy Galerie Lelong

Galerie Lelong

Arnulf Rainer 1929, Austria

"Reminiszenz"

1955-2025

Afaf Zurayk, untitled, watercolour and crayon on canvas, 40x40cm. Courtesy of the artist.

15 Beautreillis

Amy Todman, Afaf Zurayk

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"Light Enters"

Sophie Calle, Troublante croisière (divergence de points de vue), 2023,

Perrotin

Sophie Calle 1953, France

"Séance de rattrapage"

In the tour « Marais »

Valentin Rilliet, Untitled, 2025, oil and sand on linen, 130 x 90 cm (51 ⅛ x 35 ⅜ in.). Courtesy de l’artiste et de la Galerie Peter Kilchmann Zurich/Paris

Galerie Peter Kilchmann

Valentin Rilliet 1996, Switzerland / China

"The Dream Synopsis"



Anne Wenzel, Requiem of Heroism (monument II), 2010, Ceramic and wood, 45 x 63 x 58 cm, Courtesy of the artist and and Galerie Suzanne Tarasieve, Paris

Galerie Suzanne Tarasieve

Anne Wenzel, Otto Dix

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"Anne Wenzel x Otto Dix"

Tirdad Hashemi, The collapse of years of hiding,(Transbodies), 2025, Acrylique sur toile, Acrylic on canvas, 189 x 255 cm, 74 3/8 x 100 3/8 inches,(THa008)

Galerie Christophe Gaillard

Tirdad Hashemi 1991, Iran

"Butchered Bodies"

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