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© Sarah Crowner, courtesy the artist and Galerie Max Hetzler Berlin | Paris | London | Marfa. Photo: Thomas Lannes

Galerie Max Hetzler

Joris Van de Moortel
music enjoys direct access to the soul, has an immediate echo of response since we have music within ourselves, 2025, Huile sur lin et cadre en acier de l’artiste avec deux sculptures de tête faites en résine acrylique et patine effet bronze (une avec le nez droit et une avec le nez cassé)

Galerie Nathalie Obadia

Galerie Natalie Seroussi

Martin Boyce 1967, Scotland

"Walk With Me"

  • Martin Boyce Spook School, 2016 Giclee Photographic Prints 19 x 12,5 cm each (unframed), 21 parts 52 x 42 x 2 cm each (framed), 21 parts Courtesy the artist and Esther Schipper, Berlin/ Paris/Seoul Photo © Martin Boyce Studio

Martin Boyce Spook School, 2016 Giclee Photographic Prints 19 x 12,5 cm each (unframed), 21 parts 52 x 42 x 2 cm each (framed), 21 parts Courtesy the artist and Esther Schipper, Berlin/ Paris/Seoul Photo © Martin Boyce Studio

Walk With Me is an exhibition conceived by the Scottish artist Martin Boyce in collaboration with Galerie Seroussi and Esther Schipper, Paris. Taking the work of Raymond Hains as inspiration for the exhibition, Boyce will exhibit his photo series Spook School, 2016. Consisting of 21 photographs of the interior of Charles Rennie Mackintosh’s Glasgow School of Art, the images were taken after the first fire in 2014, but before the catastrophic second in 2018. Unbeknown to the artist at the time, these photographs now document the building in a moment of phantom-like limbo, not quite dead but not yet fully brought back to life. In these images, which Boyce has drawn much of the light and colour out of, we see the school in a state of renovation and repair. There is hope in its bones but
in fact it was just a tinder box waiting for a match. In the exhibition the match comes courtesy of Hains. An outsize box of matches, Saffa, Omagio a Mondrian e a De Chirico, 1970, will be exhibited alongside one of Boyce’s fireplace sculptures. Here is perhaps where the spectre of Surrealism appears. Hains’ open matchbox revealing another kind of space.

Solo show of Martin Boyce

From May 23rd to July 26th, 2025

34 Rue de Seine
Paris, France
01 46 34 05 84 www.natalieseroussi.com

The gallery

Natalie Seroussi opened her gallery on Rue de Seine in 1983. From the very beginning, the program has been dedicated to establishing dialogues between different movements in modern and contemporary art history.

Originally specializing in Surrealism, the gallery promotes the work of Francis Picabia, Jean Arp, and Alexander Calder, while also supporting the avant-garde movements of the 1960s, including Martial Raysse, Yves Klein, and Kiki Kogelnik.

With the arrival of Julien Seroussi in 2017, the gallery has initiated new conversations, beginning with the exhibition Franz West | Thu Van Tran, followed by Calder | Tomás Saraceno and Kings of Kin (Bodys Isek Kingelez, Moké, Chéri Samba).

Gallery artists

Carla Accardi, Jean Arp, John Baldessari, Hans Bellmer, Victor Brauner, Cadavre Exquis, Alexander Calder, Sergio Camargo, Giorgio De Chirico, Lygia Clark, Jean Crotti, Salvador Dalí, Jean Dubuffet, Suzanne Duchamp, Max Ernest, Yolande Fièvre, Franz West, Raymond Hains, Hans Hartung, Bernard Heidsieck, Hannah Hoch, Zao Wou-Ki, Bodys Isek Kingelez, Yves Klein, Kiki Kogelnik, Jannis Kounellis, Gordon Matta-Clark, Henri Michaux, Fracis Picabia, Michelangelo Pistoletto, Jean-Paul Riopelle, Chéri Samba, Kurt Schwitters, Sophie Taeuber-Arp, Vassilakis Takis, Yves Tanguy, Antoine Tapies, Jean Tinguely, Gil Joseph Wolman, Wols

In the thematic « Art contemporain »

Summer Wheat, Catching Butterflies on Grass, 2025, acrylic paint and gouache on aluminum mesh 172.7 x 119.4 cm (68 x 47 in). Courtesy Zidoun-Bossuyt Gallery

Zidoun-Bossuyt Gallery

Summer Wheat 1977, United States

"Sun Up, Sun Down"

