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29 • 30 • 31 May 2026

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Léonore Chastagner, Sans titre, 2025, Céramique, 21 x 17 x 5,5 cm, ©Ici Au Loin, Courtesy de l'artiste et Galerie Anne-Sarah Bénichou

Galerie Anne-Sarah Bénichou

Hessie

Galerie Arnaud Lefebvre

Galerie Ariane C-Y

Guillaume Castel 1980, France

"Jardin des simples"

  • Guillaume Castel, Palma, acier Corten et inox, 19 x 25 x 29 cm, 2024, Courtesy Galerie Ariane C-Y, œuvre Guillaume Castel, ©image Gregory Copitet.

Guillaume Castel, Palma, acier Corten et inox, 19 x 25 x 29 cm, 2024, Courtesy Galerie Ariane C-Y, œuvre Guillaume Castel, ©image Gregory Copitet.

Jardin des simples brings together new works by Guillaume Castel: sculptures and inks. Nature plays a central role in the artist’s work. In botany, simples are medicinal herbs. Gardens made up of these plants, with the addition of a few aromatics, form gardens of simples.

Jardin des simples plays on the polysemy of the term simple. The adjective designates natural honesty and spontaneous uprightness. Guillaume Castel’s works are striking in their simplicity: they draw from nature.

To extend the exhibition, the public will be able to see one of Guillaume Castel’s works at the second Grandeur Nature Biennial at the Château de Fontainebleau.

Solo show of Guillaume Castel

From May 19th to June 20th, 2025

Rendez-Vous

Friday 23 May 2025 at 6:00 pm

Guided tour – Galerie Ariane C-Y

View all events
21 Rue Chapon
Paris, France
arianecy.com

The gallery

Galerie Ariane C-Y focuses on emerging French and international contemporary art: drawing, painting, sculpture and embroidery. The gallery supports ultra-contemporary creation. Each exhibition project is designed in close collaboration with the artist. The themes explored by the gallery highlight a form of contemporary intimacy. They relate to the body, home or nature. The artists represented by the gallery are strongly rooted in the History of art. The gallery is located at 21 rue Chapon in Paris, in Le Marais. As an art historian, graduated from École du Louvre, Ariane C-Y publishes catalogues that reflect her constant dialogue with the artists. Galerie Ariane C-Y has participated in fairs since its creation in 2014, both in France and abroad. In recent years, it has notably been present at Art Paris, Luxembourg Art Week, Drawing Now, PAN Amsterdam and Ceramic Brussels. The gallery is open all year long from Wednesday to Saturday and on Tuesday by appointment only.

Gallery artists

Camille Brès, Iván Cantos-Figuerola, Guillaume Castel, Franck Gabarrou, Clémentine Margheriti, Connor Newsome, William Wright, Samuel Yal

In the thematic « Art contemporain »

Tirdad Hashemi, The collapse of years of hiding,(Transbodies), 2025, Acrylique sur toile, Acrylic on canvas, 189 x 255 cm, 74 3/8 x 100 3/8 inches,(THa008)

Galerie Christophe Gaillard

Tirdad Hashemi 1991, Iran

"Butchered Bodies"

Kiki Smith, 
Columba, 2025, 
bronze, 
50

Galerie Lelong

Kiki Smith 1954

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"Flight"

In Situ - Fabienne Leclerc

SEAHAVEN — Group show

In the thematic « Contemporary Art »

 Kishio Suga, Branches of Critical Boundary, 1974 © Kishio Suga

Mendes Wood DM

Kishio Suga 1944, Japan

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"Kishio Suga"

Ruben Pang, Sans Titre, 2024, 22O x 150 cm.

