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29 • 30 • 31 May 2026

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Galerie Zlotowski

Axel Pahlavi, Poussière de Lumière, 2025, oil on wood, 64 x 96 cm, Courtesy H Gallery, Paris

H Gallery

GALLERIA CONTINUA

Max Ernst & Joaquín Ferrer

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"Les surprises du hasard"

  • MAX ERNST & JOAQUÍN FERRER - Les surprises du hasard exhibition view, Galleria Continua / Paris Matignon. Photo: © Paul Hennebelle. Paris ADAGP 2025

MAX ERNST & JOAQUÍN FERRER - Les surprises du hasard exhibition view, Galleria Continua / Paris Matignon. Photo: © Paul Hennebelle. Paris ADAGP 2025

GALLERIA CONTINUA is delighted to present Les Surprises du hasard, an unprecedented dialogue between Max Ernst and Joaquín Ferrer, two major figures born on opposite sides of the Atlantic Ocean, whose deep intellectual and artistic friendship has long gone unrecognized. Indeed, Ernst gave Ferrer a great deal of support shortly after his arrival in France in the 1960s. Coinciding with Spring Art Week, this singular face-to-face encounter unfolds in the gallery space located in the heart of Paris’s Matignon district.

Les surprises du hasard was the title of a series of lithographs by Max Ernst presented by the Galerie Alphonse Chave in Vence in 1971, 45 compositions unforeseen by chance alone, as the artist himself points out in the catalog. And it’s to such happy, fertile chance that we owe the friendly relationship between Max Ernst and Joaquín Ferrer – a meeting placed under the sign of surprise, yet which, from the very first moment, seemed to them to have been written in advance. Max Ernst and Joaquín Ferrer met somewhere in 1967, over lunch at the home of poet and writer Alain Bosquet. At the time, Max Ernst was already a famous artist, while Joaquín Ferrer was a young man who had just arrived in Paris in 1960 on a Cuban government scholarship. From their first meeting, Max Ernst was struck by the power of the young painter’s drawings and paintings – to the point of being reassured.

It seems to him that, in a contemporary art world overly focused on sensation and media hype, there are still artistic approaches that seek to find their way outside the din of the world. “Deeply authentic” is how he sees Ferrer’s enigmatic, abstract and biomorphic compositions, bathed in delicate pastel tones and nurtured in the vast orbit of surrealism.

– Excerpt from Julia Drost’s text

Group show with Max Ernst & Joaquín Ferrer

From April 3rd to May 31st, 2025

Rendez-Vous

Saturday 24 May 2025 at 2:30 pm

Guided Tour – GALLERIA CONTINUA

View all events
108 Rue du Faubourg Saint-Honoré
75008 Paris, France
01 43 70 00 88 www.galleriacontinua.com

The gallery

Galleria Continua is a contemporary art gallery founded in 1990 in San Gimignano by three friends: Mario Cristiani, Lorenzo Fiaschi and Maurizio Rigillo.

Galleria Continua represents a desire for continuity between times and a desire to write a current history. Thanks to its investment in forgotten and unconventional sites, the gallery has always chosen atypical locations, developing a strong identity and an original positioning in over thirty years of activity. In 2021, Galleria Continua opened a new space in the heart of the French capital. This space is dedicated to experimentation and the encounter between art, society and culture, in a constantly evolving setting.

Gallery artists

Adel Abdessemed, Etel Adnan, Ai Weiwei, Leila Alaoui, Juan Araujo, Kader Attia, Barbana Bojadzi, Daniel Buren, Cai Guo-Qiang , Alejandro Campins, Iván Capote, Yoan Capote, Loris Cecchini, Elizabet Cerviño, Chen Zhen, Nikhil Chopra, Marcelo Cidade , Carlos Cruz-Diez, Jonathas De Andrade, Berlinde De Bruyckere, Leandro Erlich, Carlos Garaicoa, Osvaldo González, Antony Gormley, Gu Dexin, Shilpa Gupta, Subodh Gupta, Carsten Höller, Eva Jospin, Jr, Ilya & Emilia Kabakov, Zhanna Kadyrova, Kan Xuan, Anish Kapoor, André Komatsu, Jannis Kounellis, Julio Le Parc, Luis López-Chávez, Jorge Macchi, Ahmed Mater, Cildo Meireles, José Manuel Mesías, Sabrina Mezzaqui, Moataz Nasr, Rudi Ninov, Hans Op De Beeck, Ornaghi & Prestinari, Giovanni Ozzola, Susana Pilar, Michelangelo Pistoletto, Qiu Zhijie, Tobias Rehberger, Arcangelo Sassolino, Manuela Sedmach, Serse, Kiki Smith, Nedko Solakov, Marta Spagnoli, José Antonio Suárez Londoño, Hiroshi Sugimoto, Sun Yuan & Peng Yu, Ana Maria Tavares, Pascale Marthine Tayou, Armando Testa, Nari Ward, Sislej Xhafa, José Yaque, Zhuang Hui

