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Joachim Bandau, vue de l'exposition personnelle ''La Face cachée'', 2016, Galerie Maubert, Paris

Galerie Maubert

Martin Boyce Spook School, 2016 Giclee Photographic Prints 19 x 12,5 cm each (unframed), 21 parts 52 x 42 x 2 cm each (framed), 21 parts Courtesy the artist and Esther Schipper, Berlin/ Paris/Seoul Photo © Martin Boyce Studio

Galerie Natalie Seroussi

Galerie Max Hetzler

Sarah Crowner 1974, United States

"Tableaux en Laine, Pierres en Bronze"

  • © Sarah Crowner, courtesy the artist and Galerie Max Hetzler Berlin | Paris | London | Marfa. Photo: Thomas Lannes

© Sarah Crowner, courtesy the artist and Galerie Max Hetzler Berlin | Paris | London | Marfa. Photo: Thomas Lannes

American artist Sarah Crowner (b. 1974) is recognised for her sustained engagement with line, form, colour and materiality. Working across a breadth of media, she investigates the relationship between the individual and the whole. In her sewn canvases, Crowner emphasises the physical act of making as well as the tactility of medium; broad brush strokes swipe across sliced forms that are then sewed and joined back together.

Sarah Crowner’s work has been presented in institutional solo exhibitions including SCAD Museum of Art, Savannah (2025); Chinati Foundation, Marfa (2024); Pulitzer Arts Foundation, St. Louis; Hill Art Foundation, New York; Casa de Vidro Lina Bo Bardi, São Paulo (all 2023); Museo Amparo, Puebla; Chinati Foundation, Marfa (2022); KMAC Contemporary Art Museum, Louisville (2018); and MASS MoCA, North Adams (2016).

Solo show of Sarah Crowner

From April 26th to June 21st, 2025

 

46-57 Rue du Temple
75004 Paris, France
01 57 40 60 80 www.maxhetzler.com

The gallery

Galerie Max Hetzler is a global contemporary art gallery representing over sixty artists across six spaces in Berlin, Paris and London, with an exhibition space and artist residency in Marfa. Established in Stuttgart in 1974, in its early years the gallery championed the generation of influential German artists emerging at the time including Albert Oehlen, Günther Förg and Martin Kippenberger and their international counterparts Christopher Wool, Jeff Koons, Robert Gober and Cady Noland amongst others. Over several decades, Galerie Max Hetzler has expanded, having worked with nearly 175 artists and representing a strong core of leading international artists and supporting the legacy of several estates. The gallery’s programme is conceived as a fruitful dialogue between established artists and younger generations; representing a constantly evolving discourse.

Gallery artists

DARREN ALMOND, GIULIA ANDREANI, KAREL APPEL, LEILAH BABIRYE, MATTHEW BARNEY, LOUISE BONNET, GLENN BROWN, ANDRÉ BUTZER, ANTHONY CARO, WILLIAM N. COPLEY, SARAH CROWNER, JEREMY DEMESTER, RINEKE DIJKSTRA, CARROLL DUNHAM, CELESTE DUPUY-SPENCER, IDA EKBLAD, ELMGREEN & DRAGSET, JEFF ELROD, URS FISCHER, BARRY FLANAGAN, WALTON FORD, GÜNTHER FÖRG, KATHARINA GROSSE, ROBERT GROSVENOR, MARK GROTJAHN, RAYMOND HAINS, HANS HARTUNG, ROBERT HOLYHEAD, HANS JOSEPHSOHN, KAWS, MARTIN KIPPENBERGER, SERGEY KONONOV, JEFF KOONS, FRIEDRICH KUNATH, LIZ LARNER, JAKE LONGSTRETH, INGE MAHN , VICTOR MAN, EDDIE MARTINEZ, PAUL McCARTHY, DANIELLE MCKINNEY, BEATRIZ MILHAZES, ERNESTO NETO, FRANK NITSCHE, NAVID NUUR, ALBERT OEHLEN, ADAM PENDLETON, RICHARD PRINCE, TAL R, BRIDGET RILEY, JULIAN SCHNABEL, RAPHAELA SIMON, RUDOLF STINGEL, THOMAS STRUTH, ELEANOR SWORDY, TURSIC & MILLE, RINUS VAN DE VELDE, EDMUND DE WAAL, REBECCA WARREN, GRACE WEAVER, CHRISTOPHER WOOL, TOBY ZIEGLER

In the thematic « Art contemporain »

Crocodile Tears (détail), 2024, Bâtons à l'huile, encres, acryliques, crayons, aquarelle sur papier aquarelle Arches 300 g., 130 х 650 сm, Photo Pauline Assathiany

Traits Libres

Noé Herbet 1994, France

"Yeux sable Eau dormante"

Galerie Taménaga

Jean-Pierre Cassigneul 1935, France

"Jean-Pierre Cassigneul : Carnets intimes"

Sophie Whettnall, Invisible landscape, 2025, soie perforée, cadre cuivre, 51,5 x 40 x 3,5 cm, Photo © Isabelle Arthuis, Courtesy of the artist and Michel Rein, Paris/Brussels

Michel Rein

Sophie Whettnall 1973, Belgium

"Invisible"

In the thematic « Artistes femmes »

Anne Manoli, Sauvage est le vent, 2017, Peinture à l’huile, cire et emulsion sur toile, 158 x 198 cm

Berthet-Aittouarès

Anne Manoli, Yann Bagot, Paul Iratzoquy

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"La nature en question"

