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Pieter Jennes, Il me tarde, 2025, Huile et collage sur toile / Oil and collage on canvas
190 × 170 cm / 74 13/16 × 66 15/16 inches
192 × 172 × 4 cm / 75 9/16 × 67 11/16 × 1 9/16 inches (encadré / framed)

Semiose

Georg Baselitz, Indigene liegen im Farnkraut, 2025, Oil on canvas, 300 x 430 cm (118,11 x 169,29 in), signed, dated and titled verso. Courtesy Galerie Thaddaeus Ropac, London · Paris · Salzburg · Milan · Seoul © Georg Baselitz

Thaddaeus Ropac

TEMPLON, Paris-Bruxelles-New York

Jeanne Vicerial 1991, France

"Nymphose"

  • Jeanne Vicerial, Présence Amnios, 2025, Cordes, fils, cuivre et laiton doré à l'or fin, Photographie : Laurent Edeline, Courtesy TEMPLON, Paris-Bruxelles-New York

Jeanne Vicerial, Présence Amnios, 2025, Cordes, fils, cuivre et laiton doré à l'or fin, Photographie : Laurent Edeline, Courtesy TEMPLON, Paris-Bruxelles-New York

The young French prodigy Jeanne Vicerial unveils at Galerie Templon the culmination of two years’ reflection on metamorphosis.

With Nymphose, Vicerial invests the historic space of Rue Beaubourg with her “presences”, large sculptures of black thread, crocheted or smoothed, so characteristic of her practice. The exhibition is an ode to mutation in all its facets. Vicerial reveals it in the form of the awakening of matter, as in the tribute to Pierre Soulages, where the Outrenoir thread, tightly stretched across the painting, suddenly flows in waves to the ground. She shows it as artistic creation, through a process of exploration and experimentation, the kind that precedes the birth of a work; or as gestation, as only the viviparous is capable of.

In the room transformed into an intimate chamber or sacred chapel, covered in black and dimly lit, silent presences stare out at the visitor. In the midst of a loving embrace, in childbirth or in the twilight of their lives, they seem to be caught in the midst of a transition. Like a moment in suspense, Vicerial attempts to capture the moult that precedes the (re)birth of these unclassifiable beings, these supernatural nymphs, half-plant, half-animal.

Solo show of  Jeanne Viceral

From May 17th to July 19th, 2025

30 Rue Beaubourg
Paris, France
01 85 76 55 55 www.templon.com/fr/galerie

The gallery

The gallery was founded in 1966 by Daniel Templon, who was then only 21. It first opened rue Bonaparte, in Saint-Germain-des-Prés in Paris, before moving in 1972 to its current location, rue Beaubourg, in the Marais, close to the Pompidou Center, which opened in 1977.

Daniel Templon first gained recognition by exhibiting conceptual and minimal artists such as Martin Barré, Christian Boltanski, Donald Judd, Joseph Kosuth, Richard Serra. In the seventies and eighties, Daniel Templon was one of the pioneers of the contemporary art and introduced many important American artists to the French public: Dan Flavin, Ellsworth Kelly, Willem de Kooning, Frank Stella, Andy Warhol. The gallery quickly became one of the references in contemporary art in France. In 1972, Daniel Templon and Catherine Millet co-founded the monthly art magazine ART PRESS.

Over the years, many artists now part of art history have exhibited with the gallery. In chronological order : Martin Barré, Christian Boltanski, Joseph Kosuth, Ben, Arman, César, Carl Andre, Dan Flavin, Sol LeWitt, Donald Judd, Ellsworth Kelly, Kenneth Noland, Robert Morris, Jules Olitski, Frank Stella, Olivier Mosset, Art & Language, Richard Serra, Roy Lichtenstein, Andy Warhol, Karel Appel, Willem de Kooning, Helmut Newton, Francesco Clemente, Jörg Immendorff, Julian Schnabel, Lawrence Weiner, Daniel Buren, Jean-Michel Basquiat, David Salle, Robert Mapplethorpe, Robert Rauschenberg, Joel Shapiro, Keith Haring, Peter Halley, James Rosenquist, Robert Longo, Paul Rebeyrolle, Georg Baselitz, Raymond Hains, Eric Fischl, Juan Uslé, Jaume Plensa, George Condo, Ross Bleckner, Chapman brothers, Jim Dine, Richard Long, William Eggleston, Hiroshi Sugimoto, Yayoi Kusama, Richard Deacon, Larry Bell, Guillermo Kuitca, Anthony Caro, Pierre et Gilles.

Today TEMPLON represents a group of international artists. The program promotes a dialogue between generations: established artists, international mid-career artists, and the experiences of younger artists. The gallery also provides curatorial expertise and assistance in the mounting of exhibitions by its artists in museums or international exhibitions. Many of its artists have participated in international exhibitions such as the Venice Biennale, Documenta, the Whitney Biennale etc.

TEMPLON is involved in the production of its artists and is committed to a strong editorial policy with the publication of exhibition catalogues. It has four spaces: two exhibition spaces in Paris (30 rue Beaubourg and 28 rue du Grenier Saint-Lazare), one in Brussels, Belgium and one in New York (Chelsea). The gallery participates in art fairs worldwide, including FIAC since 1974 and ART BASEL since 1978.

