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29 • 30 • 31 May 2026

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James CHEDBURN - Navy cut, 2026 - Mixed media - 29 x 14 x 8 cm © Jean-François Deroubaix

Galerie Lélia Mordoch

Maurice Baskine, Sans titre, circa 1955
huile et plâtre sur panneau, 116 x 89 cm, signé « Baskine » en bas à droite, contresigné
« Maurice Baskine » au dos. Provenance collection Arturo Schwarz.
Œuvre prêtée pour l’exposition du centenaire Surréalisme au Centre Pompidou, septembre 2024

Galerie Les Yeux Fertiles

Galerie Lelong

Paula Rego 1935 — 2022, Portugal

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"Drawing from Life"

"Life Room III (red)", 2005 Lithograph, stage proof hand-colored by the artist, 76 × 56.6 cm © The Estate of Paula Rego. Courtesy Ostrich Arts Ltd, Cristea Roberts Gallery and Galerie Lelong

This new Paula Rego exhibition at Galerie Lelong focuses on an intense three-year period (2005–2007) which the artist spent in her London studio, devoting herself almost exclusively to drawing and lithography. Having just turned 70, she appreciated the immediacy of these two mediums, which enabled her to explore darker and more complex themes than ever before.

Paula Rego was an avid reader, particularly of novels, tales and legends. She had previously drawn inspiration from Jane Eyre, Peter Pan, and others. The Prince Pig series offers an incisive exploration of the moral of The King of Pigs, a sixteenth-century tale by the Venetian writer Straparola. The pig, an anthropomorphic figure which is omnipresent in her work, was her favourite animal; it reminded her of the one her grandparents had raised during her childhood in Portugal, which she had become attached to, and which was one day put to death.

Another reference present in some of the works on display is Paula Rego’s connection with the playwright Martin McDonagh, especially his play The Pillowman and a series of unpublished short stories he gave her to read. These narratives became a means for her to freely express her own story, excavating childhood memories and an inner world filled with contradictions, conflicts and personal crises. This gave rise to works such as Shakespeare’s Room, Scarecrow, Turtle Hands…

Drawing from Life is Paula Rego’s third exhibition at Galerie Lelong. We would like to thank Nick Willing, the artist’s son, and the Cristea Roberts Gallery (London), who have made this exhibition possible.

Paula Rego was born in Lisbon in 1935 and died in London in 2022. Having fled Salazar’s totalitarian regime in 1951 to study art in the United Kingdom, she found herself immersed in the stimulating atmosphere of the English art scene of the time. She was the only female artist in the London School, alongside figures such as Francis Bacon, Lucian Freud, Frank Auerbach and Leon Kossoff.

In 2018, a major exhibition was dedicated to her at the Musée de l’Orangerie in Paris, The Cruel Stories of Paula Rego. A major retrospective is being presented at the Munchmuseet in Oslo from April 24th.

Her work is featured in numerous collections, including those of the Centro de Arte Reina Sofía, Madrid; the Metropolitan Museum, New York; the Museum of Modern Art, New York; the British Museum, London, UK; the National Gallery, London; and the Tate Modern, London.

Solo show of Paula Rego

From May 21 to July 11, 2026

38 Avenue Matignon
Paris, France
0171722699 galerie-lelong.com

The gallery

The creation of the gallery in 1945 in Paris by Aimé Maeght was marked, during the first thirty years, by the presentation of major artists such as Joan Miró, Alexander Calder, Marc Chagall, Alberto Giacometti, Eduardo Chillida, Antoni Tàpies, and Francis Bacon. Upon Maeght’s passing in 1981, the gallery took its current name and was led by three equal partners: Jacques Dupin, Daniel Lelong, and Jean Frémon (J. Dupin passed away in 2012, the same year D. Lelong stepped down as president, handing over the role to J. Frémon, the current director of both the Paris and New York galleries).

From the 1980s onwards, significant artists such as Pierre Alechinsky, Louise Bourgeois, Konrad Klapheck, Jannis Kounellis, and Joan Miró, among others, joined the gallery. Galerie Lelong New York opened in 1985 and has been led since 1990 by Mary Sabbatino, expanding the program to major figures of the Latin American art scene: Alfredo Jaar, Ana Mendieta, Cildo Meireles, Hélio Oiticica, and Zilia Sánchez.

Today, the gallery continues its history, showcasing leading artists from the global art scene such as Etel Adnan, Marc Desgrandchamps, Leonardo Drew, Barry Flanagan, Günther Förg, Hyunsun Jeon, David Hockney, Nalini Malani, David Nash, Jaume Plensa, Arnulf Rainer, Paula Rego, Christine Safa, Kiki Smith, Nancy Spero, and Barthélémy Toguo.