In the thematic « Contemporary Art »

Vivian Van Blerk, La Clairiere, Sculpture ceramique, 65×65×70 cm.

Galerie Dominique Fiat

Vivian Van Blerk 1971 — 2024, South Africa

"Memento Mori"

Galerie Taménaga

Jean-Pierre Cassigneul 1935, France

"Jean-Pierre Cassigneul : Carnets intimes"

Stéphané Edith Conradie, Klinkende Simbaal II, 2025, Assemblage d’éléments divers, Courtesy Ceysson & Bénétière

Ceysson & Bénétière

Stephané Edith Conradie 1990, Namibia

In the thematic « Latin America's Art Scene »

Julio Villani, Lettres Brisées, 2024, Acrylique, fusain, kaolin sur toile
Courtesy RX&SLAG
ADAGP

Galerie RX&SLAG

Julio Villani 1956, Brasil

"L'eau rougie de la veine mémoire"

Osvaldo González - Descendencia, exhibition view - GALLERIA CONTINUA, Paris (C) Hafid Lhachmi - ADAGP Paris, 2025

GALLERIA CONTINUA

Osvaldo González 1982, Cuba

"Descendencia"

Iván Navarro, The Eye, 2025, Néon, bois, courant électrique/ Neons, wood and electric energy, 120 × 140 cm — 47 1/4 × 55 in.
Photographie : Thelma Garcia. Courtesy TEMPLON, Paris-Bruxelles-New York

TEMPLON, Paris-Bruxelles-New York

Iván Navarro 1972, Chile

"Cyclops"

In the thematic « Painting »

Georg Baselitz, Indigene liegen im Farnkraut, 2025, Oil on canvas, 300 x 430 cm (118,11 x 169,29 in), signed, dated and titled verso. Courtesy Galerie Thaddaeus Ropac, London · Paris · Salzburg · Milan · Seoul © Georg Baselitz

Thaddaeus Ropac

Georg Baselitz 1938, Germany

"Ein Bein von Manet aus Paris"

Pieter Jennes, Il me tarde, 2025, Huile et collage sur toile / Oil and collage on canvas
190 × 170 cm / 74 13/16 × 66 15/16 inches
192 × 172 × 4 cm / 75 9/16 × 67 11/16 × 1 9/16 inches (encadré / framed)

Semiose

Pieter Jennes 1990, Belgium

"Le Bouquet manquant"

Siri Derkert, Sara i fönstret, 1924, Unsigned, Oil on canvas mounted on canvas, 95.3 x 63.3 cm. Courtesy of the Artist and Andréhn-Schiptjenko. © Paulina Simon

Andréhn-Schiptjenko

Siri Derkert 1888 — 1973, Sweden

In the tour « Matignon »

Countrejour in the French Style, 1974, Gravure, 75 exemplaires, 99,5 × 91,5 cm © David Hockney / Courtesy Galerie Lelong

Galerie Lelong

David Hockney 1937, United Kingdom

"Impressions"

Perrotin

Exposition collective

Xevi Solà, Nova, 2023, Oil on canvas, 73 x 60 cm, 28.7 x 23.6 in

OPERA GALLERY

Amoako Boafo, Fernando Botero, André Brasilier, Bernard Buffet, Marc Chagall, George Condo, Paul Delvaux, Andy Denzler, Raoul Dufy, Philippe Hiquily, Alex Katz, Fernand Léger, Henri Matisse, Gustavo Nazareno, Julian Opie, Pablo Picasso, Pierre-Auguste Renoir, Niki de Saint Phalle, Xevi Solà, Manolo Valdés, Kees van Dongen, Andy Warhol et Tom Wesselmann

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"Le Féminin"

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