En premier plan : Cristina Almodóvar, AFFLEUREMENT ROCHEUX, 2024, Carton collé sur bois et vernis, 140 x 220 x 80 cm

En arrière plan : Cristina Almodóvar, MARCOS, Evasion, 2025, Encre sur papier encadré, carton encollé et vernis, 177 x 295 cm

Galerie Dutko

Cristina Almodóvar 1970, Spain

"Au-delà de la matière"

Sophie Whettnall, Invisible landscape, 2025, soie perforée, cadre cuivre, 51,5 x 40 x 3,5 cm, Photo © Isabelle Arthuis, Courtesy of the artist and Michel Rein, Paris/Brussels

Michel Rein

Sophie Whettnall 1973, Belgium

"Invisible"

In the thematic « Contemporary Art »

Femme Jibóia, Kássia Borges Mytara, photo Sami Korhonen @ricardofernandesgallery

Ricardo Fernandes

Kássia Borges Mytara 1962, Brazil

"'Femme Jibóia"

Georg Baselitz, Indigene liegen im Farnkraut, 2025, Oil on canvas, 300 x 430 cm (118,11 x 169,29 in), signed, dated and titled verso. Courtesy Galerie Thaddaeus Ropac, London · Paris · Salzburg · Milan · Seoul © Georg Baselitz

Thaddaeus Ropac

Georg Baselitz 1938, Germany

"Ein Bein von Manet aus Paris"

Guillaume Castel, Palma, acier Corten et inox, 19 x 25 x 29 cm, 2024, Courtesy Galerie Ariane C-Y, œuvre Guillaume Castel, ©image Gregory Copitet.

Galerie Ariane C-Y

Guillaume Castel 1980, France

"Jardin des simples"

In the thematic « Painting »

PABLO PICASSO (1881-1973), Femme agenouillée se coiffant,  1906, Numéroté : 1/10,
Porte le cachet du fondeur : C. Valsuani Cire Perdue, Bronze à patine nuancée, Hauteur : 40 cm. Succession Picasso 2025. Crédit Photo : Cécil Mathieu

HELENE BAILLY

Pablo Picasso 1881 — 1973, Spain

Alberto Magnelli, Nature morte à la fleur, 1914, Huile sur toile, 70 x 55 cm, Signée et datée « Magnelli 914 ». CourtesyGaleriePatriceTrigano

Galerie Patrice Trigano

Alberto Magnelli

"Peintures"

Michel Potage, Dans la vase, Technique Mixte, 130 x 195 cm

L'Avant Galerie Vossen

Michel Potage 1949 — 2020, France

"Michel POTAGE Peintures et Dessins"

In the thematic « Peinture »

Summer Wheat, Catching Butterflies on Grass, 2025, acrylic paint and gouache on aluminum mesh 172.7 x 119.4 cm (68 x 47 in). Courtesy Zidoun-Bossuyt Gallery

Zidoun-Bossuyt Gallery

Summer Wheat 1977, United States

"Sun Up, Sun Down"

Sophie Whettnall, Invisible landscape, 2025, soie perforée, cadre cuivre, 51,5 x 40 x 3,5 cm, Photo © Isabelle Arthuis, Courtesy of the artist and Michel Rein, Paris/Brussels

Michel Rein

Sophie Whettnall 1973, Belgium

"Invisible"

Georg Baselitz, Indigene liegen im Farnkraut, 2025, Oil on canvas, 300 x 430 cm (118,11 x 169,29 in), signed, dated and titled verso. Courtesy Galerie Thaddaeus Ropac, London · Paris · Salzburg · Milan · Seoul © Georg Baselitz

Thaddaeus Ropac

Georg Baselitz 1938, Germany

"Ein Bein von Manet aus Paris"

In the thematic « Women Artists »

École espagnole du XVIIᵉ siècle, Virgin of solitude, signé au dos MB, Huile sur toile, 145 x 104 cm.

PACT

Jure Kastelic, Clément Bataille, Victoria Oresko, Maria Adjovici, Carlo Dolci, Eugène Appert

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"Be The Holy"

Soufia Erfanian,
I Truly Love Both of You, 2024, Acrylique sur toile, 230 x 180 cm.

Galerie Christophe Gaillard

Soufia Erfanian 1990, Iran

"Lies That Bled Blue"

Zhanna Kadyrova - Strategic locations, exhibition view - GALLERIA CONTINUA, Paris (C) Hafid Lhachmi - ADAGP Paris, 2025

GALLERIA CONTINUA

Zhanna Kadyrova 1981, Ukraine

"Strategic Locations"

In the tour « Marais »

Joachim Bandau, vue de l'exposition personnelle ''La Face cachée'', 2016, Galerie Maubert, Paris

Galerie Maubert

Joachim Bandau 1936, Germany

"Solo Show''

Sophie Whettnall, Invisible landscape, 2025, soie perforée, cadre cuivre, 51,5 x 40 x 3,5 cm, Photo © Isabelle Arthuis, Courtesy of the artist and Michel Rein, Paris/Brussels

Michel Rein

Sophie Whettnall 1973, Belgium

"Invisible"

Jérôme Lagarrigue, Here I am, Huile sur toile, 65 x 65 cm, Courtesy Galerie Olivier Waltman.

Galerie Olivier Waltman

Ange-Arthur Koua, Jérôme Lagarrigue, Gastineau Massamba

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"Le rythme. Choc vibratoire de l'être"

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