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Miguel CHEVALIER, Pixels Infini (jaune - orange), 2011, Sérigraphie sur miroir sans tain, néons, 80 x 80 x 15 cm, Oeuvre unique

Galerie Lélia Mordoch

YOO Hye-Sook, M250405, 2025, acrylique et encre sur toile / acrylic and ink on canvas, 49,5 x 49,5 cm, © photo Nicolas Pfeiffer, Courtoisie Yoo Hye-Sook & Galerie Maria Lund

Galerie Maria Lund

Galerie Lelong

Arnulf Rainer 1929, Austria

"Reminiszenz"

1955-2025

  •  Arnulf Rainer
Sans titre, 1987/1988
Crayon gras et huile sur toile, 200,5 × 124 cm
© Arnulf Rainer. Courtesy Galerie Lelong

Arnulf Rainer Sans titre, 1987/1988 Crayon gras et huile sur toile, 200,5 × 124 cm © Arnulf Rainer. Courtesy Galerie Lelong

In Austria in the 1950s, Arnulf Rainer developed a particularly obsessive way of drawing and painting. In 1951, with the artist Maria Lassnig, he visited André Breton in Paris. His work, initially influenced by surrealism, evolved towards a sort of informal, radical art. In the early 1960s, he worked on his own image, furiously modifying photo booth shots, photographic self-portraits where he adopted deliberately grotesque poses. He thus was recognized as one of the main protagonists of Viennese Actionism. Then overpainting (Übermalung) became his trademark: his works are made from successive layers of paint that cover an initial image, sometimes to such an extent that it is no longer visible. This is not just a simple game, but a sort of intense ritual mobilising all the painter’s energy.

Arnulf Rainer was born in 1929 in Baden (Austria) where a museum dedicated to his work opened in 2009. He lives and works in Austria and Tenerife.

Solo show of Arnulf Rainer

From May 15th to July 11th, 2025

13 Rue de Téhéran
Paris, France
01 45 63 13 19 www.galerie-lelong.com

The gallery

The creation of the gallery in 1945 in Paris by Aimé Maeght was marked, during the first thirty years, by the presentation of major artists such as Joan Miró, Alexander Calder, Marc Chagall, Alberto Giacometti, Eduardo Chillida, Antoni Tàpies, and Francis Bacon. Upon Maeght’s passing in 1981, the gallery took its current name and was led by three equal partners: Jacques Dupin, Daniel Lelong, and Jean Frémon (J. Dupin passed away in 2012, the same year D. Lelong stepped down as president, handing over the role to J. Frémon, the current director of both the Paris and New York galleries).

From the 1980s onwards, significant artists such as Pierre Alechinsky, Louise Bourgeois, Konrad Klapheck, Jannis Kounellis, and Joan Miró, among others, joined the gallery. Galerie Lelong New York opened in 1985 and has been led since 1990 by Mary Sabbatino, expanding the program to major figures of the Latin American art scene: Alfredo Jaar, Ana Mendieta, Cildo Meireles, Hélio Oiticica, and Zilia Sánchez.

Today, the gallery continues its history, showcasing leading artists from the global art scene such as Etel Adnan, Marc Desgrandchamps, Leonardo Drew, Barry Flanagan, Günther Förg, Hyunsun Jeon, David Hockney, Nalini Malani, David Nash, Jaume Plensa, Arnulf Rainer, Paula Rego, Christine Safa, Kiki Smith, Nancy Spero, and Barthélémy Toguo.

The gallery has developed the production of monumental sculptures intended for public spaces with artists such as Jaume Plensa, Ursula von Rydingsvard, and Jean Dubuffet, thanks to a privileged relationship with the Dubuffet Foundation.

Gallery artists

Etel Adnan, Pierre Alechinsky, Karel Appel, James Brown, Eduardo Chillida, Nicola De Maria, Marc Desgrandchamps, Leonardo Drew, Jean Dubuffet, Simone Fattal, Barry Flanagan, Günther Förg, Ficre Ghebreyesus, Andy Goldsworthy, Sarah Grilo, Jane Hammond, David Hockney, Frank Horvat, Jean-Baptiste Huynh, Konrad Klapheck, Jiri Kolàr, Jannis Kounellis, Nalini Malani, Ana Mendieta, Henri Michaux, Joan Miró, David Nash, Ernest Pignon-Ernest, Jaume Plensa, Arnulf Rainer, Paula Rego, Alison Saar, Christine Safa, Sean Scully, Kate Shepherd, Kiki Smith, Nancy Spero, Antoni Tàpies, Mildred Thompson, Barthélémy Toguo, Richard Tuttle, Juan Uslé, Marion Verboom, Fabienne Verdier, Ursula von Rydingsvard, Jan Voss, Wang Yan Cheng

In the thematic « Contemporary Art »

Photo by Matt Emonson

Galerie Lelong

Alison Saar 1956, United States

"Sweet Life"

Joris Van de Moortel
music enjoys direct access to the soul, has an immediate echo of response since we have music within ourselves, 2025, Huile sur lin et cadre en acier de l’artiste avec deux sculptures de tête faites en résine acrylique et patine effet bronze (une avec le nez droit et une avec le nez cassé)

Galerie Nathalie Obadia

Joris Van de Moortel 1983, Belgium

"Le poids du ciel illumine la terre"

Ahmed Legs, framed photography by ©️Hassan Hajjaj, 2022_1443. Courtesy of Ahmed, Hassan Hajjaj Studio & 193 Gallery

193 Gallery

Hassan Hajjaj 1961, Morocco

"Legs"

In the thematic « Painting »

Yves Klein, L’Esclave mourant d’après Michel-Ange, 1962

Galerie Jean-François Cazeau

Eduardo Arroyo, César, Gaston Chaissac, Paul Delvaux, Leonor Fini, Gen Paul, Henri Hayden, Auguste Herbin, Marcel Janco, Paul Klee, Yves Klein, Jean Lacombe, Fernand Léger, Eugène Leroy, Aristide Maillol, André Masson, Amedeo Modigliani, Pablo Picasso, Paul Elie Ranson, Auguste Renoir, Ker-Xavier Roussel, Niki de Saint-Phalle, Kees Van Dongen

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"La Figuration dans tous ses états"

Countrejour in the French Style, 1974, Gravure, 75 exemplaires, 99,5 × 91,5 cm © David Hockney / Courtesy Galerie Lelong

Galerie Lelong

David Hockney 1937, United Kingdom

"Impressions"

© Sarah Crowner, courtesy the artist and Galerie Max Hetzler Berlin | Paris | London | Marfa. Photo: Thomas Lannes

Galerie Max Hetzler

Sarah Crowner 1974, United States

"Tableaux en Laine, Pierres en Bronze"

In the tour « Matignon »

Titina Maselli, Calciatori e città, 1973, Acrylic on canvas

Galerie Raphaël Durazzo

Titina Maselli 1924 — 2005, Italy

"Panta Rhei – Everything flows"

Martin Boyce, Drawn from Depths, 2025 (détail), acier peint, acier galvanisé, verre soufflé à la main, composants électriques, installation : 300 x 200 x 200 cm. Production du verre : Cirva, Marseille. Courtesy de l’artiste et Esther Schipper Berlin/Paris/Séoul. Photo © Eoin Carey

Esther Schipper

Martin Boyce 1967, Scotland

"Unhome"

Countrejour in the French Style, 1974, Gravure, 75 exemplaires, 99,5 × 91,5 cm © David Hockney / Courtesy Galerie Lelong

Galerie Lelong

David Hockney 1937, United Kingdom

"Impressions"

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