PACT

Ruben Pang 1990, Singapore

"Némésis"

5 bis, Courtesy of the Artist and mor charpentier. Exhibition view from Sharjah Biennial, 2025

mor charpentier

Rossella Biscotti 1978, Argentina

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In the thematic « Ecological Art »

Siri Derkert, Sara i fönstret, 1924, Unsigned, Oil on canvas mounted on canvas, 95.3 x 63.3 cm. Courtesy of the Artist and Andréhn-Schiptjenko. © Paulina Simon

Andréhn-Schiptjenko

Siri Derkert 1888 — 1973, Sweden

Et que le temps est devenu sourd, 2025, poplar, vines (lierre, ivy), wire, industrial materials, charcoal, Installation at Chapelle des Dames Blanches in La Rochelle,  Photo: Misha Gudwin

Traits Libres Gallery

Louis Guillaume 1995, France

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Femme Jibóia, Kássia Borges Mytara, photo Sami Korhonen @ricardofernandesgallery

Ricardo Fernandes

Kássia Borges Mytara 1962, Brazil

"'Femme Jibóia"

In the thematic « Emerging Art »

Léonore Chastagner, Sans titre, 2025, Céramique, 21 x 17 x 5,5 cm, ©Ici Au Loin, Courtesy de l'artiste et Galerie Anne-Sarah Bénichou

Galerie Anne-Sarah Bénichou

Léonore Chastagner 1992, France

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"Ce qu'il faut aimer est absent"

Photo credit: Gaïa Lamarre.

Air de Paris

Mona Filleul 1993, France/Switzerland

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"Air de Tranny"

Javier Ruiz Pérez, Girasoles, Oil on canvas, 50 x 40 cm, 2025, Unique

Galerie Droste

Javier Ruiz Pérez 1989, Spain

"QUISE SER UN ELEFANTE ASUSTADO"

"I Wanted to Be a Scared Elephant"

In the thematic « Scène émergente »

Quel salaud, il veut lui voler son chapeau, 2026
Huile sur toile
200 x 230 cm
© Gregory Copitet
Courtesy Victor Garel et galerie Sator

galerie Sator

Victor Garel

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"Fatrasie"

Stéphané Edith Conradie, Klinkende Simbaal II, 2025, Assemblage d’éléments divers, Courtesy Ceysson & Bénétière

Ceysson & Bénétière

Stephané Edith Conradie 1990, Namibia

Famakan Magassa, L’AMOUR ET LA JUSTICE, Acrylique et pastel à l'huile sur toile, 150 X 130 CM, 2025, copyright galerie Sabine Bayasli

Galerie Sabine Bayasli

Famakan Magassa 1997, Mali

"La vie est un compte"

In the thematic « Sculpture »

Morgane Porcheron, Feuilles en grille #3 - 2023 Plâtre, encres, courtesy Ségolène Brossette Galerie

Ségolène Brossette Galerie

"Les empreintes silencieuses" — Group show



Anne Wenzel, Requiem of Heroism (monument II), 2010, Ceramic and wood, 45 x 63 x 58 cm, Courtesy of the artist and and Galerie Suzanne Tarasieve, Paris

Galerie Suzanne Tarasieve

Anne Wenzel, Otto Dix

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"Anne Wenzel x Otto Dix"

Iván Navarro, The Eye, 2025, Néon, bois, courant électrique/ Neons, wood and electric energy, 120 × 140 cm — 47 1/4 × 55 in.
Photographie : Thelma Garcia. Courtesy TEMPLON, Paris-Bruxelles-New York

TEMPLON, Paris-Bruxelles-New York

Iván Navarro 1972, Chile

"Cyclops"

In the tour « Marais »

Famakan Magassa, L’AMOUR ET LA JUSTICE, Acrylique et pastel à l'huile sur toile, 150 X 130 CM, 2025, copyright galerie Sabine Bayasli

Galerie Sabine Bayasli

Famakan Magassa 1997, Mali

"La vie est un compte"

Siri Derkert, Sara i fönstret, 1924, Unsigned, Oil on canvas mounted on canvas, 95.3 x 63.3 cm. Courtesy of the Artist and Andréhn-Schiptjenko. © Paulina Simon

Andréhn-Schiptjenko

Siri Derkert 1888 — 1973, Sweden

Glen Baxter, There were times when i began to think I might just be in the wrong profression, 2010. Courtesy Semiose

Semiose

Glen Baxter 1990, Belgium

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