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Afaf Zurayk, untitled, watercolour and crayon on canvas, 40x40cm. Courtesy of the artist.

15 Beautreillis

Jean-Baptiste Caron, Carton 2, Courtesy of the artist

22,48 m²

193 Gallery

Rafael Domenech 1989, Cuba/United States

"Flowers blooming on acid"

  • Rafael Domenech,

Rafael Domenech, "The elliptical hour", 2025. Archival inkjet print on synthetic paper, commercial vinyl, plywood, bookcloth, archival adhesive, 173 x 112 cm. Photo courtesy of the artist and 193 Gallery

Carte blanche granted to Jérôme Sans

For his first monographic exhibition in Paris at the 193 Gallery, Rafael Domenech draws a new space within that of the gallery, creating entirely different possibilities in an otherwise generic white cube. Planting the seeds for a new story and context, he divides the space with wooden walls that act like folding screens – an object which traditionally holds an important place in art history. Like floating paintings in space, the architectural device is both a work of art in itself, and a recipient for other works mounted on its walls as well as contained inside it, in the manner of a Russian Doll.
As is Rafael Domenech’s custom, when creating new spaces, everything inside them, with no exception, becomes a work of art. From the outset, he thwarts categories, entirely reversing the traditional principles of an exhibition and the status of an artwork. Labyrinthine, circulatory, his redesigned space allows for multiple entrances, circulations, itineraries. Every possible passage creates new combinations, unexpected encounters, fresh dialogues between one work and the next.
Far from being linear, or easily disclosing itself, “Flowers Blooming on Acid” is an “open exhibition”, in the Umberto Ecco sense, where scenarios, interpretations, and experiences are intrinsically plural.

Solo show of Rafael Domenech

From April 1st to May 31st, 2025

Rendez-Vous

Saturday 24 May 2025 at 11:00 am

Brunch – 193 Gallery

Sunday 25 May 2025 at 2:30 pm

Guided tour – 193 Gallery

View all events
24 Rue Béranger
Paris, France
01 45 31 54 16 193gallery.com

The gallery

Founded in 2018, the 193 Gallery, based in Paris and Venice, aims to offer a global tour of contemporary art and to showcase the diversity of art scenes worldwide, with a particular focus on Southern scenes (Caribbean, Africa, Latin America, Southeast Asia).

Guided by the discovery and affirmation of diverse identities, the gallery supports a program aimed at fostering dialogue between different regions of the world, proposing a vision of art that transcends traditional Western interpretations. We are committed to promoting diversity by highlighting unique perspectives and celebrating the cultural richness of each continent.

The 193 Gallery participates in numerous prestigious art fairs (Untitled Miami, Arco Madrid, Zona Maco, Art Paris, Art Monte Carlo, Art Genève, Expo Chicago, Tokyo Gendai, Paris Photo, KIAF Seoul, Shanghai WestBund, Dallas Art Fair, 1-54 Marrakech / New York / London) and supports its artists in various biennales. In 2024, we are proud to present the exhibition "Passengers in Transit" a Collateral Event of the 60th International Art Exhibition - La Biennale di Venezia.

Gallery artists

Ben Arpéa, Valentina Canseco, Aldo Chaparro, Joana Choumali, Zoila Andrea Coc-Chang, Christa David, Modou Dieng Yacine, Sesse Elangwe, Jade Fenu, Adler Guerrier, Hassan Hajjaj, Jean-Marc Hunt, Thandiwe Muriu, Shinji Nagabe, Hyacinthe Ouattara, Javier Toro Blum, Rob Tucker, Lorenzo Vitturi

In the thematic « Art contemporain »

Gregory Hodge, Afterlight, 2025. Acrylique sur lin, 130 x 97 cm © Courtesy Galerie Anne-Laure Buffard

Galerie Anne-Laure Buffard

Gregory Hodge 1982, Australia

"Afterlight, Solo Show Gregory Hodge"

Georg Baselitz, Indigene liegen im Farnkraut, 2025, Oil on canvas, 300 x 430 cm (118,11 x 169,29 in), signed, dated and titled verso. Courtesy Galerie Thaddaeus Ropac, London · Paris · Salzburg · Milan · Seoul © Georg Baselitz

