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Joachim Bandau, vue de l'exposition personnelle ''La Face cachée'', 2016, Galerie Maubert, Paris

Galerie Maubert

Martin Boyce Spook School, 2016 Giclee Photographic Prints 19 x 12,5 cm each (unframed), 21 parts 52 x 42 x 2 cm each (framed), 21 parts Courtesy the artist and Esther Schipper, Berlin/ Paris/Seoul Photo © Martin Boyce Studio

Galerie Natalie Seroussi

Galerie Max Hetzler

Sarah Crowner 1974, United States

"Tableaux en Laine, Pierres en Bronze"

  • © Sarah Crowner, courtesy the artist and Galerie Max Hetzler Berlin | Paris | London | Marfa. Photo: Thomas Lannes

© Sarah Crowner, courtesy the artist and Galerie Max Hetzler Berlin | Paris | London | Marfa. Photo: Thomas Lannes

American artist Sarah Crowner (b. 1974) is recognised for her sustained engagement with line, form, colour and materiality. Working across a breadth of media, she investigates the relationship between the individual and the whole. In her sewn canvases, Crowner emphasises the physical act of making as well as the tactility of medium; broad brush strokes swipe across sliced forms that are then sewed and joined back together.

Sarah Crowner’s work has been presented in institutional solo exhibitions including SCAD Museum of Art, Savannah (2025); Chinati Foundation, Marfa (2024); Pulitzer Arts Foundation, St. Louis; Hill Art Foundation, New York; Casa de Vidro Lina Bo Bardi, São Paulo (all 2023); Museo Amparo, Puebla; Chinati Foundation, Marfa (2022); KMAC Contemporary Art Museum, Louisville (2018); and MASS MoCA, North Adams (2016).

Solo show of Sarah Crowner

From April 26th to June 21st, 2025

 

46-57 Rue du Temple
75004 Paris, France
01 57 40 60 80 www.maxhetzler.com

The gallery

Galerie Max Hetzler is a global contemporary art gallery representing over sixty artists across six spaces in Berlin, Paris and London, with an exhibition space and artist residency in Marfa. Established in Stuttgart in 1974, in its early years the gallery championed the generation of influential German artists emerging at the time including Albert Oehlen, Günther Förg and Martin Kippenberger and their international counterparts Christopher Wool, Jeff Koons, Robert Gober and Cady Noland amongst others. Over several decades, Galerie Max Hetzler has expanded, having worked with nearly 175 artists and representing a strong core of leading international artists and supporting the legacy of several estates. The gallery’s programme is conceived as a fruitful dialogue between established artists and younger generations; representing a constantly evolving discourse.

Gallery artists

DARREN ALMOND, GIULIA ANDREANI, KAREL APPEL, LEILAH BABIRYE, MATTHEW BARNEY, LOUISE BONNET, GLENN BROWN, ANDRÉ BUTZER, ANTHONY CARO, WILLIAM N. COPLEY, SARAH CROWNER, JEREMY DEMESTER, RINEKE DIJKSTRA, CARROLL DUNHAM, CELESTE DUPUY-SPENCER, IDA EKBLAD, ELMGREEN & DRAGSET, JEFF ELROD, URS FISCHER, BARRY FLANAGAN, WALTON FORD, GÜNTHER FÖRG, KATHARINA GROSSE, ROBERT GROSVENOR, MARK GROTJAHN, RAYMOND HAINS, HANS HARTUNG, ROBERT HOLYHEAD, HANS JOSEPHSOHN, KAWS, MARTIN KIPPENBERGER, SERGEY KONONOV, JEFF KOONS, FRIEDRICH KUNATH, LIZ LARNER, JAKE LONGSTRETH, INGE MAHN , VICTOR MAN, EDDIE MARTINEZ, PAUL McCARTHY, DANIELLE MCKINNEY, BEATRIZ MILHAZES, ERNESTO NETO, FRANK NITSCHE, NAVID NUUR, ALBERT OEHLEN, ADAM PENDLETON, RICHARD PRINCE, TAL R, BRIDGET RILEY, JULIAN SCHNABEL, RAPHAELA SIMON, RUDOLF STINGEL, THOMAS STRUTH, ELEANOR SWORDY, TURSIC & MILLE, RINUS VAN DE VELDE, EDMUND DE WAAL, REBECCA WARREN, GRACE WEAVER, CHRISTOPHER WOOL, TOBY ZIEGLER

In the thematic « Art contemporain »

Photo credit: Gaïa Lamarre.

Air de Paris

Mona Filleul 1993, France/Switzerland

--

"Air de Tranny"

Countrejour in the French Style, 1974, Gravure, 75 exemplaires, 99,5 × 91,5 cm © David Hockney / Courtesy Galerie Lelong

Galerie Lelong

David Hockney 1937, United Kingdom

"Impressions"

 Installation view, Zander Galerie, Cologne 2024, featuring works by Ed Ruscha: If You Ever Tell I'll Hurt Your Mama Real Real Bad, 1994, If No Cash By Noon You Will Have Visitors, 1997, Do As Told Or Suffer, 1997, and A Columbian Necklace for You, 1997.