View of Martin Boyce’s Studio / Vue du
studio de Martin Boyce, 2025. Courtesy the artist and / Courtoisie de l'artiste
et Esther Schipper, Berlin/Paris/Seoul
Photo © Martin Boyce Studio

Esther Schipper

Martin Boyce 1967, Scotland

"Unhome"

Ahmed Legs, framed photography by ©️Hassan Hajjaj, 2022_1443. Courtesy of Ahmed, Hassan Hajjaj Studio & 193 Gallery

193 Gallery

Hassan Hajjaj 1961, Morocco

"Legs"

In the thematic « Contemporary Art »

Robert Irwin, #3 x 6' D Four Fold, 2016
© ARS, NY and DACS, London 2025.
Photo: Philipp Scholz Ritterman. Courtesy of the Estate of Robert Irwin

WHITE CUBE

Robert Irwin 1928 — 2023, United States

"Robert Irwin"

Atelier de l'artiste Sophie, Whettnall, Bruxelles, 2025, © Photo Sophie Whettnall

Michel Rein

Sophie Whettnall 1973, Belgium

"Invisible"

Axel Pahlavi, Poussière de Lumière, 2025, oil on wood, 64 x 96 cm, Courtesy H Gallery, Paris

H Gallery

Axel Pahlavi 1975, Iran

"Hyperclassique" // "Abîme moderne" // " Intégrale du réel"

In the thematic « Photographie »

View of Martin Boyce’s Studio / Vue du
studio de Martin Boyce, 2025. Courtesy the artist and / Courtoisie de l'artiste
et Esther Schipper, Berlin/Paris/Seoul
Photo © Martin Boyce Studio

Esther Schipper

Martin Boyce 1967, Scotland

"Unhome"

Cédric Quissola, Avalanche, 2018

Ségolène Brossette Galerie

Christophe Beauregard, Elise Bergamini, Cyril Burget, Fabien de Chavanes, Marielle Degioanni, Michele Landel, Maud Louvrier Clerc, Laurence Nicola, Laure Pubert, Cédric Quissola, Nathalie Tacheau, Tania & Lazlo

--

"Limited Prints"

Thomas Paquet, Arc en ciel, 2023, signé, daté et numéroté au verso, Impression à l'agrandisseur sur papier sur papier argentique brillant, 61 x 50 cm.

Bigaignon

Thomas Paquet 1979, France

"Oh lumière !"

In the thematic « Photography »

 Installation view, Zander Galerie, Cologne 2024, featuring works by Ed Ruscha: If You Ever Tell I'll Hurt Your Mama Real Real Bad, 1994, If No Cash By Noon You Will Have Visitors, 1997, Do As Told Or Suffer, 1997, and A Columbian Necklace for You, 1997.

Zander Galerie

Ed Ruscha 1937, United States

"Cityscapes"

Anne-Sophie Emard, La flûtiste borgne, 2025, Tirages Cibachrome sous diasec, châssis affleurant chêne teinté ciré noir, Diptyque,  45cm x 30cm et 85cm x 70cm, Courtesy de l'artiste et Galerie Claire Gastaud

Galerie Claire Gastaud | Paris

Anne-Sophie Emard 1973, France

"La flûtiste borgne"

Galerie SIT DOWN

Jean-Michel André 1976, France

"Chambre 207"

In the tour « Saint-Germain-des-Prés »

En premier plan : Cristina Almodóvar, AFFLEUREMENT ROCHEUX, 2024, Carton collé sur bois et vernis, 140 x 220 x 80 cm

En arrière plan : Cristina Almodóvar, MARCOS, Evasion, 2025, Encre sur papier encadré, carton encollé et vernis, 177 x 295 cm

Galerie Dutko

Cristina Almodóvar 1970, Spain

"Au-delà de la matière"

Sophia Fassi, La sieste I, 2024, huile sur toile, 114 x 146 cm, ©Galerie Berthet-Aittouares

Berthet-Aittouarès

Eve Aschheim, Claude Buraglio, Marie-Claude Bugeaud, Sophia Fassi, Anne Ferrer, Liliane Klapisch, Vera Molnar, Nil Yalter.

--

"8 femmes"

Summer Wheat, Catching Butterflies on Grass, 2025, acrylic paint and gouache on aluminum mesh 172.7 x 119.4 cm (68 x 47 in). Courtesy Zidoun-Bossuyt Gallery

Zidoun-Bossuyt Gallery

Summer Wheat 1977, United States

"Sun Up, Sun Down"

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