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Joachim Bandau, vue de l'exposition personnelle ''La Face cachée'', 2016, Galerie Maubert, Paris

Galerie Maubert

Martin Boyce Spook School, 2016 Giclee Photographic Prints 19 x 12,5 cm each (unframed), 21 parts 52 x 42 x 2 cm each (framed), 21 parts Courtesy the artist and Esther Schipper, Berlin/ Paris/Seoul Photo © Martin Boyce Studio

Galerie Natalie Seroussi

Galerie Max Hetzler

Sarah Crowner 1974, United States

"Tableaux en Laine, Pierres en Bronze"

  • © Sarah Crowner, courtesy the artist and Galerie Max Hetzler Berlin | Paris | London | Marfa. Photo: Thomas Lannes

© Sarah Crowner, courtesy the artist and Galerie Max Hetzler Berlin | Paris | London | Marfa. Photo: Thomas Lannes

American artist Sarah Crowner (b. 1974) is recognised for her sustained engagement with line, form, colour and materiality. Working across a breadth of media, she investigates the relationship between the individual and the whole. In her sewn canvases, Crowner emphasises the physical act of making as well as the tactility of medium; broad brush strokes swipe across sliced forms that are then sewed and joined back together.

Sarah Crowner’s work has been presented in institutional solo exhibitions including SCAD Museum of Art, Savannah (2025); Chinati Foundation, Marfa (2024); Pulitzer Arts Foundation, St. Louis; Hill Art Foundation, New York; Casa de Vidro Lina Bo Bardi, São Paulo (all 2023); Museo Amparo, Puebla; Chinati Foundation, Marfa (2022); KMAC Contemporary Art Museum, Louisville (2018); and MASS MoCA, North Adams (2016).

Solo show of Sarah Crowner

From April 26th to June 21st, 2025

 

46-57 Rue du Temple
75004 Paris, France
01 57 40 60 80 www.maxhetzler.com

The gallery

Galerie Max Hetzler is a global contemporary art gallery representing over sixty artists across six spaces in Berlin, Paris and London, with an exhibition space and artist residency in Marfa. Established in Stuttgart in 1974, in its early years the gallery championed the generation of influential German artists emerging at the time including Albert Oehlen, Günther Förg and Martin Kippenberger and their international counterparts Christopher Wool, Jeff Koons, Robert Gober and Cady Noland amongst others. Over several decades, Galerie Max Hetzler has expanded, having worked with nearly 175 artists and representing a strong core of leading international artists and supporting the legacy of several estates. The gallery’s programme is conceived as a fruitful dialogue between established artists and younger generations; representing a constantly evolving discourse.

Gallery artists

DARREN ALMOND, GIULIA ANDREANI, KAREL APPEL, LEILAH BABIRYE, MATTHEW BARNEY, LOUISE BONNET, GLENN BROWN, ANDRÉ BUTZER, ANTHONY CARO, WILLIAM N. COPLEY, SARAH CROWNER, JEREMY DEMESTER, RINEKE DIJKSTRA, CARROLL DUNHAM, CELESTE DUPUY-SPENCER, IDA EKBLAD, ELMGREEN & DRAGSET, JEFF ELROD, URS FISCHER, BARRY FLANAGAN, WALTON FORD, GÜNTHER FÖRG, KATHARINA GROSSE, ROBERT GROSVENOR, MARK GROTJAHN, RAYMOND HAINS, HANS HARTUNG, ROBERT HOLYHEAD, HANS JOSEPHSOHN, KAWS, MARTIN KIPPENBERGER, SERGEY KONONOV, JEFF KOONS, FRIEDRICH KUNATH, LIZ LARNER, JAKE LONGSTRETH, INGE MAHN , VICTOR MAN, EDDIE MARTINEZ, PAUL McCARTHY, DANIELLE MCKINNEY, BEATRIZ MILHAZES, ERNESTO NETO, FRANK NITSCHE, NAVID NUUR, ALBERT OEHLEN, ADAM PENDLETON, RICHARD PRINCE, TAL R, BRIDGET RILEY, JULIAN SCHNABEL, RAPHAELA SIMON, RUDOLF STINGEL, THOMAS STRUTH, ELEANOR SWORDY, TURSIC & MILLE, RINUS VAN DE VELDE, EDMUND DE WAAL, REBECCA WARREN, GRACE WEAVER, CHRISTOPHER WOOL, TOBY ZIEGLER

In the thematic « Art contemporain »

Christophe Tissot, encre et pastel sec sur papier signé et daté 4.V.2025 - Dim: 29,7 x 21 cm

Galerie Cipango

Christophe Tissot 1960, France

France

Liliana Porter, Red Sand, 2021 - Courtesy of the artist and mor charpentier Paris.

mor charpentier

Liliana Porter 1941, Argentina

"Almost There"

Martin Boyce Spook School, 2016 Giclee Photographic Prints 19 x 12,5 cm each (unframed), 21 parts 52 x 42 x 2 cm each (framed), 21 parts Courtesy the artist and Esther Schipper, Berlin/ Paris/Seoul Photo © Martin Boyce Studio

Galerie Natalie Seroussi

Martin Boyce 1967, Scotland

"Walk With Me"

In the thematic « Artistes femmes »

Photo by Matt Emonson

Galerie Lelong

Alison Saar 1956, United States

"Sweet Life"

