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29 • 30 • 31 May 2026

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Afaf Zurayk, untitled, watercolour and crayon on canvas, 40x40cm. Courtesy of the artist.

15 Beautreillis

Photo credit: Gaïa Lamarre.

Air de Paris

193 Gallery

Rafael Domenech 1989, Cuba/United States

"Flowers blooming on acid"

  • Rafael Domenech,

Rafael Domenech, "The elliptical hour", 2025. Archival inkjet print on synthetic paper, commercial vinyl, plywood, bookcloth, archival adhesive, 173 x 112 cm. Photo courtesy of the artist and 193 Gallery

Carte blanche granted to Jérôme Sans

For his first monographic exhibition in Paris at the 193 Gallery, Rafael Domenech draws a new space within that of the gallery, creating entirely different possibilities in an otherwise generic white cube. Planting the seeds for a new story and context, he divides the space with wooden walls that act like folding screens – an object which traditionally holds an important place in art history. Like floating paintings in space, the architectural device is both a work of art in itself, and a recipient for other works mounted on its walls as well as contained inside it, in the manner of a Russian Doll.
As is Rafael Domenech’s custom, when creating new spaces, everything inside them, with no exception, becomes a work of art. From the outset, he thwarts categories, entirely reversing the traditional principles of an exhibition and the status of an artwork. Labyrinthine, circulatory, his redesigned space allows for multiple entrances, circulations, itineraries. Every possible passage creates new combinations, unexpected encounters, fresh dialogues between one work and the next.
Far from being linear, or easily disclosing itself, “Flowers Blooming on Acid” is an “open exhibition”, in the Umberto Ecco sense, where scenarios, interpretations, and experiences are intrinsically plural.

Solo show of Rafael Domenech

From April 1st to May 31st, 2025

Rendez-Vous

Saturday 24 May 2025 at 11:00 am

Brunch – 193 Gallery

Sunday 25 May 2025 at 2:30 pm

Guided tour – 193 Gallery

View all events
24 Rue Béranger
Paris, France
01 45 31 54 16 193gallery.com

The gallery

Founded in 2018, the 193 Gallery, based in Paris and Venice, aims to offer a global tour of contemporary art and to showcase the diversity of art scenes worldwide, with a particular focus on Southern scenes (Caribbean, Africa, Latin America, Southeast Asia).

Guided by the discovery and affirmation of diverse identities, the gallery supports a program aimed at fostering dialogue between different regions of the world, proposing a vision of art that transcends traditional Western interpretations. We are committed to promoting diversity by highlighting unique perspectives and celebrating the cultural richness of each continent.

The 193 Gallery participates in numerous prestigious art fairs (Untitled Miami, Arco Madrid, Zona Maco, Art Paris, Art Monte Carlo, Art Genève, Expo Chicago, Tokyo Gendai, Paris Photo, KIAF Seoul, Shanghai WestBund, Dallas Art Fair, 1-54 Marrakech / New York / London) and supports its artists in various biennales. In 2024, we are proud to present the exhibition "Passengers in Transit" a Collateral Event of the 60th International Art Exhibition - La Biennale di Venezia.

Gallery artists

Ben Arpéa, Valentina Canseco, Aldo Chaparro, Joana Choumali, Zoila Andrea Coc-Chang, Christa David, Modou Dieng Yacine, Sesse Elangwe, Jade Fenu, Adler Guerrier, Hassan Hajjaj, Jean-Marc Hunt, Thandiwe Muriu, Shinji Nagabe, Hyacinthe Ouattara, Javier Toro Blum, Rob Tucker, Lorenzo Vitturi

In the thematic « Art contemporain »

Crocodile Tears (détail), 2024, Bâtons à l'huile, encres, acryliques, crayons, aquarelle sur papier aquarelle Arches 300 g., 130 х 650 сm, Photo Pauline Assathiany

Traits Libres

Noé Herbet 1994, France

"Yeux sable Eau dormante"

Simon Hantaï, Blancs, 1974, acrylique sur toile 192 x 180 cm

Galerie Larock-Granoff

Pierre Alechinsky, Claude Bellegarde, Gaston Chaissac, Jean Couty, Jean Degottex, René Duvillier, André Fougeron, Françoise Gilot, Simon Hantaï, Daniel Hourdé, Hans Hartung, Philippe Hiquily, Kolos-Vary, Charles Lapicque, Lili Le Gouvello, Jean Messagier, Isabel Michel, Joan Miró, Amédée Ozenfant, Paul Rebeyrolle, Antonio Saura et Pierre Tal Coat