The gallery has developed the production of monumental sculptures intended for public spaces with artists such as Jaume Plensa, Ursula von Rydingsvard, and Jean Dubuffet, thanks to a privileged relationship with the Dubuffet Foundation.

Gallery artists

Etel Adnan, Pierre Alechinsky, Karel Appel, James Brown, Eduardo Chillida, Nicola De Maria, Marc Desgrandchamps, Leonardo Drew, Jean Dubuffet, Simone Fattal, Barry Flanagan, Günther Förg, Ficre Ghebreyesus, Andy Goldsworthy, Sarah Grilo, Jane Hammond, David Hockney, Frank Horvat, Jean-Baptiste Huynh, Konrad Klapheck, Jiri Kolàr, Jannis Kounellis, Nalini Malani, Ana Mendieta, Henri Michaux, Joan Miró, David Nash, Ernest Pignon-Ernest, Jaume Plensa, Arnulf Rainer, Paula Rego, Alison Saar, Christine Safa, Sean Scully, Kate Shepherd, Kiki Smith, Nancy Spero, Antoni Tàpies, Mildred Thompson, Barthélémy Toguo, Richard Tuttle, Juan Uslé, Marion Verboom, Fabienne Verdier, Ursula von Rydingsvard, Jan Voss, Guy Yanai, Wang Yan Cheng

In the thematic « Contemporary art »

Photo by Matt Emonson

Galerie Lelong

Alison Saar 1956, United States

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Pierre Soulages,

Perrotin

Hans Hartung & Pierre Soulages

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To be titled, Bernard Frize, 2026, Acrylic and resin on canvas, 122 x122 cm © Bernard Frize

Perrotin

Bernard Frize 1949, France

In the thematic « Drawing »

Kees van Dongen, Composition Florale, Avec Une Pipe, circa 1945-1950 © HELENE BAILLY MARCILHAC

HELENE BAILLY MARCILHAC

Kees van Dongen 1877 — 1968, Netherlands

Alina Szapocznikow
Autoportrait, vers 1967
Résine de polyester et photographie
13,5 × 12,5 × 3 cm
Courtesy The Estate of Alina Szapocznikow | Galerie Loevenbruck, Paris | Hauser & Wirth

Loevenbruck

Alina Szapocznikow 1926 — 1973, Poland

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"Autobiography in Fragments. 100 Years Alina Szapocznikow"

Glen Baxter,

Semiose

Glen Baxter 1990, Belgium

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In the thematic « Painting »

Galerie Dominique Fiat

Kevork Mourad 1970

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"Sailing to Nowhere"

Galerie Arnaud Lefebvre

40 years — Group show

Iroha, 2023, Iroha, 2023, Kitai Kazuo,
Courtesy Galerie Écho 119

écho 119

Kazuo Kitai 1944, China

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"Kazuo Kitai : I.RO.HA 1.2.3"

In the thematic « Women artists »

Karla Leyva
Aurora soñando, 2026
Acrylique, graphite, gouache et aquarelle sur coton monté sur châssis en bois
15 × 11 × 2 cm (6 × 4½ × 1 in)
Œuvre unique
Crédit photo : Simon vogel

Galerie Droste

All That She Holds Inside — Group show

Gérard SCHNEIDER (1896 - 1986),
Opus 50E, 1960
oil on canvas, Signed and dated on the lower left : «Schneider 11-60»
97 x 130 cm

Galerie Jean-François Cazeau

Maîtres du XXe siècle — Group show

Who Loves the Sun, 2023  © Laura Letinsky / Galerie Miranda

GALERIE MIRANDA

Laura Letinsky 1962, Canada

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"Le plaisir d’objets solides et de bribes d’informations inutiles"

In the tour « Matignon »

Rosson Crow, The Swell, 2025, Acrylique, transfert photographique et huile sur toile
182,9 x 213,4 cm
Crédits photo: © Rosson Crow

Galerie Nathalie Obadia

Rosson Crow 1982, France

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"La Rupture"

Francisco Tropa, Cheminée, 2025, painted plywood, patinated bronze, screen print on plywood,
158 x 90 x 30 cm unique, courtesy of the artist and Galerie Jocelyn Wolff, photo : Pedro Tropa

Galerie Jocelyn Wolff

Francisco Tropa 1968, Portugal

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"MISS AMERICA"

Paul McCarthy, SS EE, Kandinsky, D4 #1
2025, Charcoal, pastel, paint marker, collage
and tape on
paper,
322.6 x 279.4 cm,
© Paul McCarthy, Photo : Fredrik Nilsen

Hauser & Wirth

Paul McCarthy

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"SS EE Saint Santa Eva Elf Drawing Sessions 2025 with Lilith Stangenberg"

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