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29 • 30 • 31 May 2026

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Afaf Zurayk, untitled, watercolour and crayon on canvas, 40x40cm. Courtesy of the artist.

15 Beautreillis

Jean-Baptiste Caron, Carton 2, Courtesy of the artist

22,48 m²

193 Gallery

Rafael Domenech 1989, Cuba/United States

"Flowers blooming on acid"

  • Rafael Domenech,

Rafael Domenech, "The elliptical hour", 2025. Archival inkjet print on synthetic paper, commercial vinyl, plywood, bookcloth, archival adhesive, 173 x 112 cm. Photo courtesy of the artist and 193 Gallery

Carte blanche granted to Jérôme Sans

For his first monographic exhibition in Paris at the 193 Gallery, Rafael Domenech draws a new space within that of the gallery, creating entirely different possibilities in an otherwise generic white cube. Planting the seeds for a new story and context, he divides the space with wooden walls that act like folding screens – an object which traditionally holds an important place in art history. Like floating paintings in space, the architectural device is both a work of art in itself, and a recipient for other works mounted on its walls as well as contained inside it, in the manner of a Russian Doll.
As is Rafael Domenech’s custom, when creating new spaces, everything inside them, with no exception, becomes a work of art. From the outset, he thwarts categories, entirely reversing the traditional principles of an exhibition and the status of an artwork. Labyrinthine, circulatory, his redesigned space allows for multiple entrances, circulations, itineraries. Every possible passage creates new combinations, unexpected encounters, fresh dialogues between one work and the next.
Far from being linear, or easily disclosing itself, “Flowers Blooming on Acid” is an “open exhibition”, in the Umberto Ecco sense, where scenarios, interpretations, and experiences are intrinsically plural.

Solo show of Rafael Domenech

From April 1st to May 31st, 2025

Rendez-Vous

Saturday 24 May 2025 at 11:00 am

Brunch – 193 Gallery

Sunday 25 May 2025 at 2:30 pm

Guided tour – 193 Gallery

View all events
24 Rue Béranger
Paris, France
01 45 31 54 16 193gallery.com

The gallery

Founded in 2018, the 193 Gallery, based in Paris and Venice, aims to offer a global tour of contemporary art and to showcase the diversity of art scenes worldwide, with a particular focus on Southern scenes (Caribbean, Africa, Latin America, Southeast Asia).

Guided by the discovery and affirmation of diverse identities, the gallery supports a program aimed at fostering dialogue between different regions of the world, proposing a vision of art that transcends traditional Western interpretations. We are committed to promoting diversity by highlighting unique perspectives and celebrating the cultural richness of each continent.

The 193 Gallery participates in numerous prestigious art fairs (Untitled Miami, Arco Madrid, Zona Maco, Art Paris, Art Monte Carlo, Art Genève, Expo Chicago, Tokyo Gendai, Paris Photo, KIAF Seoul, Shanghai WestBund, Dallas Art Fair, 1-54 Marrakech / New York / London) and supports its artists in various biennales. In 2024, we are proud to present the exhibition "Passengers in Transit" a Collateral Event of the 60th International Art Exhibition - La Biennale di Venezia.

Gallery artists

Ben Arpéa, Valentina Canseco, Aldo Chaparro, Joana Choumali, Zoila Andrea Coc-Chang, Christa David, Modou Dieng Yacine, Sesse Elangwe, Jade Fenu, Adler Guerrier, Hassan Hajjaj, Jean-Marc Hunt, Thandiwe Muriu, Shinji Nagabe, Hyacinthe Ouattara, Javier Toro Blum, Rob Tucker, Lorenzo Vitturi

In the thematic « Art contemporain »

Crocodile Tears (détail), 2024, Bâtons à l'huile, encres, acryliques, crayons, aquarelle sur papier aquarelle Arches 300 g., 130 х 650 сm, Photo Pauline Assathiany

Traits Libres

Noé Herbet 1994, France

"Yeux sable Eau dormante"

Summer Wheat, Catching Butterflies on Grass, 2025, acrylic paint and gouache on aluminum mesh 172.7 x 119.4 cm (68 x 47 in). Courtesy Zidoun-Bossuyt Gallery

Zidoun-Bossuyt Gallery

Summer Wheat 1977, United States

"Sun Up, Sun Down"