La Galerie Rouge

Clarissa Bonet 1986, United States

"Clarissa Bonet, City Space"

YOO Hye-Sook, M250405, 2025, acrylique et encre sur toile / acrylic and ink on canvas, 49,5 x 49,5 cm, © photo Nicolas Pfeiffer, Courtoisie Yoo Hye-Sook & Galerie Maria Lund

Galerie Maria Lund

Yoo Hye-Sook 1964, Republic of Korea

"Acte II"

In the thematic « Contemporary Art »

YOO Hye-Sook, M250405, 2025, acrylique et encre sur toile / acrylic and ink on canvas, 49,5 x 49,5 cm, © photo Nicolas Pfeiffer, Courtoisie Yoo Hye-Sook & Galerie Maria Lund

Galerie Maria Lund

Yoo Hye-Sook 1964, Republic of Korea

"Acte II"

MAX ERNST & JOAQUÍN FERRER - Les surprises du hasard exhibition view, Galleria Continua / Paris Matignon. Photo: © Paul Hennebelle. Paris ADAGP 2025

GALLERIA CONTINUA

Max Ernst & Joaquín Ferrer

--

"Les surprises du hasard"

Giorgio Morandi, Fiori, 1943, huile sur toile, 35,5 × 25,5 cm, Bertozzi & Casoni, Per Morandi, 2020, céramique polychrome et bronze, H. 50,5 × 31,5 × 32,5 cm Courtesy of Galleria Maggiore g.a.m.

Galerie d’Art Maggiore g.a.m.

Giorgio Morandi et Bertozzi & Casoni

--

"La rencontre entre le quotidien et l’extraordinaire"

In the thematic « Painting »

Joris Van de Moortel
music enjoys direct access to the soul, has an immediate echo of response since we have music within ourselves, 2025, Huile sur lin et cadre en acier de l’artiste avec deux sculptures de tête faites en résine acrylique et patine effet bronze (une avec le nez droit et une avec le nez cassé)

Galerie Nathalie Obadia

Joris Van de Moortel 1983, Belgium

"Le poids du ciel illumine la terre"

Liliana Porter, Red Sand, 2021 - Courtesy of the artist and mor charpentier Paris.

mor charpentier

Liliana Porter 1941, Argentina

"Almost There"

Sophie Whettnall, Invisible landscape, 2025, soie perforée, cadre cuivre, 51,5 x 40 x 3,5 cm, Photo © Isabelle Arthuis, Courtesy of the artist and Michel Rein, Paris/Brussels

Michel Rein

Sophie Whettnall 1973, Belgium

"Invisible"

In the thematic « Peinture »

Countrejour in the French Style, 1974, Gravure, 75 exemplaires, 99,5 × 91,5 cm © David Hockney / Courtesy Galerie Lelong

Galerie Lelong

David Hockney 1937, United Kingdom

"Impressions"

Sophie Whettnall, Invisible landscape, 2025, soie perforée, cadre cuivre, 51,5 x 40 x 3,5 cm, Photo © Isabelle Arthuis, Courtesy of the artist and Michel Rein, Paris/Brussels

Michel Rein

Sophie Whettnall 1973, Belgium

"Invisible"

Siri Derkert, Sara i fönstret, 1924, Unsigned, Oil on canvas mounted on canvas, 95.3 x 63.3 cm. Courtesy of the Artist and Andréhn-Schiptjenko. © Paulina Simon

Andréhn-Schiptjenko

Siri Derkert 1888 — 1973, Sweden

In the thematic « Women Artists »

Sophia Fassi, La sieste I, 2024, huile sur toile, 114 x 146 cm, ©Galerie Berthet-Aittouares

Berthet-Aittouarès

Eve Aschheim, Claude Buraglio, Marie-Claude Bugeaud, Sophia Fassi, Anne Ferrer, Liliane Klapisch, Vera Molnar, Nil Yalter.

--

"8 femmes"

Anne Neukamp, Diplopia, 2025. Photo Eric Tschernow. Courtesy Semiose, Paris

Semiose

Anne Neukamp 1976, Germany

"Mirror"

Laura Huertas Millán, El laberinto, 2018, 21 mins, 16 mm into HD, images founded, Courtesy de l'artiste.

Marcelle Alix

Ella C Bernard, Cécile Bouffard, Omar Castillo Alfaro, Caroline Rose Curdy, Pierre Dumaire, Laura Huertas Millán, Liz Magor, Rafael Moreno, Nicole, Hatice Pinarbaşi et Jean-Charles de Quillacq

--

"El fantasma de Tennessee"

In the tour « Marais »

Julio Villani, Lettres Brisées, 2024, Acrylique, fusain, kaolin sur toile
Courtesy RX&SLAG
ADAGP

Galerie RX&SLAG

Julio Villani 1956, Brasil

"L'eau rougie de la veine mémoire"

Stéphané Edith Conradie, Klinkende Simbaal II, 2025, Assemblage d’éléments divers, Courtesy Ceysson & Bénétière

Ceysson & Bénétière

Stephané Edith Conradie 1990, Namibia

Axel Pahlavi, Poussière de Lumière, 2025, oil on wood, 64 x 96 cm, Courtesy H Gallery, Paris

H Gallery

Axel Pahlavi 1975, Iran

"Hyperclassique" // "Abîme moderne" // " Intégrale du réel"

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