--

"Hommage à Pierre Larock, une génération d'artistes"

Martin Boyce, Drawn from Depths, 2025 (détail), acier peint, acier galvanisé, verre soufflé à la main, composants électriques, installation : 300 x 200 x 200 cm. Production du verre : Cirva, Marseille. Courtesy de l’artiste et Esther Schipper Berlin/Paris/Séoul. Photo © Eoin Carey

Esther Schipper

Martin Boyce 1967, Scotland

"Unhome"

In the thematic « Carte blanche »

Tai Shani, Our Astrolatrous Commune, 2023 © Fabio Mantegna

Galerie Suzanne Tarasieve

Carte blanche à Camille Bréchignac

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Tai Shani 1976, England

Galerie Zlotowski

Pierrette Bloch, Ella Bergmann-Michel, Louise Bourgeois, Anne-Lise Coste (Uruk), Sonia Delaunay, Jochen Lempert, Sol Lewitt, Vera Molnar, Anthony Plasse, Helen Mirra, Kurt Schwitters, Georges Valmier, Arnaud Vasseux, Josselin Vidalenc, Zohreh Zavareh

--

"chevaliers errantes"

Elizabeth Lennard, Flower Mold, Red, 2010.

Les Douches la Galerie

August Sander, Daniel Masclet, Anna et Bernhard Blume, Michel Journiac, Valérie Belin, Stéphane Couturier, Elizabeth Lennard, Henri Foucault, Denis Darzacq, Alain Fleischer, Patrick Tosani, Ghislaine Vappereau, François Kollar, Roger Catherineau, Bernard Plossu etc..

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"Dans ma cuisine"

In the thematic « Installation »

Joris Van de Moortel
music enjoys direct access to the soul, has an immediate echo of response since we have music within ourselves, 2025, Huile sur lin et cadre en acier de l’artiste avec deux sculptures de tête faites en résine acrylique et patine effet bronze (une avec le nez droit et une avec le nez cassé)

Galerie Nathalie Obadia

Joris Van de Moortel 1983, Belgium

"Le poids du ciel illumine la terre"

Barry McGee, © Barry McGee, courtesy of the artist and Perrotin/

Perrotin

Barry McGee 1966, United States

"I’m Listening"

Sophie Whettnall, Invisible landscape, 2025, soie perforée, cadre cuivre, 51,5 x 40 x 3,5 cm, Photo © Isabelle Arthuis, Courtesy of the artist and Michel Rein, Paris/Brussels

Michel Rein

Sophie Whettnall 1973, Belgium

"Invisible"

In the thematic « Latin America's Art Scene »

Julio Villani, Lettres Brisées, 2024, Acrylique, fusain, kaolin sur toile
Courtesy RX&SLAG
ADAGP

Galerie RX&SLAG

Julio Villani 1956, Brasil

"L'eau rougie de la veine mémoire"

Osvaldo González - Descendencia, exhibition view - GALLERIA CONTINUA, Paris (C) Hafid Lhachmi - ADAGP Paris, 2025

GALLERIA CONTINUA

Osvaldo González 1982, Cuba

"Descendencia"

MAX ERNST & JOAQUÍN FERRER - Les surprises du hasard exhibition view, Galleria Continua / Paris Matignon. Photo: © Paul Hennebelle. Paris ADAGP 2025

GALLERIA CONTINUA

Max Ernst & Joaquín Ferrer

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"Les surprises du hasard"

In the tour « Marais »

Iván Navarro, The Eye, 2025, Néon, bois, courant électrique/ Neons, wood and electric energy, 120 × 140 cm — 47 1/4 × 55 in.
Photographie : Thelma Garcia. Courtesy TEMPLON, Paris-Bruxelles-New York

TEMPLON, Paris-Bruxelles-New York

Iván Navarro 1972, Chile

"Cyclops"

Crocodile Tears (détail), 2024, Bâtons à l'huile, encres, acryliques, crayons, aquarelle sur papier aquarelle Arches 300 g., 130 х 650 сm, Photo Pauline Assathiany

Traits Libres

Noé Herbet 1994, France

"Yeux sable Eau dormante"

Paul Wesenberg, Carmin River, 2024, huile sur toile, toile cirée, 200 x 150 cm, Courtesy RX&SLAG

Galerie RX&SLAG

Paul Wesenberg 1973, Germany

"Found New Paradise"

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