En premier plan : Cristina Almodóvar, AFFLEUREMENT ROCHEUX, 2024, Carton collé sur bois et vernis, 140 x 220 x 80 cm

En arrière plan : Cristina Almodóvar, MARCOS, Evasion, 2025, Encre sur papier encadré, carton encollé et vernis, 177 x 295 cm

Galerie Dutko

Cristina Almodóvar 1970, Spain

"Au-delà de la matière"

In the thematic « Carte blanche »

Femme Jibóia, Kássia Borges Mytara, photo Sami Korhonen @ricardofernandesgallery

Ricardo Fernandes

Kássia Borges Mytara 1962, Brazil

"'Femme Jibóia"

Tai Shani, Our Astrolatrous Commune, 2023 © Fabio Mantegna

Galerie Suzanne Tarasieve

Carte blanche à Camille Bréchignac

--

Tai Shani 1976, England

Anne Manoli, Sauvage est le vent, 2017, Peinture à l’huile, cire et emulsion sur toile, 158 x 198 cm

Berthet-Aittouarès

Anne Manoli, Yann Bagot, Paul Iratzoquy

--

"La nature en question"

In the thematic « Installation »

Jean-Baptiste Caron, Carton 2, Courtesy of the artist

22,48 m²

Jean-Baptiste Caron 1983, France

"FORCES EN PRÉSENCE"

En premier plan : Cristina Almodóvar, AFFLEUREMENT ROCHEUX, 2024, Carton collé sur bois et vernis, 140 x 220 x 80 cm

En arrière plan : Cristina Almodóvar, MARCOS, Evasion, 2025, Encre sur papier encadré, carton encollé et vernis, 177 x 295 cm

Galerie Dutko

Cristina Almodóvar 1970, Spain

"Au-delà de la matière"

Diego Bianchi, Jacobsen, 2019, chrome pipes, wood, plastic, 181 x 150 x 80 cm

Galerie Jocelyn Wolff

Diego Bianchi 1969, Argentina

"ThéâtrEErreuR"

In the thematic « Latin America's Art Scene »

MAX ERNST & JOAQUÍN FERRER - Les surprises du hasard exhibition view, Galleria Continua / Paris Matignon. Photo: © Paul Hennebelle. Paris ADAGP 2025

GALLERIA CONTINUA

Max Ernst & Joaquín Ferrer

--

"Les surprises du hasard"

Laura Huertas Millán, El laberinto, 2018, 21 mins, 16 mm into HD, images founded, Courtesy de l'artiste.

Marcelle Alix

Ella C Bernard, Cécile Bouffard, Omar Castillo Alfaro, Caroline Rose Curdy, Pierre Dumaire, Laura Huertas Millán, Liz Magor, Rafael Moreno, Nicole, Hatice Pinarbaşi et Jean-Charles de Quillacq

--

"El fantasma de Tennessee"

Paula Siebra, Mesa de cabeceira com revólver, luvas e flor | Table de chevet avec revolver, gants et fleur, 2025, huile sur toile, 30 x 40 cm, MW.PSI.267, Photo credit: EstudioEmObra, Courtesy of the artist and Mendes Wood DM, São Paulo, Brussels, Paris, New York, Copyright The Artist

Mendes Wood DM

Paula Siebra 1998, Spain

"O estranho familiar"

In the tour « Marais »

Hans Josephsohn, Untitled, 1971, Brass, 66 x 218 x 59 cm (25,98 x 85,83 x 23,23 in), Ed. 2 of 6 + 2 AP, Courtesy Galerie Thaddaeus Ropac, London · Paris · Salzburg · Milan · Seoul
© Josephsohn Estate

Thaddaeus Ropac

Hans Josephsohn 1920 — 2012, Switzerland

"Sculptures 1952 - 2002"

Liliana Porter, Red Sand, 2021 - Courtesy of the artist and mor charpentier Paris.

mor charpentier

Liliana Porter 1941, Argentina

"Almost There"

Famakan Magassa, L’AMOUR ET LA JUSTICE, Acrylique et pastel à l'huile sur toile, 150 X 130 CM, 2025, copyright galerie Sabine Bayasli

Galerie Sabine Bayasli

Famakan Magassa 1997, Mali

"La vie est un compte"

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