Gallery artists

Franz Ackermann, Valerio Adami, Jean-Michel Alberola, He An, Arman, Omar Ba, Ben, Abdelkader Benchamma, Norbert Bisky, Anthony Caro, James Casebere, Francesco Clemente, Philippe Cognée, Will Cotton, Gregory Crewdson, Daniel Dezeuze, Alioune Diagne, Jim Dine, Atul Dodiya, Anju Dodiya, Ed & Nancy Kienholz, Jan Fabre, Gérard Garouste, Orsten Groom, Oda Jaune,Jitish Kallat, Clay Ketter, Robin Kid, David Lachapelle, Ulrich Lamsfuss Léonard Martin, Jonathan Meese, Michael Ray Charles, Iván Navarro, Prune Nourry, Jules Olitski, Philip Pearlstein, Pierre Et Gilles, Antoine Roegiers, François Rouan, Julião Sarmento, George Segal, Sudarshan Shetty, Chiharu Shiota, Jan Van Imschoot, Claude Viallat, Jeanne Vicerial, Kehinde Wiley, René Wirths, Billie Zangewa

In the thematic « Contemporary Art »

Galerie Nathalie Obadia

Fabrice Hyber 1961, France

"Apocalyipstick"

Anne Manoli, Sauvage est le vent, 2017, Peinture à l’huile, cire et emulsion sur toile, 158 x 198 cm

Berthet-Aittouarès

Anne Manoli, Yann Bagot, Paul Iratzoquy

--

"La nature en question"

Liliana Porter, Red Sand, 2021 - Courtesy of the artist and mor charpentier Paris.

mor charpentier

Liliana Porter 1941, Argentina

"Almost There"

In the thematic « France Art Scene »

Cédric Quissola, Avalanche, 2018

Ségolène Brossette Galerie

Christophe Beauregard, Elise Bergamini, Cyril Burget, Fabien de Chavanes, Marielle Degioanni, Michele Landel, Maud Louvrier Clerc, Laurence Nicola, Laure Pubert, Cédric Quissola, Nathalie Tacheau, Tania & Lazlo

--

"Limited Prints"

Crocodile Tears (détail), 2024, Bâtons à l'huile, encres, acryliques, crayons, aquarelle sur papier aquarelle Arches 300 g., 130 х 650 сm, Photo Pauline Assathiany

Traits Libres

Noé Herbet 1994, France

"Yeux sable Eau dormante"

Galerie Taménaga

Jean-Pierre Cassigneul 1935, France

"Jean-Pierre Cassigneul : Carnets intimes"

In the thematic « Sculpture »

Christian Fogarolli, MauvaisCorps

Galerie Alberta Pane

Christian Fogarolli 1983, France

"Mauvais Corps"

Kim Simonsson, Mossboy with Sacred Costume, 2025, Ceramics, nylon fibre, epoxy resin, artificial plants, feathers and rope, 100 x 50 x 45 cm. Photo Courtesy of Alzueta Gallery / Hugo Alonso, April House, 2025, Acrylic on canvas, 134 x 101 cm. Photo Courtesy of Alzueta Gallery

Alzueta Gallery

Hugo Alonso et Kim Simonsson

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"Tête à tête"

Stéphané Edith Conradie, Klinkende Simbaal II, 2025, Assemblage d’éléments divers, Courtesy Ceysson & Bénétière

Ceysson & Bénétière

Stephané Edith Conradie 1990, Namibia

In the thematic « Textile Art »

Hessie

Galerie Arnaud Lefebvre

Hessie, Olga Theuriet, Jessye Wdowin-McGregor

--

"Temps perdu, partie 2"

In the thematic « Women Artists »

Sophie Calle, Troublante croisière (divergence de points de vue), 2023,

Perrotin

Sophie Calle 1953, France

"Séance de rattrapage"

Siri Derkert, Sara i fönstret, 1924, Unsigned, Oil on canvas mounted on canvas, 95.3 x 63.3 cm. Courtesy of the Artist and Andréhn-Schiptjenko. © Paulina Simon

Andréhn-Schiptjenko

Siri Derkert 1888 — 1973, Sweden

Evelyn Pultara, Atnwelarr and Kame, Acrylique sur toile, 210 x 120 cm, 2007 ©Evelyn Pultara ©Arts d’Australie • Stéphane Jacob

©Evelyn Pultara ©Arts d’Australie • Stéphane Jacob

GALERIE ARTS D’AUSTRALIE • STEPHANE JACOB

Abie Loy Kemarre, Ada Pula Beasley, Anna Pitjara, Belinda Golder Kngwarreye, Clara Wubuqwubuk, Elizabeth Kunoth Kngwarreye, Evelyn Omeenyo, Evelyn Pultara, G. W. Bot, Konstantina, Lilly Sandover Kngwarreye, Marilyn Golder Kngwarreye, Naomi Price, Niah Juella Mcleod, Ollie Kemmare, Philip Gudthaykudthay et Tjimpuna Williams

--

"Yallaroo"

In the tour « Marais »

Evelyn Pultara, Atnwelarr and Kame, Acrylique sur toile, 210 x 120 cm, 2007 ©Evelyn Pultara ©Arts d’Australie • Stéphane Jacob

©Evelyn Pultara ©Arts d’Australie • Stéphane Jacob

GALERIE ARTS D’AUSTRALIE • STEPHANE JACOB

Abie Loy Kemarre, Ada Pula Beasley, Anna Pitjara, Belinda Golder Kngwarreye, Clara Wubuqwubuk, Elizabeth Kunoth Kngwarreye, Evelyn Omeenyo, Evelyn Pultara, G. W. Bot, Konstantina, Lilly Sandover Kngwarreye, Marilyn Golder Kngwarreye, Naomi Price, Niah Juella Mcleod, Ollie Kemmare, Philip Gudthaykudthay et Tjimpuna Williams

--

"Yallaroo"

La Galerie Rouge

Clarissa Bonet 1986, United States

"Clarissa Bonet, City Space"

Laura Garcia Karras, Oraison, 2024, Huile sur toile, 180 x 150 cm, Courtesy de l’artiste et Galerie Anne-Sarah Bénichou

Galerie Anne-Sarah Bénichou

Laura Garcia Karras 1988, France

"Calisté"

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