Zander Galerie

Ed Ruscha 1937, United States

"Cityscapes"

In the thematic « Artistes femmes »

Sophie Calle, Troublante croisière (divergence de points de vue), 2023,

Perrotin

Sophie Calle 1953, France

"Séance de rattrapage"

Margaret Lansink, Sentient, 2019 ©Margaret Lansink

Galerie XII

Margaret Lansink 1961, Netherlands

"AWAKE"

Jeanne Vicerial, Présence Amnios, 2025, Cordes, fils, cuivre et laiton doré à l'or fin, Photographie : Laurent Edeline, Courtesy TEMPLON, Paris-Bruxelles-New York

TEMPLON, Paris-Bruxelles-New York

Jeanne Vicerial 1991, France

"Nymphose"

In the thematic « Contemporary Art »

Simon Hantaï, Blancs, 1974, acrylique sur toile 192 x 180 cm

Galerie Larock-Granoff

Pierre Alechinsky, Claude Bellegarde, Gaston Chaissac, Jean Couty, Jean Degottex, René Duvillier, André Fougeron, Françoise Gilot, Simon Hantaï, Daniel Hourdé, Hans Hartung, Philippe Hiquily, Kolos-Vary, Charles Lapicque, Lili Le Gouvello, Jean Messagier, Isabel Michel, Joan Miró, Amédée Ozenfant, Paul Rebeyrolle, Antonio Saura et Pierre Tal Coat

--

"Hommage à Pierre Larock, une génération d'artistes"

Osvaldo González - Descendencia, exhibition view - GALLERIA CONTINUA, Paris (C) Hafid Lhachmi - ADAGP Paris, 2025

GALLERIA CONTINUA

Osvaldo González 1982, Cuba

"Descendencia"

La Galerie Rouge

Clarissa Bonet 1986, United States

"Clarissa Bonet, City Space"

In the thematic « Painting »

PABLO PICASSO (1881-1973), Femme agenouillée se coiffant,  1906, Numéroté : 1/10,
Porte le cachet du fondeur : C. Valsuani Cire Perdue, Bronze à patine nuancée, Hauteur : 40 cm. Succession Picasso 2025. Crédit Photo : Cécil Mathieu

HELENE BAILLY

Pablo Picasso 1881 — 1973, Spain

GaHee Park, Incarnation, 2025, Oil on linen, 172.7 x 182.9 cm, Photo: Paul Litherland, Courtesy of the artist and Perrotin

Perrotin

GaHee Park 1985, South Korea

"Not Quite Tomorrow"

Pieter Jennes, Il me tarde, 2025, Huile et collage sur toile / Oil and collage on canvas
190 × 170 cm / 74 13/16 × 66 15/16 inches
192 × 172 × 4 cm / 75 9/16 × 67 11/16 × 1 9/16 inches (encadré / framed)

Semiose

Pieter Jennes 1990, Belgium

"Le Bouquet manquant"

In the thematic « Peinture »

Photo by Matt Emonson

Galerie Lelong

Alison Saar 1956, United States

"Sweet Life"

Axel Pahlavi, Poussière de Lumière, 2025, oil on wood, 64 x 96 cm, Courtesy H Gallery, Paris

H Gallery

Axel Pahlavi 1975, Iran

"Hyperclassique" // "Abîme moderne" // " Intégrale du réel"

Sophie Whettnall, Invisible landscape, 2025, soie perforée, cadre cuivre, 51,5 x 40 x 3,5 cm, Photo © Isabelle Arthuis, Courtesy of the artist and Michel Rein, Paris/Brussels

Michel Rein

Sophie Whettnall 1973, Belgium

"Invisible"

In the thematic « Women Artists »

En premier plan : Cristina Almodóvar, AFFLEUREMENT ROCHEUX, 2024, Carton collé sur bois et vernis, 140 x 220 x 80 cm

En arrière plan : Cristina Almodóvar, MARCOS, Evasion, 2025, Encre sur papier encadré, carton encollé et vernis, 177 x 295 cm

Galerie Dutko

Cristina Almodóvar 1970, Spain

"Au-delà de la matière"

Laura Garcia Karras, Oraison, 2024, Huile sur toile, 180 x 150 cm, Courtesy de l’artiste et Galerie Anne-Sarah Bénichou

Galerie Anne-Sarah Bénichou

Laura Garcia Karras 1988, France

"Calisté"

Stéphané Edith Conradie, Klinkende Simbaal II, 2025, Assemblage d’éléments divers, Courtesy Ceysson & Bénétière

Ceysson & Bénétière

Stephané Edith Conradie 1990, Namibia

In the tour « Marais »

Anne Neukamp, Diplopia, 2025. Photo Eric Tschernow. Courtesy Semiose, Paris

Semiose

Anne Neukamp 1976, Germany

"Mirror"

Anne-Sophie Emard, La flûtiste borgne, 2025, Tirages Cibachrome sous diasec, châssis affleurant chêne teinté ciré noir, Diptyque,  45cm x 30cm et 85cm x 70cm, Courtesy de l'artiste et Galerie Claire Gastaud

Galerie Claire Gastaud | Paris

Anne-Sophie Emard 1973, France

"La flûtiste borgne"

Stéphané Edith Conradie, Klinkende Simbaal II, 2025, Assemblage d’éléments divers, Courtesy Ceysson & Bénétière

Ceysson & Bénétière

Stephané Edith Conradie 1990, Namibia

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