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Simon Hantaï, Blancs, 1974, acrylique sur toile 192 x 180 cm

Galerie Larock-Granoff

Photo by Matt Emonson

Galerie Lelong

Galerie Lélia Mordoch

Miguel Chevalier, Keren, Julio Le Parc, Jean-Claude Meynard

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"Fractales Toujours"

  • Miguel CHEVALIER, Pixels Infini (jaune - orange), 2011, Sérigraphie sur miroir sans tain, néons, 80 x 80 x 15 cm, Oeuvre unique

Miguel CHEVALIER, Pixels Infini (jaune - orange), 2011, Sérigraphie sur miroir sans tain, néons, 80 x 80 x 15 cm, Oeuvre unique

Fractales toujours or the art of infinity

Abstract, mathematical, geometrical, theological and philosophical… Infinity is fun. We don’t really know what it is. We don’t know where it begins or ends ; It has neither tail nor head, neither alpha nor omega. And infinity on infinity doesn’t always add up to one, because there isn’t just one infinite. There are many, as many as you like… There are an unlimited number of infinities.

Whether a lazy figure eight or a snake coiled around itself in eternal return, it’s synonymous with freedom : “The freedom of others being infinitely mine”, as Bakunin put it.

You can wander through the folds of time, as in Dune. At times, philosophers, lost before this transcendental notion, have encountered God, the stumbling block of the universe, who has enabled them to start afresh and avoid chaos.

Fractals provide a plastic representation of infinity : They create a sensory space where we invite you to join us with Miguel Chevalier, Keren, Julio Le Parc and Jean-Claude Meynard.

Group show with Miguel Chevalier, Keren, Julio Le Parc, Jean-Claude Meynard

From May 23rd to June 28th, 2025

50 Rue Mazarine
Paris, France
01 53 10 88 52 www.leliamordoch.com

The gallery

Founded in 1989, the Lélia Mordoch gallery presents the work of renown artists as emerging artists. She is constantly innovating while remaining faithful to her aesthetic line: abstraction, kinetic art and above all poetry. From pixel to voxel, from wall sculpture to nano sculpture, as well as urban art, the Lélia Mordoch gallery invites you to discover the work of contemporary artists who express themselves with both new technologies and traditional mediums, as well as great masters of moving art.

Gallery artists

L’atlas, James Chedburn, Jose Arellano, Miguel Chevalier, Horacio Garcia Rossi, Joël Stein, François Monchâtre, Rivas & Wloch, Miss Tic, François Morellet, Daniel Fiorda, Julio Le Parc, Irina Closson, Francisco Sobrino, Sébastien Mehal, Serty 31, Alain Le Boucher, Pétra Werlé, Sascha Nordmeyer, SunMi Kim, Michel Paysant, Patrick Hughes

In the thematic « Contemporary Art »

Jeanne Vicerial, Présence Amnios, 2025, Cordes, fils, cuivre et laiton doré à l'or fin, Photographie : Laurent Edeline, Courtesy TEMPLON, Paris-Bruxelles-New York

TEMPLON, Paris-Bruxelles-New York

Jeanne Vicerial 1991, France

"Nymphose"

Adam et Eve, 2020-2021, bois, caisses de munitions, diptyque : 242 x 99 x 12 cm / 244 x 100 x 10,5 cm.

RABOUAN MOUSSION

Dimitri Tsykalov 1963, Rusia

"ELEMENTS"

Renaud Auguste-Dormeuil, Le Tourbillon de la Vie #01, 2013, Impression Lambda contrecollée sur aluminium, 120 x 150 cm, Edition de 5 ex + 1 AP, © Renaud Auguste-Dormeuil, Courtesy de l'artiste & galerie In Situ - fabienne leclerc, Grand Paris

galerie Sator

Renaud Auguste-Dormeuil, Djabril Boukhenaïssi, Raphaël Denis, Alessandro Di Lorenzo, Gabriel Leger, Éric Manigaud, Bruno Pélassy, Kelly Sinnapah Mary, Thiên Ngoc Ngo Rioufol

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"De l'effacement de la figure humaine"

In the thematic « Painting »

Georg Baselitz, Indigene liegen im Farnkraut, 2025, Oil on canvas, 300 x 430 cm (118,11 x 169,29 in), signed, dated and titled verso. Courtesy Galerie Thaddaeus Ropac, London · Paris · Salzburg · Milan · Seoul © Georg Baselitz

Thaddaeus Ropac

Georg Baselitz 1938, Germany

"Ein Bein von Manet aus Paris"

Pieter Jennes, Il me tarde, 2025, Huile et collage sur toile / Oil and collage on canvas
190 × 170 cm / 74 13/16 × 66 15/16 inches
192 × 172 × 4 cm / 75 9/16 × 67 11/16 × 1 9/16 inches (encadré / framed)

Semiose

Pieter Jennes 1990, Belgium

"Le Bouquet manquant"

Anne Neukamp, Diplopia, 2025. Photo Eric Tschernow. Courtesy Semiose, Paris

Semiose

Anne Neukamp 1976, Germany

"Mirror"

In the thematic « Sculpture »

Robert Irwin, #3 x 6' D Four Fold, 2016
© ARS, NY and DACS, London 2025.
Photo: Philipp Scholz Ritterman. Courtesy of the Estate of Robert Irwin

WHITE CUBE

Robert Irwin 1928 — 2023, United States

"Robert Irwin"

Mircea Cantor, Chaplet, 2007-2025, Wall drawing in typographic ink wall (in situ), variable dimensions, Pas de credit photo, Courtesy of the Artist and Dvir Gallery

Dvir Gallery

Miroslaw Balka, Marianne Berenhaut, Mircea Cantor, Florian Pumhösl

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"bluebird"

Diego Bianchi, Jacobsen, 2019, chrome pipes, wood, plastic, 181 x 150 x 80 cm

Galerie Jocelyn Wolff

Diego Bianchi 1969, Argentina

"ThéâtrEErreuR"

In the tour « Saint-Germain-des-Prés »

Alberto Magnelli, Nature morte à la fleur, 1914, Huile sur toile, 70 x 55 cm, Signée et datée « Magnelli 914 ». CourtesyGaleriePatriceTrigano

Galerie Patrice Trigano

Alberto Magnelli

"Peintures"

Sophia Fassi, La sieste I, 2024, huile sur toile, 114 x 146 cm, ©Galerie Berthet-Aittouares

Berthet-Aittouarès

Eve Aschheim, Claude Buraglio, Marie-Claude Bugeaud, Sophia Fassi, Anne Ferrer, Liliane Klapisch, Vera Molnar, Nil Yalter.

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"8 femmes"

 Installation view, Zander Galerie, Cologne 2024, featuring works by Ed Ruscha: If You Ever Tell I'll Hurt Your Mama Real Real Bad, 1994, If No Cash By Noon You Will Have Visitors, 1997, Do As Told Or Suffer, 1997, and A Columbian Necklace for You, 1997.

Zander Galerie

Ed Ruscha 1937, United States

"Cityscapes"

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