Thaddaeus Ropac

Georg Baselitz 1938, Germany

"Ein Bein von Manet aus Paris"

Simon Hantaï, Blancs, 1974, acrylique sur toile 192 x 180 cm

Galerie Larock-Granoff

Pierre Alechinsky, Claude Bellegarde, Gaston Chaissac, Jean Couty, Jean Degottex, René Duvillier, André Fougeron, Françoise Gilot, Simon Hantaï, Daniel Hourdé, Hans Hartung, Philippe Hiquily, Kolos-Vary, Charles Lapicque, Lili Le Gouvello, Jean Messagier, Isabel Michel, Joan Miró, Amédée Ozenfant, Paul Rebeyrolle, Antonio Saura et Pierre Tal Coat

--

"Hommage à Pierre Larock, une génération d'artistes"

In the thematic « Carte blanche »

Jean-Baptiste Caron, Carton 2, Courtesy of the artist

22,48 m²

Jean-Baptiste Caron 1983, France

"FORCES EN PRÉSENCE"

Anne Manoli, Sauvage est le vent, 2017, Peinture à l’huile, cire et emulsion sur toile, 158 x 198 cm

Berthet-Aittouarès

Anne Manoli, Yann Bagot, Paul Iratzoquy

--

"La nature en question"

Lalitha Lajmi. Performer and Child, 2015. Watercolor on paper, 21 x 14 inches. Courtesy of the Estate of Lalitha Lajmi and Gallery Art & Soul, Mumbai.

Galerie Anne Barrault

Lalitha Lajmi 1932 — 2023, India

In the thematic « Installation »

Diego Bianchi, Jacobsen, 2019, chrome pipes, wood, plastic, 181 x 150 x 80 cm

Galerie Jocelyn Wolff

Diego Bianchi 1969, Argentina

"ThéâtrEErreuR"

Femme Jibóia, Kássia Borges Mytara, photo Sami Korhonen @ricardofernandesgallery

Ricardo Fernandes

Kássia Borges Mytara 1962, Brazil

"'Femme Jibóia"

Jean-Baptiste Caron, Carton 2, Courtesy of the artist

22,48 m²

Jean-Baptiste Caron 1983, France

"FORCES EN PRÉSENCE"

In the thematic « Latin America's Art Scene »

Paula Siebra, Mesa de cabeceira com revólver, luvas e flor | Table de chevet avec revolver, gants et fleur, 2025, huile sur toile, 30 x 40 cm, MW.PSI.267, Photo credit: EstudioEmObra, Courtesy of the artist and Mendes Wood DM, São Paulo, Brussels, Paris, New York, Copyright The Artist

Mendes Wood DM

Paula Siebra 1998, Spain

"O estranho familiar"

Iván Navarro, The Eye, 2025, Néon, bois, courant électrique/ Neons, wood and electric energy, 120 × 140 cm — 47 1/4 × 55 in.
Photographie : Thelma Garcia. Courtesy TEMPLON, Paris-Bruxelles-New York

TEMPLON, Paris-Bruxelles-New York

Iván Navarro 1972, Chile

"Cyclops"

MAX ERNST & JOAQUÍN FERRER - Les surprises du hasard exhibition view, Galleria Continua / Paris Matignon. Photo: © Paul Hennebelle. Paris ADAGP 2025

GALLERIA CONTINUA

Max Ernst & Joaquín Ferrer

--

"Les surprises du hasard"

In the tour « Marais »

Guillaume Castel, Palma, acier Corten et inox, 19 x 25 x 29 cm, 2024, Courtesy Galerie Ariane C-Y, œuvre Guillaume Castel, ©image Gregory Copitet.

Galerie Ariane C-Y

Guillaume Castel 1980, France

"Jardin des simples"

Iván Navarro, The Eye, 2025, Néon, bois, courant électrique/ Neons, wood and electric energy, 120 × 140 cm — 47 1/4 × 55 in.
Photographie : Thelma Garcia. Courtesy TEMPLON, Paris-Bruxelles-New York

TEMPLON, Paris-Bruxelles-New York

Iván Navarro 1972, Chile

"Cyclops"

Bernard Requichot,

Galerie Alain Margaron

Bernard Réquichot 1929 — 1961, France

"Bernard Réquichot, penser par la peinture"

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